List of all the programs/events/gigs/fundraisers/sponsorship/packages/workshops/MOU/Contracts and all the activities of Hetal Nagaraj, Hetal Joshi herself

Want to know who brings the 99% ? Ms. Hetal is the Alpha training Alpha(s) + Crew/Dance Teams.

These activities are independent to yearly academic on-going classes(other than regular classes) that we offer in our locations and are strictly by invoices/MOU/contracts with specified schedules/timing as per instructor/venue/client’s availability.

  • Basic Terms for those who do not know what these activities mean !
    • All the below listed services/products are applicable, by MOU/fees w/invoices towards each custom package
    • Basic Terms To Understand

Hetal herself does all of this exclusively because of more than 50 specialities in performing arts by genre/category/styles. This is just hetal’s own statistics without anybody and without which any of the crew member would not have delivered the project or gig or the assignment or the activity + TEAMS.

Ms. Hetal’s specialities in performing arts – More than 50 specialities in performing arts : https://www.hetaln.com/welcome

Hetal has always had her own admin/co-ordinator for all the scheduling. Videos/clips will be linked and most of these are on promo and timelines that were shared often or LIVE on facebook. Albums of all of above activities are listed on facebook, some with videos as well : https://www.facebook.com/hetalnagarajdance/photos_albums:

  1. Hetal (solo+group) performances w/details & clip links
  2. Shot by Hetal Nagaraj, The Grace Effects from 2014
  3. Hetal’s Reachh Mediaa Artists Since 2013 Program Invitees & Grads
  4. Hetal’s Dance Workshops, per request either at our locations or at client’s locations.
  5. Hetal’s Sponsored Events / Programs (Outside of Grace And Grooves, hetal paid for it)
  6. Hetal’s Makeup, Hair Services
  7. Workshops Programs of Hetal@GraceAndGrooves at our locations
  8. Hetal’s Fitness & Women Wellness Workshops 
  9. Hetal’s Audition Selection Workshops
  10. Hetal’s Lecture, Demonstrations, Research/Thesis
  11. Hetal’s Couple, Marriage, Private Packages
  12. Hetal Nagarajs On-Stage In-House Dance & Model Productions
  13. Successful Launch of Non Dance Staff By Exclusively Hetal Joshi M, Hetal Nagaraj with projects and activities.
  14. Successful Launch of In-house DANCE Elites/Grads By Genre by Hetal Nagaraj with dance gigs and activities.
  15. Successful Launch External Choreographers And Model Gigs Exclu Under Hetal Joshi M, Hetal Nagaraj. with dance gigs and activities.
  16. Hetal’s Fundraisers Events Pictures
  17. Texas All Star Talents Program Graduates Of Hetal Nagaraj
  18. Total Count of Events|Programs|Workshops|Shoots|Productions
  19. Mcee(s) of Hetal’s programs
  20. In-house Elites List of Hetal Joshi M, Hetal Nagaraj.
  21. In-house Pre. Elites of Hetal Joshi M, Hetal Nagaraj
  22. External Elites by Auditions – Under Hetal Joshi M, Hetal Nagaraj
  23. External Pre. Elites by Auditions Under Hetal Joshi M, Hetal Nagaraj
  24.  Hetal’s Show announcements and flyers, dates and venues
  25. Auditions & Exams Only – no other activity in auditioned genre/category
  26. Independent Projects/Works under Hetal Nagaraj by Hetal’s Teams – Assigned by Hetal Joshi M/Hetal Nagaraj as per crew’s specialities.
  27. Successful Gigs Shot by Teams/Crew, as requestedSuccessful Gigs Shot by Teams/Crew, as requested WIP
  28. Dhamaal Events USA-Visiting Faculties Exclu Under Hetal Nagaraj
  29. Solo Independent Gigs-Commercial, Educational, In-house Shows Under Exclu Hetal Joshi, Hetal Nagaraj – Assigned independently by Hetal Joshi M/Hetal Nagaraj as per crew’s specialities.
  30. G2 Staff, Round 1 – had to let them go due to lack of engagements
  31. Successful Company/Brand/Service Launches in various countries.
  32. Budding Star Category 3 to 13 yrs.

All the albums will be uploaded here as well with relevant video links!

Crew stats will be posted in coming weeks from Nov 19th, 2023. Some independent projects(are posted) and those were also assigned with full specs/leadership/technique list and entire supervision/with approval of clients from Hetal. Students too were Hetal’s own students! Thus,

2014-2015 : The project of uploading all the company developments/activities specifically of Hetal Joshi M, Hetal Nagaraj (being an owner, highest contributor due to availability, and the only full timer to the company) and the company’s uploads on social medias were initiated in 2014-2015 by Ms. Jinal Shah(not to mistake with Jigar Shah) and Ms. Jaimini Vyas/Raval, Dubai/India. (Not to mistake with Mr. Jaimin Patel-USA) to highlight the extra ordinary achievements which were exceptional in 2014 itself.

This blog was also an effort for performing arts research students that initiated the need for the first blog post for a research publication (required one public post from the submission coordinator – Hetal Joshi M/Hetal Nagaraj). Since then, it is also used for highlighting the accomplishments/achievements of the company and the activities under Ms. Hetal’s leadership as well.

However, the need for pictures/activity count/activity upload was triggered initially due to regular requests and requirement for transparency/visibility with full specifications by publicly declared award org such as news/publishing houses/mainstream media.

More about Ms. Hetal : www.hetaln.com. | Hetal’s social media is available here!

Website of Company : www.graceandgrooves.com

Company Facebook : https://www.facebook.com/GraceAndGrooves

Company Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

Copyright Reach Media for Grace And Grooves | Grace Creations | Nruthyakala Dance Academy | Mirchi Dance Academy. 2012-2024. This material may not be published, broadcast, rewritten or redistributed without permission. Material with link can be shared to create awareness!

Why Grace And Grooves dance school students don’t perform that often in culture activities

Why our dance school students don’t perform in culture activities that often ?

Because there are so many culture and community shows and the dates of submission of these programs are atleast 1 month prior. Our curriculam classes start by date to date with a year round program with holidays and a full structure by genre, by skill, by age group. The program was designed this way by hetalnagaraj so that she can spend time with her family and still she can deliver the projects as well as all that she loves to do with 100% results and successful delivery!

Students should learn to balance their life and learn all activities along with education and with family just like the way she learned and it makes life! See this : http://www.hetaln.com!

Also, we never had anybody full time till date – HISTORY in that. And so, Hetal takes limited batches by location, genre and because of this automatically it becomes easy for her to focus on curriculam programs than jumping to different culture programs with delivery dates.

And yet, we have programs that are by delivery date that are conducted seperately than regular programs as in packages. We have delivered successfully entertainment programs too! Those run entirely seperate on seperate pace and levels.. Record breaking package classes!

For learners, aligning the date to perform as a rush becomes a tedious job. This is because the bodies are learning skills/mastering muscle memory and in that, how much will you push. Dance cannot be sports because in sports, expressions and poise is something that is not required! In dance, everything is required with emotions as per dance and the moods. Kids find it difficult to smile or express as per dance requirement if kids are going through “rushed training”. This often leads to burn out and the whole delicacy, smooth delivery, poise, expressions, elegence, body toning, conditioning is compromised just to perofrm. In longer run, this results to unhealthy habits to body often leading to injuries and sprains. Students don’t learn to focus on several aspects as in personality itself. See our Hetal Nagaraj, despite of several sports injuries, all this is achieved in performing arts – after the sports injury!.

Dance is so pure that it was never meant to hurt anybody the time it started! Look one of the example that we have achieved in performing arts because of our straight background. Dance is this pure. click here. Several other examples are set here.

Do you know the audiences that we talk about usually “come to see only us” for performances, workshops and so on!

Being a dance school with a structured curriculum and level by level skill sets and by date classes, our routine dance school students performance rarely aligns with local cultural shows submissions or date of performance.

Our submissions are entirely different and are often commercial.

Unlike several dance schools that push on performing to align with dates of performances, our curriculam runs independently with our own in-house shows that are planned as per curriculam completion by date and skills achievement.

***It is very much like your child completing 9 weeks in your school and expected to learn some skills or knowledge in those 9 weeks by each subject/program or genre or category.

