List of all the programs/events/gigs/fundraisers/sponsorship/packages/workshops/MOU/Contracts and all the activities of Hetal Nagaraj, Hetal Joshi herself

Want to know who brings the 99% ? Ms. Hetal is the Alpha training Alpha(s) + Crew/Dance Teams.

These activities are independent to yearly academic on-going classes(other than regular classes) that we offer in our locations and are strictly by invoices/MOU/contracts with specified schedules/timing as per instructor/venue/client’s availability.

  • Basic Terms for those who do not know what these activities mean !
    • All the below listed services/products are applicable, by MOU/fees w/invoices towards each custom package
    • Basic Terms To Understand

Hetal herself does all of this exclusively because of more than 50 specialities in performing arts by genre/category/styles. This is just hetal’s own statistics without anybody and without which any of the crew member would not have delivered the project or gig or the assignment or the activity + TEAMS.

Ms. Hetal’s specialities in performing arts – More than 50 specialities in performing arts : https://www.hetaln.com/welcome

Hetal has always had her own admin/co-ordinator for all the scheduling. Videos/clips will be linked and most of these are on promo and timelines that were shared often or LIVE on facebook. Albums of all of above activities are listed on facebook, some with videos as well : https://www.facebook.com/hetalnagarajdance/photos_albums:

  1. Hetal (solo+group) performances w/details & clip links
  2. Shot by Hetal Nagaraj, The Grace Effects from 2014
  3. Hetal’s Reachh Mediaa Artists Since 2013 Program Invitees & Grads
  4. Hetal’s Dance Workshops, per request either at our locations or at client’s locations.
  5. Hetal’s Sponsored Events / Programs (Outside of Grace And Grooves, hetal paid for it)
  6. Hetal’s Makeup, Hair Services
  7. Workshops Programs of Hetal@GraceAndGrooves at our locations
  8. Hetal’s Fitness & Women Wellness Workshops 
  9. Hetal’s Audition Selection Workshops
  10. Hetal’s Lecture, Demonstrations, Research/Thesis
  11. Hetal’s Couple, Marriage, Private Packages
  12. Hetal Nagarajs On-Stage In-House Dance & Model Productions
  13. Successful Launch of Non Dance Staff By Exclusively Hetal Joshi M, Hetal Nagaraj with projects and activities.
  14. Successful Launch of In-house DANCE Elites/Grads By Genre by Hetal Nagaraj with dance gigs and activities.
  15. Successful Launch External Choreographers And Model Gigs Exclu Under Hetal Joshi M, Hetal Nagaraj. with dance gigs and activities.
  16. Hetal’s Fundraisers Events Pictures
  17. Texas All Star Talents Program Graduates Of Hetal Nagaraj
  18. Total Count of Events|Programs|Workshops|Shoots|Productions
  19. Mcee(s) of Hetal’s programs
  20. In-house Elites List of Hetal Joshi M, Hetal Nagaraj.
  21. In-house Pre. Elites of Hetal Joshi M, Hetal Nagaraj
  22. External Elites by Auditions – Under Hetal Joshi M, Hetal Nagaraj
  23. External Pre. Elites by Auditions Under Hetal Joshi M, Hetal Nagaraj
  24.  Hetal’s Show announcements and flyers, dates and venues
  25. Auditions & Exams Only – no other activity in auditioned genre/category
  26. Independent Projects/Works under Hetal Nagaraj by Hetal’s Teams – Assigned by Hetal Joshi M/Hetal Nagaraj as per crew’s specialities.
  27. Successful Gigs Shot by Teams/Crew, as requestedSuccessful Gigs Shot by Teams/Crew, as requested WIP
  28. Dhamaal Events USA-Visiting Faculties Exclu Under Hetal Nagaraj
  29. Solo Independent Gigs-Commercial, Educational, In-house Shows Under Exclu Hetal Joshi, Hetal Nagaraj – Assigned independently by Hetal Joshi M/Hetal Nagaraj as per crew’s specialities.
  30. G2 Staff, Round 1 – had to let them go due to lack of engagements
  31. Successful Company/Brand/Service Launches in various countries.
  32. Budding Star Category 3 to 13 yrs.

All the albums will be uploaded here as well with relevant video links!

Crew stats will be posted in coming weeks from Nov 19th, 2023. Some independent projects(are posted) and those were also assigned with full specs/leadership/technique list and entire supervision/with approval of clients from Hetal. Students too were Hetal’s own students! Thus,

2014-2015 : The project of uploading all the company developments/activities specifically of Hetal Joshi M, Hetal Nagaraj (being an owner, highest contributor due to availability, and the only full timer to the company) and the company’s uploads on social medias were initiated in 2014-2015 by Ms. Jinal Shah(not to mistake with Jigar Shah) and Ms. Jaimini Vyas/Raval, Dubai/India. (Not to mistake with Mr. Jaimin Patel-USA) to highlight the extra ordinary achievements which were exceptional in 2014 itself.

This blog was also an effort for performing arts research students that initiated the need for the first blog post for a research publication (required one public post from the submission coordinator – Hetal Joshi M/Hetal Nagaraj). Since then, it is also used for highlighting the accomplishments/achievements of the company and the activities under Ms. Hetal’s leadership as well.

However, the need for pictures/activity count/activity upload was triggered initially due to regular requests and requirement for transparency/visibility with full specifications by publicly declared award org such as news/publishing houses/mainstream media.

More about Ms. Hetal : www.hetaln.com. | Hetal’s social media is available here!

Website of Company : www.graceandgrooves.com

Company Facebook : https://www.facebook.com/GraceAndGrooves

Company Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

Copyright Reach Media for Grace And Grooves | Grace Creations | Nruthyakala Dance Academy | Mirchi Dance Academy. 2012-2024. This material may not be published, broadcast, rewritten or redistributed without permission. Material with link can be shared to create awareness!

Why Grace And Grooves dance school students don’t perform that often in culture activities

Why our dance school students don’t perform in culture activities that often ?

Because there are so many culture and community shows and the dates of submission of these programs are atleast 1 month prior. Our curriculam classes start by date to date with a year round program with holidays and a full structure by genre, by skill, by age group. The program was designed this way by hetalnagaraj so that she can spend time with her family and still she can deliver the projects as well as all that she loves to do with 100% results and successful delivery!

Students should learn to balance their life and learn all activities along with education and with family just like the way she learned and it makes life! See this : http://www.hetaln.com!

Also, we never had anybody full time till date – HISTORY in that. And so, Hetal takes limited batches by location, genre and because of this automatically it becomes easy for her to focus on curriculam programs than jumping to different culture programs with delivery dates.

And yet, we have programs that are by delivery date that are conducted seperately than regular programs as in packages. We have delivered successfully entertainment programs too! Those run entirely seperate on seperate pace and levels.. Record breaking package classes!

For learners, aligning the date to perform as a rush becomes a tedious job. This is because the bodies are learning skills/mastering muscle memory and in that, how much will you push. Dance cannot be sports because in sports, expressions and poise is something that is not required! In dance, everything is required with emotions as per dance and the moods. Kids find it difficult to smile or express as per dance requirement if kids are going through “rushed training”. This often leads to burn out and the whole delicacy, smooth delivery, poise, expressions, elegence, body toning, conditioning is compromised just to perofrm. In longer run, this results to unhealthy habits to body often leading to injuries and sprains. Students don’t learn to focus on several aspects as in personality itself. See our Hetal Nagaraj, despite of several sports injuries, all this is achieved in performing arts – after the sports injury!.

Dance is so pure that it was never meant to hurt anybody the time it started! Look one of the example that we have achieved in performing arts because of our straight background. Dance is this pure. click here. Several other examples are set here.

Do you know the audiences that we talk about usually “come to see only us” for performances, workshops and so on!

Being a dance school with a structured curriculum and level by level skill sets and by date classes, our routine dance school students performance rarely aligns with local cultural shows submissions or date of performance.

Our submissions are entirely different and are often commercial.

Unlike several dance schools that push on performing to align with dates of performances, our curriculam runs independently with our own in-house shows that are planned as per curriculam completion by date and skills achievement.

***It is very much like your child completing 9 weeks in your school and expected to learn some skills or knowledge in those 9 weeks by each subject/program or genre or category.

This is also the reason why our curriculam supplements to several ISDs and programs in several schools. We have worked with more than 6 ISD-schools and about a dozen institutes/colleges for various programs. This is exclusive to Hetal Nagaraj’s own knowledge as her entire training was year by year, skill by skill at her institutes by each genre, one step at a time or twice a week or thrice a week programs + commercially she has performed by genre and category. So students are taught everything!

More about hetal’s payout : Click here.

Here’s why she has never applied for ISD positions : Click here.

Ever applied to hollywood/bollywood : Nope. Here’s why.

So you will rarely see our groups performing in local community or culture shows. And there are so many culture shows. There are several students & elites or pre.elites who may not have performed in any culture shows or these students dance at only our in-house programs.

Obviously, in 12 hours it is expected to see some results for most average beginer level students & so onn at different levels w/age.

This includes our own workshops and several other activities we do. However, Hetal Nagaraj Dance is hired by org/schools/universities/companies/institutions & so onn or parents for their own performances at those community culture programs and those group packages are held seperately w/date of delivery in mind. Occasionally, company releases these pkgs too on request from several intermediate students with goal in mind! These pkgs are by demand only.