This is also the reason why our curriculam supplements to several ISDs and programs in several schools. We have worked with more than 6 ISD-schools and about a dozen institutes/colleges for various programs. This is exclusive to Hetal Nagaraj’s own knowledge as her entire training was year by year, skill by skill at her institutes by each genre, one step at a time or twice a week or thrice a week programs + commercially she has performed by genre and category. So students are taught everything!

More about hetal’s payout : Click here.

Here’s why she has never applied for ISD positions : Click here.

Ever applied to hollywood/bollywood : Nope. Here’s why.

So you will rarely see our groups performing in local community or culture shows. And there are so many culture shows. There are several students & elites or pre.elites who may not have performed in any culture shows or these students dance at only our in-house programs.

Obviously, in 12 hours it is expected to see some results for most average beginer level students & so onn at different levels w/age.

This includes our own workshops and several other activities we do. However, Hetal Nagaraj Dance is hired by org/schools/universities/companies/institutions & so onn or parents for their own performances at those community culture programs and those group packages are held seperately w/date of delivery in mind. Occasionally, company releases these pkgs too on request from several intermediate students with goal in mind! These pkgs are by demand only.

And yes, students learn by level, skills , category and genre too. Hetal Nagaraj has a straight/transparent background level by level year by year(avg 52 hrs min). Thus, Hetal Nagaraj Dance has a dedicated admin that handles her own + company activities! It is the other way round because of her own schedule by activity & field is this “high”.

New to you? From 400 ppl to 2000 ppl for workshops & in her own shows or activities and upto 4000 ppl for entertainment successfully entertained under @hetalnagaraj, Hetal Joshi M exclusively + the team efforts at Grace And Grooves Group of Companies.

@hetalnagaraj bags them all. For culture/community shows up to 10,000 audiences entertained with a “live” in 4 countries on stage under @hetalnagaraj.

Looking for “bigger number audiences” ofcourse & exclusively ours preferred. Define part-time. Programs such as bharatanatyam commenced in 2014-15, amongst our latest offering & students by category have performed and won awards too in all types of activity. Students learn everything including $$$.

****Possibilities with an open mind, by genre, by category, by level, by age group, positivity to welcome ideas, goals, purposes within the company itself from all directions and all achieved.

Our philosophy is ruled & backed with 100% straight transparency background with full transparency and with results by each genre, category, programs, levels & age. We do it then we talk about it. We don’t do reels for secondary media.

If we told you that you can earn upto 400$ an hour in performing arts or 100 to 150$ for 1-2 performance and bag a client or get a project in 4 figures, would you care to make reels or care for the likes of people or likes on your page? You may care to do so “additionally” but not as replacement. See, it is that simple. We don’t discourage those activities but this is mainstream educationment/education/instruction and yet it is commercial performing arts and that is how it is. And yep, our elites have earned those too depending on their availabilty as our elites are scholars in their education as well.

That is why, Hetal Nagaraj herself doesn’t care about those reels and likes because hetal has experienced what matters at the end of the day. It paid for everything + achieved too by genre and category. It also paid for our 501 3 c non profit programs! Charity is fueled too + earnings. Obviously in future, we may think of all the other activities but as an inclusion. Not as a replacement! What’s your philosophy based on ? Do you have anything worth showing that backs your philosophy?

As the annual dance recitals are planned by curriculam expected to meet by students in certain time frame, the dances and the musicals in all our dance forms are at level where we can easily convert them into an exclusive dance production pertaining to respective forms, and styles. Thus, offering our students a real experience to students of each and every aspect of performing arts.

Website : www.graceandgrooves.com

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

Book us for your next set of events !!! Let us be your host, email here directly to Ms.Hetal for specs : mail2hets@gmail.com

#yep#hetaljoshim#newtoyou#hetaln#Hetal#graceandgrooves

Exclusive Copyrights by Reachh Mediaa for Hetal Joshi Nagaraj | Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2023.  

This material may not be published, broadcast, rewritten or redistributed without permission. 

1999…. Entering Freelance Private Group Choreography. How we got into it…

1999 marked the year when our founding member Ms. Hetal Nagaraj first stepped into professional competition choreography as freelancer. It was the very first time when she taught students similar to her age, or they did not belong to her affiliated groups/school or college or let’s just say, were complete strangers. For a 20 year old, it was tough call when she was not a performer but a choreographer (Sigh). Through a friend’s friend, this all got started and today we are thankful to both of them.

Biggest challenge was that these students were avid dancers (who could move the way you want them to) but they had no idea of what they were doing. This is in-spite of being natives or participating in various community or school events as they claimed to. But, ready to work hard & first whole week just passed by getting their moves FIXED to folk requirements, which we did daily for 4 hours totaling to up-to 28 hours of training!

Content5

After spending all that sponsored funds for the costumes and travel, you cannot afford to do mistakes. The whole week, with pure folk training & listening to audio/video of 30+ folk artist, finally we ended up in a song that was approved by competition board to use and was best fitting our decided folk & theme!

Then the real drill work of choreography had begun!

Folk Dance Competitions in India were/are technique focused (The ones we participated in) considering the important and major elements of folk dances to promote the authenticity and importance of Folk Dances. Other folk dances participated as well due to diverse cultural demographics in Gujarat. Judges either had dual degrees in performing arts, followed by PHDs or double masters in their areas. Ms. Joshi (we were) was worried as it was her very first freelance private group choreography with just some amateur free-move dancers who took training for short period of time! Getting them to NOT do mistake was biggest challenge.

If that was not enough, innovation & creativity was an essential element and to further make it look dramatic, we added the props that required balance.

Pressures…pressures & crazy pressures of around 16 dancers (14+2 setting) and it was all worth taking the pain! Cash prize of 1 Lakh Rupees & gift certificates to various malls & resorts. We did bag 20K INR (from award money as our % other than choreography fees), free tickets to cultural concerts, and gift cards to restaurants and hotels. It was a big amount back then in 1999 for a 20 year old to earn that money for just 3.5 months of work!

The satisfaction, Ms. Joshi (we) got was PRICELESS. Ms. Joshi also received additional perks from group as a thank you note for arranging costumes, jewelry & Props in last moment when board did not approve costumes and jewelry (due to folk costume guidelines) that group had initially decided. This was a kick-starter for us…Our best of all until now!

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2019. This material may not be published, broadcast, rewritten or redistributed without permission.

Every production, choreography, and educational experience developed by Grace And Grooves® by Hetal Nagaraj begins with research, purpose, and long-term educational value.

Every production, choreography, and educational experience developed by Grace And Grooves® by Hetal Nagaraj begins with research, purpose, and long-term educational value.

One of the PR articles —-

Throughout my career, I have enjoyed creating my own masterpieces from scratch with absolutely no inspiration.

Sometimes my inspiration is literally just my own life, my own experiences, my own exposure to my own fields during my teen years as i am a full graduate. My life was very early in everything. Sometimes a parent’s question that makes me think of pathways. Sometimes just a flow of that years’ – my personal life, my time, challenges, schedules and by all means — finances!

Although i enjoy respectful tributes to legendary artists, evolving performance traditions, innovative choreographic approaches, and emerging trends in the performing arts.

Every tribute is approached as an educational study rather than a reproduction.

When appropriate, I obtain written permissions for educational use or pursue formal training with the originating artist, institution, or methodology to gain a deeper understanding before introducing concepts into my own teaching.

However, inspiration alone never determines what becomes part of my curriculum.

Each work undergoes a comprehensive internal evaluation based on educational objectives, artistic development, production feasibility, technical progression, student readiness, long-term curriculum planning, future performance opportunities, audience engagement, cultural appropriateness, and overall sustainability within our educational ecosystem.

As an educator, Artistic Director, and curriculum designer, I continuously balance multiple considerations, including:

  • Progressive student development and technical readiness
  • Age-appropriate choreography and learning outcomes
  • Performance complexity and rehearsal efficiency
  • Production scalability and presentation quality
  • Curriculum continuity and structured skill progression
  • Cultural authenticity and artistic integrity
  • Inclusivity across diverse communities and backgrounds
  • Long-term educational and professional value
  • Future adaptability for productions, workshops, competitions, and community outreach
  • Audience appropriate scalability.

No choreography is selected randomly, and no project exists solely because it is trending.

I cannot afford to be inspired as the process of training solely depends on individual students capabilities and any of it is not any inspirations of anybody. The program planning itself begins minimum 1-2 year ahead as the booking of hall or stage itself is needed minimum 1-2 years in advance.