And yes, students learn by level, skills , category and genre too. Hetal Nagaraj has a straight/transparent background level by level year by year(avg 52 hrs min). Thus, Hetal Nagaraj Dance has a dedicated admin that handles her own + company activities! It is the other way round because of her own schedule by activity & field is this “high”.

New to you? From 400 ppl to 2000 ppl for workshops & in her own shows or activities and upto 4000 ppl for entertainment successfully entertained under @hetalnagaraj, Hetal Joshi M exclusively + the team efforts at Grace And Grooves Group of Companies.

@hetalnagaraj bags them all. For culture/community shows up to 10,000 audiences entertained with a “live” in 4 countries on stage under @hetalnagaraj.

Looking for “bigger number audiences” ofcourse & exclusively ours preferred. Define part-time. Programs such as bharatanatyam commenced in 2014-15, amongst our latest offering & students by category have performed and won awards too in all types of activity. Students learn everything including $$$.

****Possibilities with an open mind, by genre, by category, by level, by age group, positivity to welcome ideas, goals, purposes within the company itself from all directions and all achieved.

Our philosophy is ruled & backed with 100% straight transparency background with full transparency and with results by each genre, category, programs, levels & age. We do it then we talk about it. We don’t do reels for secondary media.

If we told you that you can earn upto 400$ an hour in performing arts or 100 to 150$ for 1-2 performance and bag a client or get a project in 4 figures, would you care to make reels or care for the likes of people or likes on your page? You may care to do so “additionally” but not as replacement. See, it is that simple. We don’t discourage those activities but this is mainstream educationment/education/instruction and yet it is commercial performing arts and that is how it is. And yep, our elites have earned those too depending on their availabilty as our elites are scholars in their education as well.

That is why, Hetal Nagaraj herself doesn’t care about those reels and likes because hetal has experienced what matters at the end of the day. It paid for everything + achieved too by genre and category. It also paid for our 501 3 c non profit programs! Charity is fueled too + earnings. Obviously in future, we may think of all the other activities but as an inclusion. Not as a replacement! What’s your philosophy based on ? Do you have anything worth showing that backs your philosophy?

As the annual dance recitals are planned by curriculam expected to meet by students in certain time frame, the dances and the musicals in all our dance forms are at level where we can easily convert them into an exclusive dance production pertaining to respective forms, and styles. Thus, offering our students a real experience to students of each and every aspect of performing arts.

Website : www.graceandgrooves.com

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

Book us for your next set of events !!! Let us be your host, email here directly to Ms.Hetal for specs : mail2hets@gmail.com

#yep#hetaljoshim#newtoyou#hetaln#Hetal#graceandgrooves

Exclusive Copyrights by Reachh Mediaa for Hetal Joshi Nagaraj | Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2023.  

This material may not be published, broadcast, rewritten or redistributed without permission. 

1999…. Entering Freelance Private Group Choreography. How we got into it…

1999 marked the year when our founding member Ms. Hetal Nagaraj first stepped into professional competition choreography as freelancer. It was the very first time when she taught students similar to her age, or they did not belong to her affiliated groups/school or college or let’s just say, were complete strangers. For a 20 year old, it was tough call when she was not a performer but a choreographer (Sigh). Through a friend’s friend, this all got started and today we are thankful to both of them.

Biggest challenge was that these students were avid dancers (who could move the way you want them to) but they had no idea of what they were doing. This is in-spite of being natives or participating in various community or school events as they claimed to. But, ready to work hard & first whole week just passed by getting their moves FIXED to folk requirements, which we did daily for 4 hours totaling to up-to 28 hours of training!

Content5

After spending all that sponsored funds for the costumes and travel, you cannot afford to do mistakes. The whole week, with pure folk training & listening to audio/video of 30+ folk artist, finally we ended up in a song that was approved by competition board to use and was best fitting our decided folk & theme!

Then the real drill work of choreography had begun!

Folk Dance Competitions in India were/are technique focused (The ones we participated in) considering the important and major elements of folk dances to promote the authenticity and importance of Folk Dances. Other folk dances participated as well due to diverse cultural demographics in Gujarat. Judges either had dual degrees in performing arts, followed by PHDs or double masters in their areas. Ms. Joshi (we were) was worried as it was her very first freelance private group choreography with just some amateur free-move dancers who took training for short period of time! Getting them to NOT do mistake was biggest challenge.

If that was not enough, innovation & creativity was an essential element and to further make it look dramatic, we added the props that required balance.

Pressures…pressures & crazy pressures of around 16 dancers (14+2 setting) and it was all worth taking the pain! Cash prize of 1 Lakh Rupees & gift certificates to various malls & resorts. We did bag 20K INR (from award money as our % other than choreography fees), free tickets to cultural concerts, and gift cards to restaurants and hotels. It was a big amount back then in 1999 for a 20 year old to earn that money for just 3.5 months of work!

The satisfaction, Ms. Joshi (we) got was PRICELESS. Ms. Joshi also received additional perks from group as a thank you note for arranging costumes, jewelry & Props in last moment when board did not approve costumes and jewelry (due to folk costume guidelines) that group had initially decided. This was a kick-starter for us…Our best of all until now!

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2019. This material may not be published, broadcast, rewritten or redistributed without permission.

FAQ – Casting Company, PR, Placements — Hetal Joshi Nagaraj.

What is Reachh Mediaa?

Reachh Mediaa Since 2013 by Hetal Nagaraj is a Public Relations (PR), Artist Development, and Career Preparation platform. It is designed to prepare artists, performers, models, actors, dancers, and creative professionals for industry opportunities through structured guidance, portfolio development, submissions, and professional representation.

Reachh Mediaa focuses on helping individuals become industry-ready before they approach auditions, agencies, production companies, publications, or commercial opportunities.

About Reachh Mediaa Artist Management Company.


Is Reachh Mediaa a casting company?

No.

Reachh Mediaa is not a casting company.

Casting companies conduct auditions and cast talent for productions.

Reachh Mediaa prepares candidates before they reach that stage by assisting with:

  • PR strategy
  • Portfolio development
  • Resume preparation
  • Audition preparation
  • Eligibility reviews
  • Professional branding
  • Industry submissions
  • Marketing
  • Artist development
  • Acting and modeling preparation
  • Casting eligibility criteria by fields

Our role is to maximize an individual’s readiness and increase their chances of success.


Does Reachh Mediaa guarantee work?

No. No ethical PR company, agency, casting company, or production house can guarantee employment or selection.

Our responsibility is to prepare candidates professionally, submit them where appropriate, and improve their overall industry readiness.

Final decisions are always made by the hiring organization, casting directors, production companies, brands, publications, or event organizers.

However, Reachh Mediaa can get you to work with Grace And Grooves Corp or Hetal Joshi Nagaraj’s Types of Productions and Yes, Hetal Joshi Nagaraj pays as permissible mmigration policy or employment laws.

Company is proactive in Commercial Productions, Industrial Projects which automatically enables PR. However, PR package will determine the submission criteria.

Hetal Joshi Nagaraj guarantees scholarships in various educational programs as an international trainer if you follow exactly all Hetal Joshi Nagaraj says during trainings programs, irrespective of beginner or any level. Because of her own expertise, experience in industrial trainings, educational skills in field of training and development in more than 19 fields. Texas All Star Programs is a 501 3 C program.


What exactly does Reachh Mediaa do?

Services may include:

  • Public Relations (PR)
  • Artist Branding
  • Portfolio Planning
  • Portfolio Shoots
  • Resume Development
  • Biography Writing
  • Artist Introductions
  • Audition Preparation
  • Acting Preparation
  • Modeling Preparation
  • Submission Management
  • Eligibility Verification
  • Industry Research
  • Marketing Guidance
  • Artist Career Planning
  • Professional Documentation
  • Commercial Opportunity Preparation

Why does preparing one candidate take so much time?

Every submission is customized.

A typical candidate requires several hours of preparation, including reviewing:

  • portfolios
  • photographs
  • videos
  • resumes
  • eligibility requirements
  • submission formats
  • industry requirements
  • documentation

Depending on the opportunity, preparing and submitting a candidate may take approximately four hours or more.

PR is significantly more detailed than simply forwarding a profile.


Why do you request so many documents?

Every opportunity has different eligibility requirements.

Common requirements include:

  • Government-issued identification
  • School or university identification
  • Citizenship or immigration documentation (where required)
  • Visa documentation (when applicable)
  • Parent or guardian permissions
  • Liability waivers
  • Insurance forms
  • Professional resumes
  • Headshots
  • Introduction videos
  • Dance or acting reels
  • Body measurements (primarily for modeling)
  • Costume measurements
  • Program history
  • Training history
  • Competition history
  • Category-specific information

Collecting these documents in advance allows candidates to respond quickly when opportunities arise.


Why do you ask about citizenship or visa status?

Some organizations legally restrict participation based on employment authorization, residency requirements, immigration regulations, or project-specific rules.

Reachh Mediaa does not create these requirements but must comply with the eligibility criteria established by clients, production companies, or sponsoring organizations.


Why do you ask for government-issued identification?