In 2010-2012, when i registered company in Texas — i knew my life for 10-15 years, on paper. It is extremely well calculated, very much for my own kids. Even if somebody enters my life during any of the process with their magnificent creativity as well—–i just cannot afford to be inspired. The whole idea of inspiration comes with lot of factors!

The only First Factor that affects this decision —- it is not me who is performing as a dancer, it’s the students from various walks of life and that is by trainings only. My finances, my time, my own kids, my trained students and i am solo in this and to this deep level. When i enroll students, i do not discriminate about their family gifts infused in their genetics! As a trainer, it is my least concern. My job is to train. I do not care where they come from.

Every artistic decision on Grace And Grooves Corp serves a defined educational purpose within a structured curriculum developed through years of teaching, production experience, research, background and continual professional development. All of this exactly reflects my own background, my mother’s own work and specific to my own family!

People working under me have always observed I push very hard to inject certain technicalities — Only to make life easy later onn and it goes in my name, my company’s name – so I have to!

Simple example to understand this – very much like a parent would push kids to eat well in early stage of life to build life long good IQ of day to day dietary requirements. Just a permissible ways of positive parenting!

Respect for students is equally important. Every class consists of individuals from different cultures, traditions, beliefs, learning styles, and personal goals.

Through out my life, i have always been recognized as most diverse individual. Not to mention from 2011 itself, most diverse businesses in DFW. It is at a scale that i cannot represent one faith. I cannot even afford to have my name attached to one religious or culture group even to call myself a member by mistake. My first teams itself were not just indians. My life has always been this diverse from day 1. My background.


I carefully design programs that encourage appreciation for multiple art forms, faiths and beliefs or cultures while maintaining an inclusive and respectful learning environment. Just like schools and unviersities do. The planning process behind every production is extensive and at times pushes my own boundaries of mental capacity to handle shows on my own. Research, documentation, curriculum mapping, costume feasibility, production logistics, rehearsal strategy, educational outcomes, audience experience and future usability are all considered before a project reaches the stage.

Many of the evaluation methods, planning systems, production workflows, and curriculum-development processes used within Grace And Grooves® are proprietary and have been refined through decades of practical experience of my own life through multi-generations, trainings from my own environments, background, education, and exposure to various workable workforce.

These internal methodologies remain part of my own exclusive intellectual property and are not publicly disclosed, allowing my company and people to maintain the originality, consistency, and educational excellence that define our programs.

At the end of the day, I am into big money that pays for itself. Not into small money that depends on mere trend.

Here’s why results are important in certain fields —

Performing arts is controlled by physical boundaries that are to be extended at all times. The process itself challenges to refine you as whole new personality. It creates healthy habits, body awareness, personality, etiquettes, awareness of possibilities to name a few. It varies dynamically by individual and also by age’s physical capabilities. If i have to produce something new, it better fetch me good money and consistently 🙂

As a trainer in classes and various activities, i have observed this on my own data in extremely diverse 4000+ students. Results are thus, dynamic and diverse. And yes, results matter at all times. That’s what people pay for – to make worthy.

About the fun part, students who graduate and keep coming back, join combination and variety of classes irrespective of genre, dance year round without any summer break and as well come to me — after being parents as well itself talks about fun part of it.

Because technically, take a degree in your passion or liking and then what !!!
It’s about the “what” that’s infused in the whole training.

Most people who are passionate about liking in their own interested field do not know what to do or can’t even pay their own bills with things they like to do! The dependency drama is way too much on “liking” part of it.

At some point, one has to kill the liking part just to make it happen!

The whole hunt-grill-bake-fry-roast-cook and learn to make it happen.
To be upfront, food does not come on table, easy.
That’s the boundary, mindset and the technicalities that are absolutely required for one to cross to “achievements, money, growth, success in life. That’s the training infused in my programs and it will always be.

http://www.graceandgrooves is built on this!


My pathways are simple:

Create meaningful. Instruct with a purpose which defines goals and makes it usable in future. Brings money.

Preserve authenticity as there is absolutely no trend that can ever take over authenticity.

Inspire lifelong learning by just injecting exposure of various avenues of training modules and ofcourse, attract bigger opportunities that pays for itself.

At the end of day, nothing else matters. Money pays for everything! Like it or not.

One can’t just swing in my life right when i am “making it happen” and tell me or force me to call it as their part of influence on me. Haha — no. sorry, too busy on whole inspiration drama.
2009 itself was too late for any of this drama of inspirations. As a new parent awaiting schedules to be steady, it was and is matter of time. By all means a dedication and commitment just not for 1 or 2 years, but for years together is required in this field.
To include or inject anything that’s on a routine takes tremendous efforts for young families and kids. 2011 as a matter of fact —- was very late to be my inspiration on anything.

Don’t you dare tell my Elites about inspirations.

My Elites and Graduates have learned amazing just by “doing it – I forged experience” that lot of people will not be able to and that itself is more than enough for them to do whatever they want to.
My Elites and Graduates do not need any inspirations either. Let them be, either with me or without me. Even if they are slugs, snails or crawling creatures in super slow motion in dance activities, let them be. They will do whatever they want to dowhenever they are mentally ready for it just as they have done, until now. Some just want to do with me only and let them be in that as well just as I allowed Jinal’s team to be with her only.
Dance is not the only thing any of us do and i will absolutely hate for them to be some housewives and some dorky husbands of some tarp guy or tarp families who can’t even pay their own bills or stand on his own without an investor. It better be a tarp company instead and if so by all means a best selling one. Mainstream careers are entire different story!
It is very much a commitment. hetaln.com is the best example of this. Let them be just as i am. Direction is always important than speed. It’s a skill to know where to apply speed.

Just a parent’s sincere effort.


— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

Sarva Dance Production 2019 – Sept 9, 2019 Ft G2 Dance Factory – In House Dance Production of Hetal Joshi Nagaraj

Sarva Dance Production 2019 – Sept 9, 2019 Ft G2 Dance Factory – In House Dance Production of Hetal Joshi Nagaraj

Anantha Dance Production is an exclusive to Traditional approaches to performing arts focused to Classical and Indian Folk Dances.

Sarva is connected to Sanskrit Word —-– Everything, All Entire, Whole, Universal, Complete, Everything / Everyone, Everything that exists, The Totality.

Sarva Dance Productions was thus created as a seperate Not So traditional approaches since company operates through official brands – packages and programs under Hetal Joshi Nagaraj.

Show Name – Sarva Dance Production 2021 – Sept 9, 2019

Production Name – Sarva Cinema Dance Production 2019 Ft. G2 Dance Factory.

Venue – Killian Middle School, Lewisville, Texas, USA. Initial Venue was Plano Courtyard Theater but PR activities and shoots got booked so Ms. Hetal had to move the venue 3 months prior to program to gymasium itself.

65 Students of Hetal Joshi Nagaraj – Exclusive From Locations —

  • Lewisville, Texas, USA
  • Mumbaikar Group Non Profit, Texas, USA – All Boys – Teen Group instructed by Hetal Joshi Nagaraj for their own program. Ms. Hetal private packages and non profit initiatives often come by to perform in Hetal’s productions or gigs.
  • Ms. Hetal’s Couple Class Private Package, Texas, USA
  • 121-Mcdermott Independence – Plano – Summer Package Programs, Texas, USA
  • 121 Mcdermott Independence – Plano – Regular Program Students.
  • Year Round Annual Program – Flower Mound Teen Batches – Grace And Grooves Corp and
  • Ms. Sindhu’s 1st Independent Irving Batch performance for one of the brand launch.
    • Ms. Sindu is Hetal Joshi Nagaraj’s Graduate under the internships of Ms. Deepthi.

Age Group in all – 3.5 Years to 55 Years.

Performances in Genre

Bharatanatyam Margam, Creatives Bharatanatyam, Indian Folk Dances – Multiple, Series, Bollywood, Mass Dance, Commercial Mixed Level Hiphop, Festival Folk and Performances, Dance Drama and Role Play.

Role Play

Hetal Joshi Nagaraj, Viraj, Samarth Setty, Sehra, Nirja Setty, Ashna Pethe.

Inspirations

Red Carpet Style with a proper red carpet enterance.


Program Specs –

The Company activities begins before the audience arrival — with the traditional Salangai Pooja, marking an auspicious milestone for the newest Bharatanatyam students, followed by a special felicitation honoring Hetal Joshi Nagaraj for her continued dedication to arts education, cultural preservation, and community impact.

The ceremony is presented by the incoming NEW Bharatanatyam batches as a gesture of gratitude and respect. The opening continues with a special guest vocalist from Booker T. Washington High School for the Performing and Visual Arts, performing the National Anthem, followed by a solo presentation of one of her favorite musical selections.

The artistic journey then unfolds through a series of patriotic performances celebrating India’s spirit, followed by classical Bharatanatyam Margam presentations that showcase the discipline, tradition, and elegance of one of India’s oldest performing arts.

The program transitions into the heartwarming Mommy & Me performances choreographed and self-instructed by Hetal Joshi Nagaraj (Plano 121 Mcdemott Independence location), featuring Indian Folk and Bollywood performances that celebrate family participation and multi-generational learning.

The evening continues with dynamic presentations by the Grace And Grooves Elite Team, demonstrating advanced choreography, curriculam and entertainment performance excellence, and artistic versatility. The audience is then treated to exciting performances by distinguished guest artists, followed by a featured presentation from Ms. Sindhu’s dance ensemble, showcasing collaborative artistry within the community.

A special Awards Gala follows, recognizing outstanding achievements, student excellence, dedication, and community contributions. The ceremony also includes important organizational announcements, recognition of graduating students, and the induction and celebration of the Elite Team members.

The second half of the program highlights the evolution of contemporary performance through energetic Bollywood productions by the next generation of dancers. Audiences experienced vibrant festival-themed presentations of Ganesh Utsav, high-energy Bollywood remixes, Bollywood Hip-Hop, and Hollywood commercial dance productions introducing the dynamic training and performance division, G2 Dance Factory.

The grand finale culminates in an electrifying, non-stop A. R. Rahman Danceathon, celebrating one of India’s most iconic musical composers through an immersive dance experience. The evening concludes with a spectacular Parents Fusion Performances, featuring families trained under the direction of Hetal Joshi Nagaraj, symbolizing community, unity, and the shared joy of dance across generations.

Together, these performances celebrate artistic excellence, cultural heritage, innovation, and the lifelong journey of learning that defines the Grace And Grooves community.

Bharatanatyam Tribute – Annamarcharya Series in Margam.

Bharatanatyam Tribute – Non Religious Performances in Margam.

Bollywood Tribute to Subhash Ghai Ji, Yash Chopra Ji, A.R. Rahman Ji. 2 Remixes of Shiamak Davar Ji.

Remix Series continued in this one as well – Jai Matt/Dr Srimix, Shiamak Davar, Diljit Singh Dosani And Hetal Joshi Nagaraj’s Own.

Hollywood Tribute, G2 Dance Factory – J Lo, Beyonce.

Indian Folk Tribute – Maharashtra and Gujarat Stage – Folk as well as Festival Performances.


Guest Artist – ALL Star International Platforms (not to confuse with Texas All Star )

  1. Harsha – Mumbaikar Group – Senior Category – Mehdi Sangeet Performance.
  2. Sanaya Gangal- Booker T Washington – Grad – Singer for national anthem and one of her favorite song.

Head Shot Photography – Flashbrush Productions.

Event Photography – Nagaraj Kunchum, Asst Event Photography – Flashbrush Production.

Master Videography – Pandya Brothers and Nagaraj Kunchum.

Post Production and Social Media – Jinal Shah, Digvijay Sinh.

Backdrop Rental – D Rentals.

Costumes, Stills, Props, Accessories, Jewelry, Stunts, Instructions, Dramas in Dance – Hetal Joshi Nagaraj

Aerial View Videography – Padmesh Jay under the supervision of Hetal Joshi Nagaraj.

Emcee – Aditya Sangole Assisting Hetal Joshi Nagaraj.

Music And Sound During Performances – Eesha Kavatur Asst. Under Hetal Joshi Nagaraj’s Supervision.

Line up to Juniors below age of 8 – Ashna Pethe, Nirja Setty.

Sindhu for her own group and some Elites.

Tickets and Check in roll – Padmesh, Nandika Jay

Participant Check Ins – Jaya Prakash.

Introducing Choreographer – Yagna Pathak (After the show moved to east coast for her own job, had to discontinue). Tried few arrangements, work schedule was too tight to commit anything.

Reachh Mediaa Package Invitee – Nimisha

Special Performance under the professional non profit project training of Hetal Joshi Nagaraj for a 501 3 C Org – Mumbaikars – All Boys Bollywood Hiphop Teen Duo.

Other Activities – Salangai Puja, Head Shots, PR Shots, Internal Awards, NJHS Announcements, Scholar Program announcements, New Brand Announcements, Student of the Year Awards, Company Elite Awards, 21+ Awards, Several 21+ graduated in this program, 2 LIVE shoots for costume supplier during the show itself.

Audience – 300+.

Friends and Family Internal Tickets from 5pm Onlyas Company had headshots and PR activities prior and after the show.

Company’s audience student strength and parents itself was full and thus any public – public tickets were not allowed.

Company productions, recital or concerts are for company’s own students and parents only as their graduation or level clearance.

Occassionally when company has bigger seating or revolving audience or does not have much of PR or shoot activities then Hetal Nagaraj allows tickets.

Picture Gallery –

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

Technological Advances at Grace And Grooves Corp – Hetal Joshi Nagaraj

Technological Advances at Grace And Grooves Corp – Hetal Joshi Nagaraj

As per – July 31, 2026.

Hetal Joshi Nagaraj provides these trainings for individuals in certain roles so that our archives, data and systems are handled well and humans can do exactly what they are meant to do.

Some IT training is compulsory for all, for compliance in any brands of Hetal Joshi Nagaraj.

It is NOT available for Outsiders.

In-Company Trainings, as needed. Usually Texas All Star Talents, interns, externs and as applicable by brand. Anybody who touches these areas are required to take it within their probation period.

  • Grace And Grooves® Digital Innovation & Creative Infrastructure
  • Online Dance Learning & Hybrid Training Programs
  • Digital Student Progress Tracking
  • Student Achievement Documentation
  • Curriculum Management Systems
  • Dance Education Technology
  • Virtual Dance Classes
  • Digital Asset Management Systems
  • Digital Platform Infrastructure
  • Online Bharatanatyam Training
  • Online Indian Folk Dance Training
  • Online Bollywood Dance Training
  • Online Theater, Drama Acting Training
  • Digital Enrollments for In-person programs
  • Digital Intranet Systems
  • Digital Forms and Online Applications
  • Billing and Invoicing Apps, Tools and Gateways.
  • Software, Custom Builds for Company’s Gears, Gadgets and Systems.
  • Digital Performance Archives
  • Dance Production Documentation
  • Photography & Videography Services
  • Cinematic Performance Documentation
  • Professional Artist Portfolio Development
  • Website and Blog Development
  • Student Media Portfolios
  • Event Production Management
  • Recital Planning Systems
  • Dance Showcase Management
  • Wellness and Diet Management Systems
  • Costume Design & Inventory Management
  • Music & Choreography Organization Systems
  • Artist Coordination & Production Workflows
  • Digital Registration & Enrollment Systems
  • Digital Management Systems
  • Parent Communication Systems
  • Student Information Management
  • Blog & Educational Content Development
  • Search Engine Optimization (SEO) Strategy
  • Digital Brand Management
  • Social Media Content Strategy
  • Public Relations & Media Documentation
  • Student Success Stories & Graduate Profiles
  • Post Production Media Services.
  • Sound Dubbing and Light Sync
  • Alumni Recognition Systems
  • Cultural Heritage Preservation Through Digital Archives
  • Indian Classical Dance Documentation
  • Indian Folk Dance Preservation
  • Original Choreography Documentation
  • Copyright & Creative Rights Management
  • Console Logins through Google.
  • Cloud-Based Media Storage Systems
  • Backup & Data Preservation Systems
  • Digital Subscriptions, tools, Ai inclusion and plugins
  • Creative Industry Workflow Development
  • Student Leadership Pathways
  • Elite Lines™ Leadership Network
  • Custom Crew Media Training
  • Photography & Cinematography Learning Opportunities
  • Creative Entrepreneurship Development
  • Performing Arts Career Pathways
  • Production Technology Training
  • Community Engagement Technology
  • Digital Storytelling
  • Research & Documentation Initiatives
  • Innovation in Performing Arts Education
  • Technology-Enhanced Dance Training
  • Future-Ready Creative Education
  • Community Awareness Campaigns
  • Student Research and Development Online Thesis Assistance
  • Digital – Lecture, Demonstrations, Comparative Performing Arts w/Live Question Answer Sessions.
  • Creatives – Lecture, Demonstrations, Comparative Performing Arts w/Live Question Answer Sessions.