Many companies require identity verification before auditions, contracts, payments, or participation.

Identification also helps prevent duplicate submissions and protects candidates from identity confusion, particularly when applicants have similar names.


Why do you ask for introductions?

Professional introductions differ from website biographies.

Each organization often has:

  • specific word limits
  • required formats
  • different audiences
  • different branding objectives

Reachh Mediaa prepares introductions suitable for each opportunity rather than using the same biography everywhere.


Why do you request edited and unedited photos and videos?

Different organizations require different formats.

Some request:

  • edited promotional materials
  • raw footage
  • close-up shots
  • full-body photographs
  • specific dance angles
  • production-quality videos
  • rehearsal footage

Having complete media files allows submissions to be prepared efficiently.


Why do you sometimes suggest changing categories?

The objective is to place candidates where they have the strongest opportunity for success.

If another category better matches an individual’s skills, age, experience, or eligibility, recommendations may be provided after discussion with the candidate or parent.

The final decision always remains with the participant and to the organization itself. Company does not take any responsibility of outlining a category for anybody.


Why do you recommend corrections or additional training?

Professional feedback is part of artist development.

Most simplest of all – To be within the genre or category or style as these days, people have side hustles for dance academies.

Suggestions may include:

  • performance improvements
  • choreography adjustments
  • acting techniques
  • presentation skills
  • portfolio enhancements
  • resume improvements
  • branding updates

These recommendations are intended to strengthen future opportunities.


Why are parents involved?

For participants under 21 years of age, Reachh Mediaa generally requires parent or legal guardian involvement for safety, communication, waivers, contractual understanding, and liability purposes.

Certain organizations may have different legal age requirements; however, Reachh Mediaa follows its own safety policies where appropriate.


Do social media followers matter?

No.

Selection decisions are based on the requirements of each opportunity, not on social media follower counts.

Professionalism, eligibility, preparedness, and suitability are significantly more important than online popularity.


Is Reachh Mediaa a staffing company?

No.

Public Relations and Staffing are different services.

Public Relations focuses on:

  • preparing candidates
  • professional branding
  • submissions
  • visibility
  • career development

Staffing or Placement involves matching qualified individuals with employment or project opportunities.

These services are managed separately.


Does Reachh Mediaa provide staffing?

In certain situations.

Staffing or placement opportunities may be available for selected PR candidates, former students, graduates, Elite members, or qualified professionals when suitable opportunities arise.

Participation in PR services does not guarantee placement.


How are payments handled?

Payments are processed using legally compliant methods depending on the engagement.

These may include:

  • W-2
  • W-9
  • Form 1099
  • direct deposits
  • business checks
  • other lawful payment methods

Smaller reimbursements may occasionally be processed through electronic payment platforms where appropriate.

Applicable taxes and reporting requirements are followed.


Does Reachh Mediaa produce shows?

Occasionally and Hetal Joshi Nagaraj – always!

Reachh Mediaa may coordinate complete productions that align with the organization’s expertise.

These productions are generally educational entertainment, commercial stage productions, cultural productions, or industry-specific projects.


Will Reachh Mediaa become a casting company?

At present, Reachh Mediaa is not a casting company.

As the organization continues to expand, additional services—including casting-related operations through Grace & Grooves by Hetal Nagaraj International—may be introduced where legally appropriate and in compliance with applicable industry regulations.


Is participation mandatory?

No.

Reachh Mediaa programs are optional to every student. However, Elites do enjoy some perks.

Candidates may choose only the services that fit their career goals.

Some participants, including certain Elite and Pre-Elite members, may choose to utilize additional PR or career development services, while others may not.


Which brands operate independently?

The following initiatives operate independently based on their respective scope of services:

  • Reachh Mediaa Since 2013 by Hetal Nagaraj
  • The Grace Effects by Hetal Nagaraj
  • Grace & Grooves by Hetal Nagaraj International
  • Vendors of Grace And Grooves
  • Audition Teams of Hetal Nagaraj
  • Texas All Star Talents by Hetal Nagaraj (currently paused)
  • Dhamaal Events USA by Hetal Nagaraj (currently paused)

Each initiative may serve different industries, audiences, or project types.


What is the overall mission of Reachh Mediaa?

Reachh Mediaa exists to bridge the gap between talent and opportunity by preparing artists professionally before they enter the competitive entertainment, performing arts, modeling, media, and creative industries.

The emphasis is on preparation, professionalism, compliance, strategic submissions, and long-term career development rather than simply participating in auditions.


Why should I invest in Public Relations (PR)?

Public Relations is about far more than publicity—it is about building credibility, visibility, and long-term career opportunities. Unlike advertising, PR earns third-party recognition through media coverage, professional submissions, industry relationships, and strategic storytelling, helping establish trust with audiences, brands, casting professionals, and decision-makers. Effective PR can increase professional visibility, strengthen your personal brand, expand your network, improve discoverability, and create opportunities that may not arise through talent alone. Whether you are an artist, performer, model, entrepreneur, or creative professional, PR helps position your work so the right people can discover, evaluate, and remember you throughout your career.


What are Placements?

Placements are opportunities where qualified candidates are matched with employment, projects, productions, performances, modeling assignments, teaching positions, internships, commercial work, or other professional engagements based on their skills, experience, eligibility, and the requirements of the hiring organization. Unlike Public Relations (PR), which focuses on preparing and promoting an individual, placements focus on connecting suitable candidates with available opportunities.

At Reachh Mediaa, placements are considered a separate service from PR.

While PR helps build a candidate’s profile, portfolio, resume, visibility, and industry readiness, placements involve identifying appropriate opportunities and introducing eligible candidates to organizations seeking talent. Selection and hiring decisions always remain with the employer, production company, client, or organization offering the opportunity.

Candidates who are professionally prepared, maintain updated documentation, and meet eligibility requirements are generally in a stronger position to be considered for placements. However, placements are based on availability, client requirements, legal eligibility, timing, and overall suitability, and therefore cannot be guaranteed.

Our objective is to facilitate meaningful professional connections while ensuring candidates are presented accurately and professionally.

In near future, company an Hetal Joshi Nagaraj aims to provide staffing, placements too!

Nonetheless those who do ONLY PR — are always invited first hand in company’s productions and various affiliate programs.


Why are there so many requirements before placements and submissions?

Professional opportunities often have strict eligibility requirements that vary by organization, industry, country, and project. Without maintaining comprehensive documentation and meeting these requirements, a candidate’s eligibility becomes limited to only a small number of opportunities, restricting both career growth and portfolio development.

By preparing candidates with complete documentation, professional materials, and eligibility compliance, Reachh Mediaa is able to submit them for a much broader range of opportunities. This approach benefits not only the artist through increased exposure, stronger portfolios, and greater earning potential, but also enables Reachh Mediaa to represent candidates at a higher professional standard across multiple industries and projects.


— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

Grace And Grooves® | Digital Innovation, Dance Education & Creative Technology

Grace And Grooves® | Digital Innovation, Dance Education & Creative Technology

Grace And Grooves® by Hetal Nagaraj is a technology-enabled performing arts and dance education organization integrating dance education technology, online dance training, digital student management, performing arts production technology, cloud-based data systems, digital media archives, creative technology, and digital innovation.

Our digital infrastructure supports dance education, performing arts training, student documentation, production management, creative development, cultural preservation, digital media, and long-term organizational continuity.

Digital Innovation in Dance & Performing Arts Education

Grace And Grooves® combines traditional performing arts education with modern digital technology to create accessible, organized, and technology-enhanced learning environments.

Our digital dance education infrastructure includes:

  • Online Dance Learning
  • Hybrid Dance Training Programs
  • Virtual Dance Classes
  • Dance Education Technology
  • Technology-Enhanced Dance Training
  • Digital Performing Arts Education
  • Online Bharatanatyam Training
  • Online Indian Folk Dance Training
  • Online Bollywood Dance Training
  • Online Theater, Drama & Acting Training
  • Digital Lectures and Demonstrations
  • Comparative Performing Arts Education
  • Live Question-and-Answer Sessions
  • Future-Ready Creative Education

Our approach connects traditional Indian performing arts knowledge with modern digital education, documentation, and technology.

Digital Student Management & Dance Training Systems

Technology plays an important role in managing student education and long-term achievement records.

Grace And Grooves® uses digital workflows and systems supporting:

  • Digital Student Progress Tracking
  • Student Information Management
  • Student Achievement Documentation
  • Digital Enrollment Systems
  • Online Registration
  • Digital Applications and Forms
  • Parent Communication Systems
  • Student Media Portfolios
  • Student Success Stories
  • Graduate Profiles
  • Alumni Recognition
  • Student Leadership Pathways
  • Elite Lines™ Leadership Network
  • Research and Development Documentation

Digital documentation helps create an organized history of student participation, achievements, performances, educational development, and creative growth.

Dance Curriculum & Education Technology

A structured dance education program requires more than classes alone.

Grace And Grooves® incorporates curriculum management, educational documentation, digital learning resources, research, demonstrations, and performing arts knowledge management into its technology infrastructure.

Areas include:

  • Curriculum Management Systems
  • Digital Curriculum Documentation
  • Dance Education Resources
  • Performing Arts Research
  • Digital Educational Content
  • Online Thesis Assistance
  • Comparative Dance Studies
  • Lecture and Demonstration Archives
  • Research & Documentation Initiatives
  • Creative Education Workflows

Digital Performing Arts Production Technology

Performing arts productions generate substantial amounts of creative and operational information.

Grace And Grooves® supports digital production workflows involving:

  • Recital Planning
  • Dance Showcase Management
  • Event Production Management
  • Production Documentation
  • Performance Archives
  • Music Organization
  • Choreography Organization
  • Artist Coordination
  • Production Workflows
  • Sound Dubbing
  • Light and Sound Synchronization
  • Digital Performance Recording
  • Post-Production Media Services

Technology helps connect the educational, artistic, production, and documentation sides of performing arts.

Photography, Videography & Cinematic Dance Documentation

Digital media is an important part of modern performing arts documentation.

Grace And Grooves® supports:

  • Dance Photography
  • Performing Arts Videography
  • Cinematic Performance Documentation
  • Dance Production Documentation
  • Professional Artist Portfolio Development
  • Student Media Portfolios
  • Performance Archives
  • Digital Storytelling
  • Post-Production Media
  • Photography & Cinematography Learning Opportunities
  • Custom Crew Media Training

These digital media assets can contribute to artist portfolios, student documentation, production history, educational resources, and organizational archives.

Cloud Storage, Digital Archives & Data Preservation

Modern performing arts organizations generate extensive digital information, including educational records, photographs, videos, portfolios, applications, business documentation, production files, and historical archives.

Grace And Grooves® therefore places significant importance on cloud storage, digital asset management, backup systems, data preservation, and digital accessibility.

Our digital infrastructure includes:

  • Cloud-Based Media Storage
  • Digital Asset Management
  • Backup & Data Preservation
  • Digital Performance Archives
  • Production Archives
  • Student Documentation Archives
  • Cultural Heritage Digital Archives
  • Business Documentation Preservation
  • Digital Account Management
  • Cloud-Based File Accessibility
  • Data Organization
  • Data Migration
  • Digital Records Traceability

Digital Continuity & Data Accessibility

In a modern digital business, important information cannot always be treated as temporary.

A transaction record, application, student document, utility record, portfolio, photograph, production file, login, contract, or registration record can become important long after its original creation.

Grace And Grooves® therefore approaches important digital information as a business, educational, creative, and historical asset.

During 2025–2026, the organization undertook extensive digital infrastructure organization, including laptop formatting, cloud integration, login updates, data organization, and re-establishment of digital connections.

The objective was to create a cleaner, more accessible, organized, and reliable digital environment for ongoing operations and authorized team access.

Human Error & Digital Infrastructure

Human error can never be completely eliminated.

Good technology infrastructure, however, can reduce the consequences of human error.

Backup systems, cloud storage, organized documentation, account records, digital archives, and traceable business paperwork can help protect information when devices fail, systems change, accounts become inaccessible, or technology needs to be rebuilt.

The objective is not to assume that technology will never fail. The objective is to make the organization more resilient when technology does.

Website Development, SEO & Digital Brand Management

Grace And Grooves® also incorporates digital communication and online visibility into its creative infrastructure.

Areas include:

  • Website Development
  • Website Management
  • Blog Development
  • Educational Content Development
  • Search Engine Optimization (SEO)
  • Digital Brand Management
  • Social Media Content Strategy
  • Digital Storytelling
  • Public Relations & Media Documentation
  • Online Brand Documentation
  • Artist Portfolio Development
  • Student and Graduate Storytelling

Our digital presence helps connect performing arts education, organizational information, creative work, student achievements, educational resources, and cultural documentation.

AI, Software & Digital Technology Integration

The modern creative industry continues to evolve through software, artificial intelligence, cloud platforms, digital subscriptions, plugins, and workflow automation.

Grace And Grooves® explores technology integration through:

  • AI Inclusion
  • Digital Tools
  • Software Applications
  • Digital Plugins
  • Custom Software Builds
  • Workflow Automation
  • Digital Platform Integration
  • Cloud Applications
  • Creative Technology
  • Production Technology
  • Digital Management Systems

Technology is used as an operational and creative resource while maintaining the importance of human instruction, artistic judgment, cultural knowledge, and original creative work.

Cultural Heritage & Indian Dance Preservation

Digital technology provides an opportunity to preserve performing arts knowledge beyond a single performance or generation.

Grace And Grooves® supports digital documentation related to:

  • Indian Classical Dance
  • Bharatanatyam Documentation
  • Indian Folk Dance Preservation
  • Original Choreography Documentation
  • Cultural Heritage Archives
  • Performing Arts Research
  • Dance History Documentation
  • Creative Knowledge Preservation
  • Digital Storytelling

Digital archives can help preserve artistic, educational, cultural, and historical material for future reference.

Copyright & Creative Rights Management

Original creative work requires responsible documentation.

Grace And Grooves® recognizes the importance of documenting:

  • Original Choreography
  • Creative Works
  • Performance Documentation
  • Copyright Information
  • Creative Rights
  • Artist Portfolios
  • Production Records
  • Digital Media Assets
  • Historical Performance Archives

Maintaining organized records contributes to a transparent history of creative development and artistic work.

Creative Entrepreneurship & Performing Arts Careers

Technology is also changing how artists, educators, performers, creators, and production professionals build careers.

Grace And Grooves® supports technology-enhanced opportunities involving:

  • Creative Entrepreneurship
  • Performing Arts Career Pathways
  • Artist Portfolio Development
  • Digital Portfolio Management
  • Photography & Cinematography
  • Production Technology
  • Creative Business Development
  • Student Leadership
  • Artist Development
  • Digital Storytelling
  • Creative Industry Workflows

Community Engagement & Digital Education

Digital platforms allow performing arts education and cultural knowledge to reach broader communities.

Our digital initiatives include:

  • Community Engagement Technology
  • Community Awareness Campaigns
  • Digital Educational Programs
  • Online Demonstrations
  • Performing Arts Research
  • Cultural Education
  • Digital Storytelling
  • Educational Content
  • Creative Community Initiatives

A Technology-Enabled Performing Arts Organization

Grace And Grooves® is built around the idea that performing arts education and technology can coexist without replacing the human element of teaching and creativity.

Dance technique, curriculum, artistic discipline, cultural knowledge, choreography, performance, leadership, and creative development remain at the center.

Technology provides the infrastructure around them.

From online dance training and digital student records to cloud storage, performance archives, SEO, AI tools, production technology, digital media, and cultural preservation, technology helps create a more organized and accessible creative ecosystem.

Digital Infrastructure With Long-Term Accountability

Building a transparent, organized, and traceable history takes years of consistency and responsibility.

Grace And Grooves® treats important information as something that should be protected, maintained, documented, preserved, and responsibly managed.

The organization does not rely on one temporary device or one physical location to define its digital continuity.

Cloud systems, digital documentation, backups, business records, account information, media archives, and technology workflows are part of the broader infrastructure supporting the organization.

Einstein may have had a messy desk; the equations and fundamentals were not the mess. Know the difference.

Technology should make information more accessible—not make an organization’s history more fragile.

Grace And Grooves® — Dance Education, Performing Arts, Digital Innovation & Creative Technology

Traditional knowledge. Modern technology. Documented creativity. Digital continuity.


IT teams –

  1. Hetal Joshi Nagaraj – Designer, Content, Director, Integrations, Infra, Maintenance, Gears, Plug ins, Development, all of above
  2. Prushti Dave – New Brand Websites, Yearly Modules, Special Projects, Portal maintenance–not blog.
  3. Nagaraj Kunchum – only in case above 2 are stuck :). Nagaraj is Hetal’s Husband!

Related Posts –

  1. Social Media, Engagements and Digital
  2. Stage Productions with Audience
  3. Official brands
  4. About Grace And Grooves Corp
  5. Time Line of Grace And Grooves Corp
  6. Reachh Mediaa Artist Management

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

Social Media, Public Relations & Professional Engagement Policy

Social Media, Public Relations & Professional Engagement Policy

Social media of staff, certain group PR accounts are managed by Grace And Grooves Corp By Hetal Nagaraj exclusively for the purpose of company public relations (PR), branding, marketing, and approved promotional activities. Unless specifically stated, the individual featured is not associated with activities beyond the company’s authorized PR initiatives. Any previous engagements, collaborations, or contracts outside the company have either expired, been fully satisfied, or are governed under separate agreements. Participation in company PR is maintained through an open-ended, availability-based arrangement where applicable.

Reachh Mediaa offers these under Grace And Grooves with extremely selective process.

Hetal Nagaraj Dance-International ensures that company-related content and representations remain within the authorized use of Grace And Grooves® assets and approved activities ONLY.

Individuals may and are allowed independently participate in other dance groups, performances, social media platforms, collaborations, or personal content creation that are outside the operational scope of Grace And Grooves Corp By Hetal Nagaraj.

Such an independent activities remain the responsibility of the individual unless covered under a separate written agreement with the company.

Grace And Grooves Corp By Hetal Nagaraj believes in fostering healthy artistic growth, professional development, creative entrepreneurship, and collaborative opportunities without unnecessarily restricting an individual’s career. Participants, graduates, contractors, interns, and collaborators are generally free to pursue opportunities throughout the performing arts and creative industries.