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

List of In-house Dance Productions and Dance Recitals By Hetal Joshi Nagaraj, Exclusive to and for Grace And Grooves Corp.

List of In-house Dance Productions and Dance Recitals By Hetal Joshi Nagaraj, Exclusive to and for Grace And Grooves Corp.

Dance Run Time 2.5 hour to 4 hours. Not to confuse with Stage Rental Time.

Does not include Arangetrams, Launch Programs, Commercial Productions, or PR, Reachh Mediaa or Grace Effects Shoots or Productions on Community or Culture stages or other types of productions, company does.

WIP

  1. Recital 2016 – Adi Shakti – Fundraiser, Production, Model Segments and a Recital.
  2. Recital 2017 – Nritya Ki Masti – Jalso – Celebration of Life through Dance – Production Style Recital.
  3. Recital 2018 – Fusion Life of ABCD – American Born Culture Desi Ft. Golden Era of Indian Performing Arts & Cinema.
  4. 2019 Anantha – 1. Ft Rang Folk Dance Production – Journey to Infinite Possibilities.
  5. 2019 September – Sarva Dance Production Ft. G2 Dance Factory – Bollywood & Hollywood – Red Carpet themed.
  6. 2021 *Post Pandemic* – Outdoor Production – 2 Hour Outdoor Production – Rang 1 Folk Dance Production Ft. Sarva Dance Production – Bollywood Fusions. 15 students participated in this performance w/6 feet safe distance.
  7. 2021 Indoor Productions – 5 Indoor Productions in 1 day – August 8, 2021. Total of 8 productions in 1 day. *Post Pandemic*
    • 1. Sarva Bollywood Production
    • 2. Rang Folk Dance Production
    • 3. Anantha Dance Production
    • 4. Medlay Madness – Recital Ft. G2 Dance Factory Launch Performances
    • 5. Model Batch and Parents Program Batch.
  8. 2021 Outdoor Productions – 3 Productions Outdoor – August 8, 2021. Total of 8 productions in 1 day. *Post Pandemic*
    • 1. Anantha Dance Production – Students who refused to do perform indoors.
    • 2. Rang Folk Dance Productions – Students who refused to do perform indoors.
    • 3. Solo Elite Performers’ who refused to perform indoors.
  9. 2022 March
  10. 2022 May
  11. 2023
  12. 2024

Company regularly releases promo on every production and recital, playlist –

  1. Grace And Grooves Company’s Platform
  2. Hetal Joshi Nagaraj Platform, Grace And Grooves Corp promos and own such other.

Leadership Exclusive Hetal Joshi Nagaraj – Elite Lines

1. 2026


In House Dance Productions and Company Recitals are usually for students and parents only thus, tickets are limited by each show or by each segmant within the show.

At Grace And Grooves, each recital and production represents more than a public performance—it serves as an important milestone in a student’s artistic journey.

Students demonstrate the knowledge, technique, discipline, and performance skills they have acquired throughout the year, progressing toward higher levels of learning and responsibility. In many ways, every recital functions as a practical graduation, where students advance not only in technical ability but also in confidence, stage presence, teamwork, leadership, and artistic maturity.

As students grow, so do our faculty. This continuous cycle of learning, mentorship, performance, and leadership development is fundamental to the Grace And Grooves philosophy, ensuring that every production contributes to the long-term growth of both artists and educators.

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

List of Documented Graduates and Engagements in 1st Order – Hetal Joshi Nagaraj.

List of Documented Graduates and Engagements in 1st Order – Hetal Joshi Nagaraj.

Academic Year 2007 – 2008 – DFW, Texas USA From Company’s Launch Initiatives to Till Date
2008 To Till date — 🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉

This represents success of their respective program itself. These candidates became Elites much later! Does not have to be an Elite.


Some 13+ students’ bio of previous activities – as per their submission at first point of contact to Grace And Grooves Website, Or Blog Contact Page.

Dancers may or may not come to eachothers’ location or may not even know each other as It’s Ms. Exclusive to Hetal Joshi Nagaraj while some would meet only in rehearsals. Hetal Joshi Nagaraj had 6 locations by herself throughout from 2005-2006.

Irving-Las Colinas Rehearsals were/are held seperately for that side in Las Colinas or directly on stage. Similarly, activities in Arlington Fortworth are carried seperately for rehearsals.

Company never had any staff until G2. All are own trained students in entire different pathways while all graduate as well.


It is normal for company to push in one universal candidate’s picture among other participants just to fill in-appearance of collages because of photo waivers (limited pictures) — preferably the one who has performed and participated with every single of them or with leadership in company’s portfolio. E.g. – Thesettys, Jr. Digivijay or Jinal Shah. Mansi in case of most Lewisville Elites or Hetal’s own.
Grace And Grooves Corp. is known to have multi-generational families because of its parents program and family packages. Some journeys were initiated from Couples classes!


00. Nepali Siblings –

  • Progressed through Regular Programs, Company Workshops, and advanced training pathways, growing from beginner-level dance experience to solo performances and Elite Performance Lines.
  • Trained in Nepali Folk Dance, Bollywood Dance, Indian Folk Dance, and Borderline Indian Folk Fusion.
  • Participated in early Grace And Grooves curriculum development, University Enrichment Programs, and Grace Creations academic cultural initiatives (2010–2013, South Irving, Texas).
  • Performed in local cultural programs during the early years before formal recital productions were introduced. Represented Grace And Grooves and Ms. Hetal Nagaraj’s artistic vision through regional opportunities, including West Coast representation.
  • Benefited from Ms. Hetal Nagaraj’s independent training methodology, international education experience, and multidisciplinary mentorship.
  • Was part of the early foundation that evolved into Texas All-Star Programs, creating pathways from beginner training to advanced performance opportunities.

0.5 Srinija Burra, Siri Bylappa –

  • Progressed through Regular Programs, Company Workshops, and structured training, moving from no prior dance experience to solo performances before temporarily pausing dance training.
  • Participated in the early growth phase of Grace And Grooves registration, brand launch initiatives, and Grace Creations programs (an academic/cultural enrichment concept inspired by G2, designed as non-commercial programming).
  • 1st – 2nd Line of Students-batches of Bollywood Dance Program initiatives, along with community visibility through Dallas News and local publications.
  • Participated in cultural performances and community showcases during the early years in Las Colinas, Texas, before Grace And Grooves introduced formal recital productions.
  • Experienced the foundation years of Grace And Grooves, when performances were primarily through local cultural events, community programs, and enrichment showcases.

Company’s first recital was 2015-2016. Dance of Gods And was a fundraiser too. Ms. Hetal’s fundraisers.


001. Nirja Setty –

  • Training and rehearsal locations included South Irving, Southlake, Plano, Carrollton, FM West Frisco, and Lewisville, Texas, USA.
  • Achieved 10 consecutive years of award-winning competition participation across multiple genres, including Bollywood, Bharatanatyam, and various Indian Folk Dance.
  • Represents the Grace And Grooves philosophy of excellence, discipline, balance, cultural depth, and artistic growth.
  • Despite project interruptions during 2021–2022 due to unforeseen organizational challenges affecting planned photography, videography, and cinematography documentation, her artistic journey and achievements remained an important part of Grace And Grooves’ documented student success history. Continues to perform with Grace And Grooves teams under the exclusive artistic direction and mentorship of Hetal Joshi Nagaraj.
  • Graduate Year: 2024–2025

www.thesettys.com.


002. Mansi Chauhan – Regular Programs, Company Workshops and in between – Bollywood, Dance Dramas, Bollywood Folk and Some Folk. Best known as NJHS scholar path success and several initiatives within the company and made it to documented company timeline. As per bio submitted by parents – 3 months of dance with Arya International – Flower Mound – Beginners Level (Ms. Vanita Patel) in elementary years, then long break and moved to Ms. Hetal’s neighborhood at age of 12 direct NJHS scholar pathways. Elite.