For all Minors who graduate early or perform early in engagements permissible to local laws, parents partake the decision of their PR activities. yes, they get paid by their assignments and permissible immigration status or the laws. For those with agency from young age, all correspondence is through agency as Grace And Grooves is not answerable to them as customers and is answerable to agency if there is an approach!

Hetal Joshi Nagaraj bags projects on her own, at times creates and sells it off and gets the shoots, activities, and commercial projects permissible within the restrictions of local laws.

The company values transparency, as it helps identify individuals for future productions, leadership opportunities, media assignments, workshops, commercial projects, and other professional engagements.

Individuals Role with Company – Grace And Grooves — usually decides these waivers.

Professionalism, integrity, confidentiality, and compliance with contractual obligations are expected at all times.

Depending on an individual’s role, responsibilities, and access to confidential information, certain assignments may require Non-Disclosure Agreements (NDAs), confidentiality agreements, waivers, non-solicitation provisions, intellectual property agreements, or, where legally appropriate and necessary, limited non-compete provisions.

These agreements exist solely to protect confidential business information, proprietary systems, creative assets, intellectual property, client relationships, and organizational operations, and are implemented in accordance with applicable laws and executed through appropriate contracts and waivers. Just as it should!

Candidates participating in social media, branding, portfolio development, photography, videography, public relations campaigns, promotional content, or digital marketing initiatives may be required to sign additional consent forms, media releases, and social media agreements.

Since we do not have digital social media reels – platforms or activities, we cannot participate in those activities. Promos or pages are for public demonstrations of certain projects or performances and mostly for those students who either share a long journey of their trainings as company PR or have bought package for particular platform.

This as well, only if requested by organizers due to advancements of digital social media competitions and entry auditions. Sometimes, colleges, universities and local charity organizations are also shown these for a good standing or just for tag purpose in various charity programs.

The brands of reels in this context are established for these publicly permissible video releases for various digital competitions, if asked. From 2020, these have 1st round of auditions.

All the activities are in person in most competitions as well. All performances at Grace And Grooves Corp are on physical stages in live audiences only.

Company never prepares any reels. Shoots are listed below.

Online arangetrams were only because of pandemic lockdowns and a proper time for live audiences was announced for the entire run time back to back.

The specific terms and scope of these agreements vary based on the nature of the assignment, the individual’s role, age, project requirements, and applicable legal considerations.

Artistic Freedom & Professional Growth

Grace And Grooves Corp By Hetal Nagaraj believes that artistic growth flourishes when individuals are encouraged to explore opportunities while maintaining professionalism and honoring their commitments.

Because Hetal Joshi Nagaraj has predominantly been the primary instructor for the organization’s programs—or works alongside her own trained staff or professionals engaged for specific brand or project requirements—she has always supported artists, graduates, interns, and collaborators in pursuing broader experiences within the performing arts and creative industries.

As a solopreneur, independent artist, educator, and freelancer, Hetal Joshi Nagaraj understands the diverse nature of creative careers and recognizes that artists often participate in multiple projects, productions, collaborations, and professional engagements. Rather than imposing unnecessary limitations, her philosophy has always been to provide artists with the freedom to learn, grow, and build their own careers while fulfilling their responsibilities to Grace And Grooves®.

This approach reflects her own professional journey. Having built her career through independent work, freelance assignments, entrepreneurship, and long-term artistic practice, she values the importance of allowing creative professionals the space to develop their skills, expand their networks, and pursue meaningful opportunities.

The organization expects only that individuals honor their commitments, respect confidentiality where applicable, and comply with agreed-upon contracts, waivers, and professional standards. Within those boundaries, Grace And Grooves® encourages artistic exploration, lifelong learning, collaboration, and career development, recognizing that the success of its artists also contributes to the continued growth and reputation of the organization.


Related Post –

  1. Information Technology and Ai
  2. Reachh Mediaa Artist Management
  3. Site Link – https://www.graceandgrooves.com/reachh-mediaa-artist-management
  4. PR and Staffing
  5. Types of Shoots
  6. Types of Productions
  7. The Grace Effects
  8. Official Brands
  9. General Liability

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current


2024 May 25 March Madness Recital Ft Anantha 2024

2024 May 25 March Madness Recital Ft Anantha 2024

WIP


Picture Gallery


  1. Grace And Grooves Company’s Platform
  2. Hetal Joshi Nagaraj Platform, Grace And Grooves Corp promos and own such other.
  3. Rang Folk Dance Productions By Hetal Joshi Nagaraj
  4. Sarva Folk Dance Productions By Hetal Joshi Nagaraj
  5. Anantha Classical Dance Productions by Hetal Joshi Nagaraj.
  6. March Madness Recitals By Hetal Joshi Nagaraj
  7. Drama Recitals By Hetal Joshi Nagaraj.
  8. Model Productions By Hetal Joshi Nagaraj.
  9. Shoot Productions Exclusive for PR, as of July 31, 2026.
  10. List of In House Dance Productions with LIVE Audiences, Stage and Recitals of Hetal Joshi Nagaraj.

972 979 2559.

Website : www.graceandgrooves.com

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

2023 Anantha Production Ft March Madness – Feb 4th by Hetal Joshi Nagaraj

WIP

2023 Anantha Production Ft March Madness – Feb 4th by Hetal Joshi Nagaraj

  1. Grace And Grooves Company’s Platform
  2. Hetal Joshi Nagaraj Platform, Grace And Grooves Corp promos and own such other.
  3. Rang Folk Dance Productions By Hetal Joshi Nagaraj
  4. Sarva Folk Dance Productions By Hetal Joshi Nagaraj
  5. Anantha Classical Dance Productions by Hetal Joshi Nagaraj.
  6. March Madness Recitals By Hetal Joshi Nagaraj
  7. Drama Recitals By Hetal Joshi Nagaraj.
  8. Model Productions By Hetal Joshi Nagaraj.
  9. Shoot Productions Exclusive for PR, as of July 31, 2026.
  10. List of In House Dance Productions with LIVE Audiences, Stage and Recitals of Hetal Joshi Nagaraj.

972 979 2559.

Website : www.graceandgrooves.com

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

2022 Anantha Ft Rang Dance Production -May 22 And 29.

2022 Anantha Ft Rang Dance Production, May 22 and May 29.

2022 Anantha Classical Dance & Theater Production Series had to happen and it happened this way —-

2022 Anantha — Grace And Grooves Production by Hetal Nagaraj

Anantha 2022 was a standalone in-house classical dance and theater production by Grace And Grooves, led by founder Hetal Nagaraj. It was held at Plano Courtyard Theater in Plano, Texas, USA, with an approximately two-hour runtime.

During the same production period, Grace And Grooves dancers also participated in three separate commercial engagements. These were independently booked by producers and clients and were not part of Anantha.

2022 Production Timeline

The production period included rehearsals, Anantha, one separate commercial production, and two seeding projects.

1. Company Rehearsal for all of below (Friday to Sunday)

A one-hour rehearsal was conducted for company dancers in preparation for the scheduled productions.

2. May 22nd Weekend — Commercial Production

A separate producer/client-booked commercial production:

  • 45 minutes
  • Non-stop performance
  • 8 dancers
  • Dancers were 16+

3. May 22 — Seeding Project #1

A separate commercial seeding project, booked by the same client who later booked the second seeding project:

  • 45 minutes
  • Non-stop performance
  • 13 students
  • Dancers were 16+

4. May 29 — Anantha

The standalone Grace And Grooves Anantha production – in house productions :

  • Approximately 2 hours
  • 20 own instructed students
  • Mixed-age participation
  • Classical dance and theater production
  • Plano Courtyard Theater, Plano, Texas

5. Company Rehearsal

A second one-hour company rehearsal was conducted in connection with the seeding production#2 schedule.

This was because client requested additional song and a category of party dances. (Party dances are not CLUB dances).

6. May 29 — Seeding Project #2

A second separate commercial seeding project, booked by the same client as Seeding Project #1:

  • 45 minutes
  • Non-stop performance
  • 16 students
  • Dancers were 16+

The two seeding projects were separate commercial engagements and were not productions of Anantha.

Anantha at Plano Courtyard Theater

The May dates at Plano Courtyard Theater had originally been booked for another show. That show was cancelled because of the G2 situation, and the available booking was subsequently used for Anantha.

The background of G2’s development can be traced to 2011–2013, during the early years of Grace Creations’ hip-hop work. Hetal Joshi Nagaraj developed her own student base and hip-hop teams through her instruction across the DFW area. G2, Grace Creations, Hiphop

For the 2022 Anantha production, students came together from different Grace And Grooves training environments, including Lewisville, hybrid online training, and the West Frisco/FM 423 area.

Students Performing in Anantha

Approximately 20 students performed in Anantha Ft. Rang Dance Productions – Noon Production.

The participating students represented different areas of the Grace And Grooves training structure, including:

  • Annual year-round recreational students
  • Grace And Grooves Elite students
  • Mixed-age groups
  • Texas All Star Program students
  • Graduates of Hetal Nagaraj

The production provided students with experience in a complete live production environment, including preparation, rehearsal, stage performance, and post-production responsibilities.

Rehearsals and Production Transitions

The production schedule required company dancers to move between rehearsals, Anantha preparation, and separate commercial production work.

Students transitioned from their regular Grace And Grooves training and company rehearsals into production rehearsals and commercial performances. Some dancers participated in more than one production during the same production period.

This required students to manage different choreography, production requirements, rehearsal schedules, costumes, stage expectations, and performance environments.

Two Hetal Nagaraj Graduates Perform a Full Margam

Manya Kumari and Anushri Dinesh

A major classical dance highlight was the performance by two graduates of Hetal Nagaraj.

The two graduates performed an entire Margam, consisting of a minimum of four major classical dance pieces, before live audiences of approximately 250–300 people.

The Margam was performed three times across two weekends, including twice within the commercial production work itself without break-back to back non stop.

This represented an important progression from student training into advanced classical dance performance for graduates of Hetal Nagaraj’s program.

Separate Commercial and Seeding Projects

The commercial work surrounding Anantha consisted of three separate engagements:

  • One producer/client-booked commercial production on May 22
  • One seeding project on May 22
  • One additional seeding project on May 29

The two seeding projects were booked by the same client.

These commercial engagements operated independently from Anantha and provided Grace And Grooves dancers with additional experience in client-driven production environments.

In-House Photography and Videography

Photography and videography for the company productions were handled by the Grace And Grooves in-house crew, including:

  • Nagaraj Kunchum
  • Pandya Brothers

The in-house crew documented the performances and production activities as part of the company’s production records.



The 2022 Grace And Grooves Production Record

The 2022 Anantha production stands independently in the production history of Grace And Grooves and Hetal Nagaraj and her own students from scratch aka absolute beginners.

The surrounding commercial work consisted of three separate producer/client engagements, including two seeding projects booked by the same client.

Keeping these productions separately identified preserves the distinction between the Grace And Grooves and Hetal Joshi Nagaraj’s in-house Anantha production and the independently booked commercial work.

Together, the production period gave Grace And Grooves dancers opportunities to work across classical dance, theater, commercial performance, seeding projects, company rehearsals, and live-stage production environments.



Picture Gallery —

There are no tickets for these productions because —
outsiders or those who do not belong to company or are not the students or parents of the company — are usually not allowed.
This is just for company’s internal activities and yearly students and Official Brands of Hetal Joshi Nagaraj and various shoots are usually before or after the program, certificates and milestones are awarded and rewarded in these programs.
Students in these production dance for themselves as a completion of their levels as a graduation.
Tickets may be available if Hetal Joshi Nagaraj allows it pertaining to seating arrangements. Tickets are through http://www.graceandgrooves.com.
It becomes challenging to have public audiences for company’s own internal company activities.

  1. Grace And Grooves Company’s Platform
  2. Hetal Joshi Nagaraj Platform, Grace And Grooves Corp promos and own such other.
  3. Rang Folk Dance Productions By Hetal Joshi Nagaraj
  4. Sarva Folk Dance Productions By Hetal Joshi Nagaraj
  5. Anantha Classical Dance Productions by Hetal Joshi Nagaraj.
  6. March Madness Recitals By Hetal Joshi Nagaraj
  7. Drama Recitals By Hetal Joshi Nagaraj.
  8. Model Productions By Hetal Joshi Nagaraj.
  9. Shoot Productions Exclusive for PR, as of July 31, 2026.
  10. List of In House Dance Productions with LIVE Audiences, Stage and Recitals of Hetal Joshi Nagaraj.

972 979 2559.

Website : www.graceandgrooves.com

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

Drama Recitals & Productions By Hetal Joshi Nagaraj

Drama Recitals & Productions By Hetal Joshi Nagaraj

Drama Recitals by Hetal Joshi Nagaraj are a unique part of the Grace And Grooves® performing arts curriculum, where students learn much more than acting. While drama is often presented as part of a larger recital or dance production, each performance is developed as its own theatrical production with structured rehearsals, scripts, characters, and stage direction.

Students gain hands-on experience in acting, dialogue delivery, script reading, storytelling, stage presence, voice projection, facial expressions, body language, improvisation, teamwork, and live audience interaction. They also learn important production skills such as stagecraft, backstage coordination, prop handling, performance etiquette, rehearsal discipline, and technical awareness of lighting, sound, and stage management.

Through these productions, students build confidence, communication skills, creativity, leadership, and professionalism while experiencing the excitement of performing in front of a live audience.

Drama Recitals at Grace And Grooves® combine education, entertainment, and real-world stage experience, helping students develop valuable life skills that extend far beyond the stage.

The Drama is usually either clubbed or seperated, it depends on enrollment. 2021 had a seperate production because of all boys and prolonged drama run time.


LIVE Drama with Audiences – Drama are in English. However, Hetal Joshi Nagaraj does include some fun words of Hindi.

  1. Drama without dialogues
  2. Drama with dialogues
  3. Drama with dance
  4. Drama without dance
  5. Drama and Mimicry
  6. STEM focused Dramas – Non Dance.
  7. Drama and Acting within the dance – Role Play
  8. Dance Drama – Non Stop story through dance and acting
  9. Drama focused to faith
  10. Drama on social awareness
  11. Drama with interactive audiences
  12. Drama and Monologues
  13. Dubbing, Voice Over and Sound – Stage Craft

Our dancers do not sing! Although they sing in their schools for their choir. Occassionally, they perform on our stages for singing various famous numbers.


There are no tickets for these productions because —
outsiders or those who do not belong to company or are not the students or parents of the company — are usually not allowed.
This is just for company’s internal activities and yearly students and Official Brands of Hetal Joshi Nagaraj and various shoots are usually before or after the program, certificates and milestones are awarded and rewarded in these programs.
Students in these production dance for themselves as a completion of their levels as a graduation.
Tickets may be available if Hetal Joshi Nagaraj allows it pertaining to seating arrangements. Tickets are through http://www.graceandgrooves.com.
It becomes challenging to have public audiences for company’s own internal company activities.

March Madness Medley Recitals – By Hetal Joshi Nagaraj.

March Madness Medley Recitals™ By Hetal Joshi Nagaraj

Where Every March Brings New Beginnings

At Grace And Grooves®, March Madness Recitals™ represent the excitement of new beginnings, student milestones, and the celebration of recreational performing arts education. Inspired by the energy and anticipation associated with the month of March, these recital productions provide beginner and recreational students with their first opportunity to perform on stage in a supportive, family-friendly environment.

Unlike traditional recital models that occur every year regardless of student readiness, March Madness Recitals™ are thoughtfully scheduled based on curriculum progression and new student enrollment cycles. Most students begin their journey through recreational programs, combination classes, or single-genre weekly classes before advancing to performance opportunities. This ensures that every recital reflects genuine learning, confidence, and artistic growth rather than simply fulfilling an annual calendar event.

Directed by Hetal Joshi Nagaraj, each March Madness Recital™ is designed around the students who are ready to perform. Programs may feature Bollywood Dance, Indian Folk Dance, Bharatanatyam foundations, theater, dance drama, storytelling, and multidisciplinary creative performances, providing students with a memorable introduction to stage performance while strengthening teamwork, confidence, and presentation skills.

Because Hetal Joshi Nagaraj personally instructs and oversees student training, class sizes and new enrollments are carefully planned to maintain individualized attention and educational quality. This intentional approach allows every participant to receive meaningful stage experience while preserving the organization’s high standards of instruction and production.

More than a recital, March Madness Recitals™ celebrate the completion of important learning milestones, encourage family and community participation, and create lasting memories through professionally organized performances, photography, videography, and production documentation.

For many students, these recitals become the beginning of a larger artistic journey—progressing from recreational classes to productions, workshops, leadership opportunities, and advanced performance pathways within Grace And Grooves®.

Highlights of March Madness Recitals™

  • Celebration of new student cohorts and recreational programs
  • Beginner-friendly performance opportunities
  • Bollywood, Indian Folk Dance, Bharatanatyam, theater, and dance drama
  • Curriculum-based recital planning
  • Professional stage production experience
  • Family and community celebration
  • Student confidence and leadership development
  • Photography, videography, and archival documentation
  • Gateway to advanced productions and future creative opportunities
  • Students who change their genre often perform in these recitals as their introductory year.
  • Simplicity at its best!

March Madness Recitals™ embody the philosophy of Grace And Grooves®—transforming first performances into lifelong journeys of culture, creativity, confidence, and artistic excellence.

Company’s some of the best Elites all begin their journey from something as simple as RECITAL!


There are no tickets for these productions because —
outsiders or those who do not belong to company or are not the students or parents of the company — are usually not allowed.
This is just for company’s internal activities and yearly students and Official Brands of Hetal Joshi Nagaraj and various shoots are usually before or after the program, certificates and milestones are awarded and rewarded in these programs.
Students in these production dance for themselves as a completion of their levels as a graduation.
Tickets may be available if Hetal Joshi Nagaraj allows it pertaining to seating arrangements. Tickets are through http://www.graceandgrooves.com.
It becomes challenging to have public audiences for company’s own internal company activities.

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

2022 – Sarva Dance Production Ft. March Madness – Hetal Joshi Nagaraj – March 28, 2022.