In person International Dancer. Achievements, honor and pride. FM West Frisco for rehearsals, Texas, USA, and Lewisville, Texas, USA. Grad Year – 2023 – NJHS, Scholar Path Contract Completed in FULL. Exclusive – Hetal Joshi Nagaraj.


003. Samarth Setty –

  • Began training with Grace And Grooves through Regular Programs and Company Workshops from age 3, progressing from no prior dance experience to solos, Elite Performance Lines, and professional-level engagements.
  • Recognized as a key multidisciplinary performer representing the breadth of the curriculum, with training in Kalaripayattu, Contemporary Creative Mixed Martial Arts, Bharatanatyam Margam, Indian Folk, Drama, Hip Hop, Jazz, International Folk Dance, Stage Craft, and creative media exposure.
  • Achieved 8 consecutive years of award-winning competition success across multiple genres with recognized performances and standing ovations.
  • A documented Grace And Grooves success story, contributing as a key performer through team productions, international dancer engagements, and artistic milestones under the exclusive direction of Hetal Joshi Nagaraj.
  • Training Locations: South Irving, Southlake, Carrollton, Plano, Lewisville & FM West Frisco, Texas, USA.
  • Graduate Year: 2023–2024.

www.thesettys.com


003.1 Deepthi Chandrasekaran – Regular Programs – Bollywood – from no bollywood dance to solos.

  • As per bio submitted on website – Bharatanatyam Dancer (was formerly trained in Bharatanatyam from chennai), want to dance. Elite. In several launch programs of All star international-talented dancers platform and Texas All Star for administrative pathways. Achievements, honor and pride. Las Colinas, Texas, USA. Grad Year – 2018-2019.
  • Performs with Sindhu for company. Exclusive – Hetal Joshi Nagaraj. Deepthi never came to Lewisville or any locations(small kids). Barely could come to perform.

003.2 Sindhu Jampala –

  • Regular Programs, Company Workshops and in between. Bollywood and Semi Classical Fusions, known for consistent performance in company throughout the years, and now – with own kids too! As per bio submitted on site – some college experience in dance. Elite.
  • In Brand Launch programs of several official brands. Achievements, honor and pride. Las Colinas, Texas, USA. Grad Year – 2021-2023. Performs with company and her own kids groups. Exclusive – Deepthi Chandrasekaran under Hetal Joshi Nagaraj.

004. Ashna Pethe –

  • Began training with Grace And Grooves through Regular Programs and Company Workshops at age 8–9, progressing from no prior dance experience to solo performances and Elite-level training.
  • Recognized as one of the strongest recurring names across Grace And Grooves programs, particularly within Recreational and Multi-Genre categories.
  • Achieved 5+ years of consecutive competition wins, demonstrating dedication, consistency, and artistic growth across multiple performance styles.
  • A notable Grace And Grooves milestone graduate, representing the organization’s pathway of developing students from beginners into confident performers through structured training and mentorship.
  • Grad Year – 2024.

005. Pooja Natesan –

  • Refreshers Program and Company Workshops, becoming one of the most notable milestones of Grace And Grooves’ adult refresher pathway.
  • A 21+ Elite performer, with a strong foundation in Bharatanatyam training from college years and renewed performance development through Bollywood and fusion training.
  • Joined the program to rebuild stage confidence, refine technique, and continue artistic growth, demonstrating that performing arts development is a lifelong journey.
  • Recognized with achievements, honors, and pride as part of the Grace And Grooves artistic community, performing with the company when available.
  • Grad Year: 2023–2024 (Refreshers Program – Graduation Not Applicable)
    Training/Rehearsal Locations: Plano, Carrollton, Lewisville, and FM West Frisco, Texas, USA
    Exclusive Artistic Direction: Hetal Joshi Nagaraj

005.1 Pandya Brothers – Grace Effects Only. Company Production and Recital Gigs only. Elite. 18+. Achievements, honor and pride. Venues only. Not Applicable. Exclusive – Hetal Joshi Nagaraj. Not the part of internships but often a custom crew. Thus no picture.


005.2 Riya Kurian –

  • Regular Programs and Annual Recital Programs, with a focus on Bharatanatyam training and stage performances.
  • Selected solo performances became part of Grace And Grooves’ company portfolio documentation, highlighting her artistic growth and presentation skills.
  • Contributed to brand launch programs for the company’s new costume collections, including performance shoots, costume showcases, and creative documentation.
  • A valued graduate representing the impact of structured training, recital experiences, and artistic opportunities provided through Grace And Grooves.
  • Grad Year – 2022-2023.

005.3 Akhil Sukavasi –

  • Regular Programs, Culture and Community Packages in Las Colinas, progressing from an absolute beginner to competition-level performer within approximately 1.5 seasons through intensive training schedules ranging from weekly classes to 3–4 sessions per week, including extended 2–3 hour rehearsals.
  • Participated in Annual Recitals, Productions, Commercial Productions, Competitions, and Cultural Community Performances, including independent group performances through separate enrollment alongside regular training under Hetal Joshi Nagaraj.
  • Featured in key Grace And Grooves milestones including RG2 Launch Programs, Recital 2017 – Nritya Ki Masti, G2 Launch Programs, Commercial Productions, and Literature Series projects.
  • Represents the organization’s ability to develop students through structured pathways, intensive mentorship, and performance-based learning opportunities.
  • Grad Year – 2020-2021.

005.3. Bani Patel and Yashal Sarfaraz –

  • Documented Graduate-Elites for Supplement Programs. Carrollton, Lewisville, FM West Frisco for rehearsals, Texas, USA. Exclusive – Hetal Joshi Nagaraj.
  • Bani moved to Grace And Grooves Corp. for further trainings. Yashal until School only.
  • Grad Year – 2018-2019.

006. Aayan Ale –

  • Began training with Grace And Grooves through Regular Programs and Company Workshops from age 4.5, progressing from no prior dance experience to solo performances and Elite-level training.
  • Recognized as one of the youngest achievers to receive Elite Status, leading to the creation of Mini Elite pathways for exceptional young performers demonstrating advanced dedication and ability.
  • A multidisciplinary performer known for high-energy presentations, standing ovations, creativity, and independent choreography development. Continues to explore dance, create original movements, and stay connected with evolving performance trends.
  • Achieved recognition through auditions and performances, while maintaining a balanced approach where the focus remained on artistic growth rather than competition participation alone.
  • Represents the Grace And Grooves philosophy of nurturing young talent through mentorship, confidence building, and advanced performance opportunities.
  • Graduate Year: 2023–2024
    Training/Rehearsal Locations: Carrollton, Lewisville, and FM West Frisco, Texas, USA
    Performs with Grace And Grooves public performances under the exclusive artistic direction of Hetal Joshi Nagaraj.

006.1 Aahana Marella –

  • Began training with Grace And Grooves through Regular Programs and Company Workshops from age 4, progressing through multi-genre training, solos, and Elite-level performance opportunities.
  • Recognized for impactful performances including Kalari Fusions, Bollywood, Tollywood, Indian Folk Dance, Contemporary Martial Arts-inspired presentations, Hip-Hop, and Commercial Hip-Hop.
  • Participated in Private Packages, Progressive Folk Dance Workshops, Brand Launch Auditions, and Competitions, earning multiple recognitions and wins over several years.
  • Known as a Frisco rising star, with standing ovations for dynamic fusion performances and a strong stage presence.
  • Achieved Elite Status and early graduation (age 11–12), representing excellence, discipline, and artistic versatility.
  • Currently on a dance pause while focusing on singing, continuing her family’s multi-generational musical interests and training background.
  • Graduate Year: 2023–2024
    Training/Rehearsal Locations: Carrollton, Lewisville, and FM West Frisco, Texas, USA
    Additional Training: Two 12-hour Dhamaal Event Workshops
    Exclusive Artistic Direction: Hetal Joshi Nagaraj