2022 – Sarva Dance Production Ft. March Madness – Hetal Joshi Nagaraj – March 28, 2022.

2022 Annual Recital – Recreational Dance Showcase | Grace And Grooves®

Unlike many dance schools, Grace And Grooves® does not schedule annual recitals simply because of the annual or season calendar.

Recitals are strategically organized based on student enrollment cycles and curriculum progression. New recital or productions are typically introduced when a new cohort of students reaches key performance milestones under the direct instruction of Hetal Joshi Nagaraj.

Most students begin their journey in recreational programs, whether through combination classes or once-a-week single-genre classes, before progressing to advanced performance pathways. As the primary instructor guru, choreographer, and artistic director, Hetal Joshi Nagaraj carefully manages class sizes and new enrollments to ensure personalized instruction, high educational standards, and a meaningful performance experience for every student.

The most important part – this is the year where students have to focus on unlocking a really huge step towards their training. It builds techniques, overall endurance, personality, smartness as we call it and agility.

And, Hetal Joshi Nagaraj had that summer a 40 hour drama camp.


The 2022 Annual Recital celebrated the creativity, confidence, and artistic growth of Grace And Grooves® students through a fun-filled dance recital featuring Bollywood Dance, Indian Folk Dance, theater, acting, and family entertainment. Despite a challenging year for the organization, the production reflected the company’s continued commitment to performing arts education, student development, and community engagement across the Dallas–Fort Worth (DFW), Texas region.

Presented as a Sarva Dance Production, the recital featured approximately 20 year-round recreational students from the West Frisco and Lewisville, Texas programs. Designed primarily for pre-teen dancers, the showcase highlighted the achievements of students progressing through Grace And Grooves®’ structured dance curriculum.

Some combination students while some hopped between genres.

Rather than following a traditional storyline, the production combined comedy, light-hearted horror, live dialogues, acting, and dance performances, creating an engaging theatrical experience for families and the local community. The drama felt realistic to some audiences as an expression of “oh no” until they noticed that it was acting.

The event also celebrated the graduation of two student interns, reflecting the organization’s emphasis on leadership development, creative learning, and hands-on performing arts experiences.


2 Productions were planned – initially —

Initally, 2 Productions were planned in 1 day – Sarva and Anantha, each of 4 hours but then Hetal Joshi Nagaraj was scheduled for a professional performance engagement elsewhere in the DFW area that day, the recital was intentionally presented as a private community showcase with no ticket sales or guest artists, allowing the focus to remain entirely on student participation and artistic growth.

The following weekend as well, one of Hetal Joshi Nagaraj private group had a Cultural Indian Folk Production.


Venue – Plano Courtyard Theater, Plano, Texas, USA.

Run Time – 4 Hours.

Theme – Red, White, Blue.

Audiences – 150 People. No Tickets, Parents brought their friends and families.

Production Highlights

This naturally incorporates high-value dance recital, Bollywood dance, Indian folk dance, performing arts education, dance classes in DFW, student performances, dance photography, community arts, and structured dance curriculum, making it more discoverable to those beginning their journey!

Families also requested professional dance photography and group portfolio sessions, creating lasting memories while documenting each student’s artistic journey. Inspired by a patriotic theme, the production featured coordinated red, white, and blue costumes, adding a vibrant visual identity to the performance.

The recital concluded with an energetic Party Danceathon, where students celebrated on stage alongside Artistic Director Hetal Joshi Nagaraj.


Picture Gallery –


There are no tickets for these productions because —
outsiders or those who do not belong to company or are not the students or parents of the company — are usually not allowed.
This is just for company’s internal activities and yearly students and Official Brands of Hetal Joshi Nagaraj and various shoots are usually before or after the program, certificates and milestones are awarded and rewarded in these programs.
Students in these production dance for themselves as a completion of their levels as a graduation.
Tickets may be available if Hetal Joshi Nagaraj allows it pertaining to seating arrangements. Tickets are through http://www.graceandgrooves.com.
It becomes challenging to have public audiences for company’s own internal company activities.

Auditions are deliberately made strict to avoid any external setbacks.


  1. Grace And Grooves Company’s Platform
  2. Hetal Joshi Nagaraj Platform, Grace And Grooves Corp promos and own such other.
  3. Rang Folk Dance Productions By Hetal Joshi Nagaraj
  4. Sarva Folk Dance Productions By Hetal Joshi Nagaraj
  5. Anantha Classical Dance Productions by Hetal Joshi Nagaraj.
  6. March Madness Recitals By Hetal Joshi Nagaraj
  7. Drama Recitals By Hetal Joshi Nagaraj.
  8. Model Productions By Hetal Joshi Nagaraj.
  9. Shoot Productions Exclusive for PR, as of July 31, 2026.
  10. List of In House Dance Productions with LIVE Audiences, Stage and Recitals of Hetal Joshi Nagaraj.

972 979 2559.

Website : www.graceandgrooves.com

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

2021 – August – 8 productions in 1 day – Post Pandemic – Grace And Grooves Corp Ft. ALL Dance Productions, Indoor and Outdoor.

2021 – August. 8 productions in 1 day – Post Pandemic – Grace And Grooves Corp Ft. ALL Dance Productions, Indoor and Outdoor.

Indoor Production List —

  • 1. Sarva Bollywood Production
  • 2. Rang Folk Dance Production
  • 3. Anantha Dance Production
  • 4. Medlay Madness – Recital Ft. G2 Dance Factory Launch Performances
  • 5. Model Batch and Parents Program Batch.

Outdoor Parallel Production List —

  • 1. Anantha Dance Production – Students who refused to do perform indoors.
  • 2. Rang Folk Dance Productions – Students who refused to do perform indoors.
  • 3. Solo Elite Performers’ who refused to perform indoors.

The Pandemic Pivot: From Eight Cancelled Productions to Eight Consecutive Live Productions, On Stage – With Audiences

The COVID-19 pandemic brought an unprecedented disruption to the performing arts industry. During the initial lockdowns, eight major productions planned by Hetal Joshi Nagaraj and Grace And Grooves were cancelled following mandatory closures of city-owned performance venues.

As Grace And Grooves traditionally presents its annual productions in municipal performing arts venues, all venue reservations were cancelled in accordance with local government directives, and the associated rental fees were fully refunded by the respective cities.

Since most productions were community presentations without ticket sales, there was minimal financial impact on audiences.

The only exception was the scheduled USA tour featuring Revanta Sarabhai, for which tickets had been sold through the Grace And Grooves registration portal. Following the international tour cancellation due to global COVID-19 restrictions, all ticket holders received full refunds through reverse payment transactions directly via portal itself, a few were from city sites as compulsion and those took 1 month and were reveresed to customers directly — ensuring that no attendee incurred a financial loss.


Sponsor Planning During the Emerging COVID-19 Situation For International Touring Artists.

As planning for the production progressed, news regarding the emerging COVID-19 outbreak had already begun circulating internationally by December 2019. While the full extent of the global pandemic and subsequent lockdowns could not have been predicted, Hetal Joshi Nagaraj anticipated that international travel and event schedules might experience disruptions or delays.

As a precautionary measure, sponsors were not asked to make advance financial commitments toward the production until there was greater clarity regarding the evolving situation. This conservative approach was intended to protect sponsors and community partners from uncertainty surrounding the event schedule.

Recognizing that several guest artists and participants were scheduled to travel internationally for programs that had been planned 6 months in advance, Hetal also reserved an additional venue space as a contingency, allowing flexibility should travel delays, scheduling conflicts, or revised rehearsal requirements arise.

At that stage, the expectation was that there might be postponements or logistical adjustments rather than the widespread venue closures and lockdowns that ultimately occurred.

Although the pandemic eventually resulted in mandatory cancellations of live stage performances, these early contingency measures reflected a proactive approach to event planning and risk management during a period of rapidly changing global circumstances.

This automatically reduced half of the work!

The only expenses Hetal Joshi Nagaraj had to bear and were shared with particular international artist was advertisement expenses for the additional events that were planned in middle of 2 programs which were not part of initial proposal by the artist and thus, does not qualify Hetal Joshi Nagaraj as presenter or host. By thumb rule.


About Grace And Grooces Corp Portal –

It is Hetal Joshi Nagaraj’s process wherein until the show begins, she does not usually allow payments in the bank from tickets.

Her portal offers excellent services to these E-Commerce platform and Plug-ins to restrict the payments whenever certain activities are paused or at times tickets are not even allowed.

This practice is common as Hetal Joshi Nagaraj often attracts large groups to perform – these are often her own friends, or couples groups and if seating and activity list allows, then tickets are open.

It automates life!

It locks online company portal database too and prevents online-fraud.


Pandemic 2020 – Classes and New Academic Year Continued –

Despite the closure of performance venues, Grace And Grooves Corp aka Hetal Joshi Nagaraj remained committed to its students.

Rather than pausing instruction, all classes, and educational programs transitioned online. Students continued learning their next level, and preparing throughout the lockdown.

When public health restrictions gradually eased and live performances became possible under newly established safety guidelines, an unexpected opportunity emerged.

Ordinarily, annual students would conclude their annual recital season with a summer break or vacation following their productions. And usually summer sessions are entirely separate.