007. Audrey Martin –

  • Began training with Grace And Grooves through Regular Programs and Company Workshops from age 4, progressing from no prior dance experience to solo performances and Elite-level training.
  • Recognized as one of the youngest achievers to receive Elite Status, inspiring the development of Mini Elite pathways for exceptional young performers.
  • A versatile young artist with strong performance ability, often compared to the early growth trajectory of advanced multidisciplinary students, with Bharatanatyam training paused due to relocation while continuing her dance journey.
  • Achieved 3+ consecutive competition wins and demonstrated consistent growth through performances, dedication, and stage experience.
  • Represents the Grace And Grooves philosophy of identifying and nurturing young talent through structured mentorship, advanced opportunities, and long-term artistic development.
  • Graduate Year: 2023–2024
  • Training/Rehearsal Locations: Carrollton, Lewisville, and FM West Frisco, Texas, USA
  • Exclusive Artistic Direction: Hetal Joshi Nagaraj

007.1 Antonio Martin –

  • Progressive Holiday Workshops Only, progressing from no prior dance experience to solos and confident stage performances at age 10.
  • Trained across multiple disciplines including Hip-Hop, Kalaripayattu, Mixed Martial Arts, Dance Drama, Live Drama with Dialogues and Stage Craft, Bollywood, and Bhangra-Fusion Folk.
  • Completed multiple intensive learning experiences through 40-hour workshops, 25-hour workshops, and 12-hour holiday workshops, demonstrating commitment, adaptability, and enthusiasm for performing arts.
  • Represents how new talent can emerge rapidly through focused mentorship, structured workshops, and performance opportunities—sometimes achieving significant growth within a single season.
  • Graduate Year: 2022–2023
    Training/Rehearsal Locations: Carrollton, Lewisville, and FM West Frisco, Texas, USA
    Exclusive Artistic Direction: Hetal Joshi Nagaraj

007.2. Dhanvin Kotru –

  • Progressive Workshops and Regular Training, moving from no prior dance experience to solo performances and advanced stage opportunities.
  • Trained in multiple disciplines including Hip-Hop, Commercial Hip-Hop, Kalaripayattu, Mixed Martial Arts, Dance Drama, Live Drama with Dialogues and Stage Craft, Bollywood, and Bhangra-Fusion Folk.
  • Selected for multiple competition opportunities and recognized as a fast-emerging young performer who demonstrated significant growth within a short period of focused training.
  • Hetal Joshi Nagaraj selected him as a featured dancer for the Bhoomi Trivedi sponsored program alongside Samarth Setty, but missed the show as his own instrument recital ran late on same day.
  • Represents the Grace And Grooves philosophy that dedicated mentorship and structured opportunities can help new talent emerge rapidly and confidently.
  • Graduate Year: 2023–2024
    Training/Rehearsal Locations: Carrollton, Lewisville, and FM West Frisco, Texas, USA
    Exclusive Artistic Direction: Hetal Joshi Nagaraj

008. Jinal Shah – From former PR company to dancer, from no dance to solos – Elite Line. Achievements, honor and pride. Southlake, Lewisville, Carrollton, Hybrid, Online. Arlington, Lewisville, Hybrid, Online. Grad Year – 2024-2025. Family – dancers in kathak, television, movies just like Ms Hetal’s extended families.

Represents company itself in other country – UK – London. Exclusive – Hetal Joshi Nagaraj


009. Jr Digivijay – – His journey started with couples classes and then Multiple Progressive Workshop Graduate, Private Packages, from no dance to solos & Elite Line – Mommy – Dad & Me / Parent Program. 20+. Elite Line.

Achievements, honor and pride. Lewisville, Carrollton, Hybrid, Online. Arlington, Lewisville, Hybrid, Online. Grad Year – 2024-2025. Represents company itself in East Coast. Exclusive – Hetal Joshi Nagaraj


009.1. Manya Kumari and Anushri Dinesh

Success of Online Lessons, later transitioned to Hybrid-Private Packages and a few group in-house workshops for in-house productions to perform with other teams and practices as duet during their move to DFW. Their goal was to complete it without foresaking fundamentals, just before 12th grade.

Anushri Dinesh – Not to confuse with Deepthi’s husband Dinesh or any affiliations.

  • Following the Grace And Grooves curriculum, both students graduated in 2024–2025 and were recognized with an award at the Saroja Vaidyanathan Competition and various nominations internationally in online submissions as well as in person locally, reflecting their dedication and artistic growth. This choreography has won several awards in the past for one of Hetal Nagaraj’s Elite – Nirja Setty, Puja Natesan, Samarth Setty – for decades. 
  • Between 2022 and 2024, the duo also performed every Bharatanatyam repertoire item through Grace And Grooves’ commercial productions in 2 weekends, back to back and in 3 days, other than Grace And Grooves in-house recitals and productions gaining extensive industrial stage experience which automatically became Arangetram in front of 250 public audience. Since this was by billing and was also telecast LIVE in mall areas and city, it had to be flawlessly delivered. Non Stop dance run-time was 45 Mins in each production.
  • The duo performed minimum Four Bharatanatyam repertoire items back to back as a margam demonstrations in 1 each segment of 45mins in 1 day-per show, which is a practice in most arangetrams as a minimalist approach.
  • In 2024-2025, they completed their PR packages as well to understand about applications of their trainings and usability. Specifically this duo had an entire different PR as compared to most students below Hetal Joshi Nagaraj because of their involvement in commercial productions directly from trainings and in-house recital or productions.
  • Their in-person practice and rehearsal locations were – Lewisville, Texas and Flower Mound, Texas under Hetal Joshi Nagaraj – exclusively in class as their instructor just as above and below.
  • Upon settling in DFW, one of them settled in Irving while the other in outskirts of Flowermound.
  • Online classes flawlessly delivered!

0010. Couples Students Success – Multiple Couples at once – Multiple Progressive Workshop Graduate, Private Packages, from no dance to solos & Elite Line. College dance side by side after Audition classes from Ms. Hetal. Elite Line.

These couples pathway are – Jr Digvijay, Patel Sisters, Shreya Shah.

Achievements, honor and pride. Southlake, Las Colinas for College Auditions Classes, Grapevine, Lewisville, Carrollton, Hybrid, Online. Arlington, Lewisville, Hybrid, Online. Grad Year – 2025-2026. Exclusive – Hetal Joshi Nagaraj.


Picture Gallery – As per July 30, 2026.

All the other graduates are also there, but these are in documeted timelines of company because of their outstanding achievements, news in some of the most known newspapers, publications, extra ordinary leadership traits at early age and within the company.
The one-year variation in reported timelines is due to the overlap of academic years and long-term program commitments. Assignments, curriculum, scholar and NJHS activities, seed-stage performances, productions, and other committed engagements often extend across multiple months and may naturally span two calendar years.
Since the U.S. academic year generally runs from August/September through April/May, such overlaps are expected and reflect continuity in training, development, and project completion rather than separate or duplicate activities.

With years of training and relationship build with parents and kids, there is always some activities, projects or certain level of talk within teen and above teams. It becomes inevitable as company engagement, as kids have working brains 🙂 Aunty…and Aunty is right here. Age 4 to Age 20 and beyond.

🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉


Related Posts –

  1. Elites Lines – Names.
  2. Line of Elites
  3. Graduates
  4. Time Line of Grace And Grooves
  5. Milestones

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

Why Companies, Event Entities, and Digital Footprints May Change Over Time: Understanding the Dynamic Nature of the Industry

Why Companies, Event Entities, and Digital Footprints May Change Over Time: Understanding the Dynamic Nature of the Industry

In today’s rapidly evolving business, entertainment, media, and creative ecosystem, organizations do not always follow traditional long-term corporate structures.

Companies, event entities, production houses, and project-specific organizations may be established for legitimate operational, contractual, creative, financial, or security-related purposes.

A company may be registered to support:

  • Large-scale events and productions
  • Corporate partnerships
  • Sponsorship management
  • Special initiatives
  • Media and entertainment projects
  • Contractual requirements
  • Intellectual property protection
  • Operational and liability separation
  • Strategic business development
  • Seeding Productions.

Such entities are often created with a specific purpose and timeline. Once that purpose is completed, the organization may transition, restructure, merge, become inactive, or operate under a different name.

As a result, over time, certain digital footprints may change:

  • Websites may no longer remain active.
  • Email addresses associated with a project may stop functioning.
  • Social media pages may be archived or removed.
  • Business registrations may become inactive after completion of their purpose.
  • Ownership, leadership, or operational structures may evolve.