However, after just 2-3 weeks of lockdown, many students and families requested that training continue rather than pause. Having spent significant time at home, students were eager to return to dance, performance on stages with full audiences, and community activities.

The decision was consciously made by parents through out—batch by batch and duly supported by students, as students had nothing to do in summer as well when the holidays kicked in.

All summer sports activities were all completely stopped thus dance became their only physical well being.

Thus, the summer programs were announced right away as a continuation of academic year and not as a separate summer session by Hetal Joshi Nagaraj.


Dhamaal Events USA –

Since all the Dhamaal Events professionals could not come to USA because of lock down, a few – Manojbhai, Justin – G2 Hiphop and Santhosh Garu were ready to take online classes on workshop pathway.

Hetal Joshi Nagaraj’s own batches were full and Hetal did not any room for extra batches if they were to start anything. So workshops were announced. Manojbhai and Santhosh Garu took 3 workshops under a strict supervion of Hetal Joshi Nagaraj, lesson by lesson and those were exclusive students of Hetal Joshi Nagaraj including her own kids.

A few of these were non performing as some were international students and performance was logistically not possible.

All the Elites continued their work online as well.

There was not many workshops that could be pushed in the pandemic timeline because Hetal Joshi Nagaraj’s students and certain batches refused to adhere to any summer enrollments through workshops and wanted to instead continue the academic year itself or create new season and start the academic year early than August – the usual enrollment time.

Although every art work in dance by genre — for the eight cancelled productions were completed before the lockdown as a norm, the performances could not take place on stage. In several cases, particularly for public relations and portfolio packages, families could preserve their hard work.

Some completed these with full costume in 2020 production, while some performed at home and completed their performance. A detailed record of the cancelled productions and the organization’s pandemic response is documented – https://wp.me/p7EbkV-1zy


This overwhelming enthusiasm resulted in one of the most ambitious production schedules in the organization’s history.
Rather than presenting a single large recital, Hetal Joshi Nagaraj produced eight consecutive live productions on August 8, creating what became the organization’s largest continuous production event to date.

To accommodate evolving public health recommendations, several operational changes were implemented:

  • Student groups were divided into smaller cohorts to maintain physical distance — wherever possible.
  • Role play was restricted heavily and was planned with 3 feet distance in 2021 and masks were enforced.
  • Audience seating followed the seating restriction of 1 seat empty between each family.
  • Some parents remained cautious about indoor gatherings even after venues reopened, leading to modified participation schedules.
  • Selected one-hour productions and performances were staged outdoors in parallel with indoor programming. Just different times.
  • Audience capacity was carefully managed throughout the day.
  • Time buffers between productions allowed audiences to exit before the next audience entered and there was a fair refreshment break to allow combination batch students to change their costumes and relax.
  • Refreshment breaks were scheduled between productions, with food services provided by Chennai Cafe, Richardson back then – verified city vendor.
  • Promos and links to various class clips

The event operated with what is commonly referred to as revolving audiences.

Revolving audiences are commonly requested during prolonged recitals. Since Hetal Joshi Nagaraj’s productions were always in multiple counts in one day, this protocol is well understood to her audiences. Outsiders are anyways not permitted. Nonetheless, the new parents were requested respectfully to adhere to these policies so that other parents can watch their kids as the seating was cut to 80% capacity because of 1 seat empty between families.

Thus, rather than remaining for the entire day, most families attended the production featuring their own children and departed afterward, allowing the next audience group to enter for the following performance. This significantly reduced crowd density while enabling all student groups to perform before live audiences.


Because eight productions were scheduled back-to-back within a single day, there was insufficient production time to develop the elaborate theatrical storylines that often characterize Hetal Joshi Nagaraj’s larger productions. Instead, the focus shifted toward providing every student the opportunity to perform safely while celebrating months of perseverance, dedication, and continued artistic growth.

Nonetheless, Drama series as a seperate production continued — as a part of two year routine. Every two years, Hetal Joshi Nagaraj rolls drama series batches with dialogues and acting. Kids learn dubbing, sound, voice over, and such tactics of Stage craft and Theaterical Drama Productions.

What began as the cancellation of eight productions ultimately became a remarkable demonstration of resilience. Through adaptability, careful planning, and the unwavering support of students, parents, volunteers, and faculty, Hetal Joshi Nagaraj transformed one of the most challenging periods in performing arts history into a celebration of community, determination, and the enduring power of dance.


History came full circle during this production.

Children of Grace And Grooves graduates stepped onto the stage where their parents had once performed and graduated years earlier under the guidance of Hetal Joshi Nagaraj.
It was and is a powerful testament to the longevity of Hetal Joshi Nagaraj’s teaching and the trust families have placed in her across generations.
As former students returned with their own children, Hetal embraced a new chapter in her artistic journey—becoming, in spirit, a proud “dance grandmother.” Her legacy was no longer measured only by performances or awards and mere competitions with 26 years of straight wins, but by generations of families united through dance, culture, and community. Most latest and known to general public is Ms. Sindhu.

This triggered the birth of Elite Lines,

Elite Lines were then formed in 2022

2022 was the roughest time of Grace And Grooves Corp because of multiple frauds back to back and massive damage to Hetal Joshi Nagaraj personal life and Company’s over all financial stability. Nonetheless, Elite Lines stood strong with Hetal Joshi Nagaraj creating a remarkable legacy.

About Elite Lines extremely strong support.

Success of Elite Lines as it may occur will be penned as well.


Dance Genres –

  1. Bharatanatyam Margam – Full
  2. Creatives Bharatanatyam
  3. Indian Folk Dances – Tribal, Kerala Border Lines, Punjab
  4. Bollywood
  5. Hiphop – Urban,
  6. Kalaripayattu Demonstrations
  7. Contemporary Approach to Kalaripayattu Demonstrations
  8. Chhau Demonstrations
  9. Weapons and Mixed Martial Arts.
  10. Model Showcase
  11. Drama with dialogues
  12. Several Elites delivered their first batches on stage – successfully through company engagements for various levels under the strict supervision of Hetal Joshi Nagaraj.
  13. Dance Drama, not to confuse with Musical Theater. Our dancers do sing through their ISD Choir programs but are not singers in our dance dramas. May be soon.

Danceathon had a special feature of All Boys teams and “Sathiya” entire movie song collection.


August 2021 – The Grand Finale of Two Iconic Dance Series

August 2021 marked the conclusion of two of Grace And Grooves’ longest-running themed production collections—the Shiva Series and the Allu Arjun Series—both of which had captivated audiences since 2013.

For nearly a decade, these themed choreographic collections became audience favorites, with each season introducing fresh interpretations, evolving choreography, and new generations of dancers. The Shiva Series celebrated the spiritual, powerful, and artistic essence of Lord Shiva through classical, folk, fusion, and contemporary dance styles. The Allu Arjun Series paid tribute to one of Indian cinema’s most influential dance icons, inspiring students with high-energy choreography, expressive storytelling, and commercial dance excellence.

After eight successful years, Hetal Joshi Nagaraj chose to conclude both series, believing they had reached a natural artistic milestone. Rather than repeating established concepts within the genre, the organization looked ahead to discovering new dance inspirations and innovative performance themes that would continue challenging students creatively while keeping productions fresh for audiences.

The conclusion of these two signature series marked the end of an important chapter in Grace And Grooves’ production history.

Their legacy remains evident in hundreds of performances, countless student memories, and the technical and artistic growth they inspired across multiple generations of dancers.

The Elites who beautifully delivered these 2 collections in full are Aahana, Samarth Setty and Nirja Setty throughout their trainings years within their genres!

As one chapter closed, another began—continuing Grace And Grooves’ tradition of reinventing its productions while preserving the creativity, excellence, and storytelling that have defined Hetal Joshi Nagaraj’s choreography since the organization’s inception.


Picture Gallery of 8 productions in 1 day —-
Some pictures as per waivers are clubbed together for social media purposes.

There are no tickets for these productions because —
outsiders or those who do not belong to company or are not the students or parents of the company — are usually not allowed.
This is just for company’s internal activities and yearly students and Official Brands of Hetal Joshi Nagaraj and various shoots are usually before or after the program, certificates and milestones are awarded and rewarded in these programs.
Students in these production dance for themselves as a completion of their levels as a graduation.
Tickets may be available if Hetal Joshi Nagaraj allows it pertaining to seating arrangements. Tickets are through http://www.graceandgrooves.com.
It becomes challenging to have public audiences for company’s own internal company activities.

  1. Grace And Grooves Company’s Platform
  2. Hetal Joshi Nagaraj Platform, Grace And Grooves Corp promos and own such other.
  3. Rang Folk Dance Productions By Hetal Joshi Nagaraj
  4. Sarva Folk Dance Productions By Hetal Joshi Nagaraj
  5. Anantha Classical Dance Productions by Hetal Joshi Nagaraj.
  6. March Madness Recitals By Hetal Joshi Nagaraj
  7. Drama Recitals By Hetal Joshi Nagaraj.
  8. Model Productions By Hetal Joshi Nagaraj.
  9. Shoot Productions Exclusive for PR, as of July 31, 2026.
  10. List of In House Dance Productions with LIVE Audiences, Stage and Recitals of Hetal Joshi Nagaraj.

972 979 2559.

Website : www.graceandgrooves.com

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current