The absence of a current website, email address, or online presence does not automatically determine the legitimacy, history, or impact of an organization. Digital visibility represents only one part of an entity’s journey.


Project-Based Organizations and the Nature of the Creative Industry

The events, entertainment, and creative industries frequently operate through a combination of permanent organizations and temporary project-based structures.

Many legitimate entities are created specifically for:

  • Individual productions
  • Festivals
  • Special events
  • Sponsorship initiatives
  • Media campaigns
  • Brand launches
  • Creative collaborations
  • Pilot programs
  • Market-testing initiatives
  • Seasonal to series of big budget activities.

After completion of a project, these entities may no longer maintain a public-facing presence because their original purpose has been fulfilled.

This is a common and accepted practice across multiple industries, including entertainment, technology, entrepreneurship, media, and innovation sectors.


Why We Maintain Professional Discretion Regarding Event Organizers, Companies, and Partners

Because this industry is highly relationship-driven and constantly changing, we follow a practice of maintaining professional discretion regarding many event organizers, companies, sponsors, and collaborators.

Unless an organization, producer, or company has an established and consistent market presence, we generally do not publish extensive details about private collaborations, organizers, or project-specific entities.

This approach is guided by:

  • Professional confidentiality
  • Respect for business relationships
  • Protection of client and partner interests
  • Industry ethics
  • Accuracy of publicly available information
  • Avoidance of outdated or incomplete references

Many collaborations involve private arrangements, limited-duration partnerships, or behind-the-scenes contributors whose information may not be intended for public distribution.


Publicly Established Organizations vs. Private Project Collaborations

There is an important distinction between organizations that maintain an ongoing public identity and those created for specific initiatives.

Publicly Established Organizations

Companies, producers, and organizations with:

  • Consistent market presence
  • Recognized brand identity
  • Long-term operations
  • Publicly available information

may be referenced when appropriate.

Private or Project-Specific Collaborations

Short-term organizers, emerging entities, private sponsors, and special project teams may remain confidential unless:

  • Disclosure is authorized
  • Information is already publicly documented
  • The organization has established a continued public presence

This ensures accuracy, protects relationships, and prevents outdated information from being presented as current.


Understanding Seed Projects and Emerging Initiatives

In many industries, projects are introduced as seed projects, pilot programs, or proof-of-concept initiatives.

These initiatives are designed to:

  • Test a concept
  • Build initial market validation
  • Establish credibility
  • Create opportunities
  • Demonstrate potential for future expansion

During the early stages, information may intentionally remain limited.

As the project develops:

  • Branding may evolve.
  • Ownership structures may change.
  • Partnerships may expand.
  • Additional information may become publicly available.

This gradual approach allows organizations to build responsibly while protecting creative concepts, business strategies, and stakeholder interests.


Why Client and Sponsor Lists Are Not Publicly Shared

In many professional fields, especially events, media, and entertainment, relationships are built on trust and discretion.

We do not publicly disclose complete client lists, sponsor lists, or private partnership databases because these relationships involve:

  • Privacy considerations
  • Professional agreements
  • Business sensitivity
  • Brand protection
  • Stakeholder expectations

Sharing such information without appropriate authorization can create unnecessary exposure and may impact the privacy and interests of those involved.

Instead, responsible organizations focus on sharing:

  • Approved case studies
  • Publicly documented achievements
  • Published media coverage
  • General impact metrics
  • Verified milestones
  • Public-facing collaborations

The Importance of Historical Documentation

A professional organization’s credibility should not be measured only by current online visibility.

Responsible organizations maintain internal documentation such as:

  • Contracts and agreements
  • Production records
  • Event documentation
  • Media archives
  • Photographs and videos
  • Press coverage
  • Certificates and acknowledgments
  • Financial and operational records
  • Historical communication records

These records provide a complete understanding of past work, even when external digital platforms change.


Evaluating Professional Credibility Beyond Online Presence

In today’s digital environment, it is easy to assume that an active website or social media presence represents credibility. However, professional evaluation requires looking at the broader picture.

Important factors include:

  • Consistency of work
  • Documented achievements
  • Industry experience
  • Professional references
  • Published recognition
  • Historical records
  • Quality of outcomes
  • Long-term reputation

A digital footprint is only one element of an organization’s identity.


Our Commitment to Transparency, Integrity, and Professional Responsibility

Our approach is based on balancing transparency with respect for confidentiality.

We believe professional credibility is built through:

  • Quality of work
  • Consistency over time
  • Ethical partnerships
  • Accurate documentation
  • Responsible communication
  • Respect for privacy

Therefore, we share information responsibly — highlighting verified accomplishments, publicly available milestones, and approved collaborations while respecting the confidentiality of clients, sponsors, organizers, and partners.

In industries driven by creativity, relationships, and innovation, trust is built not only through visibility, but also through discretion, accountability, documentation, and long-term professional integrity.

The Challenge of Documenting and Referencing Producers, Companies, and Independent Entities

Because of the constantly changing nature of the events, media, and creative industries, accurately documenting producers, companies, and project partners can sometimes be challenging.

Many entities involved in events, productions, and collaborations may not have:

  • A long-standing public presence
  • A consistent corporate identity
  • A verifiable digital footprint
  • Publicly available registration details
  • Long-term operational history

Therefore, we are able to reference and highlight organizations more confidently when they have an established history, transparent operations, consistent market presence, and traceable professional records.

A significant portion of the creative and event ecosystem operates through informal structures, independent arrangements, or project-based collaborations. In many cases, individuals and groups may conduct activities without maintaining formal corporate registrations or structured documentation. While this may be common in certain sectors, it creates challenges when attempting to verify history, accountability, ownership, or long-term impact.

Organizations that operate without formal structures may not always have clearly defined obligations related to:

  • Corporate accountability
  • Public transparency
  • Record maintenance
  • Stakeholder responsibility
  • Long-term operational traceability

However, organizations with formal structures and broader public responsibilities must operate differently.


For example, entities such as Grace And Grooves Corp operate with a higher level of accountability because of the nature of activities involved-often long term in most cases because of training programs including educational programs, youth participation, public performances, community engagement, partnerships, and other areas where transparency, documentation, and traceability are essential.
In such environments, maintaining proper records, clear processes, responsible communication, and verifiable history is not simply a preference — it is a necessary part of organizational responsibility.
This distinction is important: not every participant in an industry operates under the same level of regulatory, ethical, or documentation expectations. Organizations that serve communities, work with families, manage public-facing programs, or represent professional institutions must maintain higher standards of transparency and accountability to protect all stakeholders involved.

A Culture of Documentation, Traceability, and Continuous Improvement

Thus, for maintaining quality in training and development, every aspect of the process is systematically documented, traced, tracked, and preserved through proper backup systems.

From curriculum development and training milestones to productions, performances, workshops, participant growth, and organizational activities, maintaining records is an essential part of ensuring consistency, accountability, and continuous improvement.

This approach allows an organization to:

  • Monitor long-term progress
  • Preserve institutional knowledge
  • Evaluate outcomes
  • Maintain quality standards
  • Create historical references
  • Protect important creative and educational assets
For someone who has been passionate about cameras and visual documentation since her pre-teen years, this level of documentation comes naturally. The camera was never just a device or a tool — it became an extension of observation, creativity, memory, and storytelling.
With a natural curiosity toward technology, equipment, and emerging tools, visual documentation became an integral part of the creative process. What may appear to others as a technical requirement became, for her, almost like an everyday accessory — something instinctive and deeply connected to how she observes, learns, creates, and preserves experiences.
Born in era of technological advances, IT student as a compulsory school education, cameras, blogs, vlogs, internet boom — these documentation becomes inevitable just as most do reels today!
Ms. Hetal owns 1 camera, gear, gadget of every decade from 1980s. The famous 1995’s nokia series to name a few. It very much sits in the archive closet with every other device.
She uses one of her 2000 year camera sometimes for a fun of it. Those old digital SLR recorders with limited features. She also owns bloggie models of gears and some reporter hand held devices.
Pictures, documentations are never about advancements. It is about eye – content.
This lifelong connection with cameras, technology, and documentation has helped build a culture where important moments are not only experienced but also captured, organized, archived, and preserved for future learning and development.
In creative education and performing arts, documentation is not merely about keeping records — it is about preserving journeys, recognizing growth, celebrating achievements, and creating a legacy that can inspire future generations.

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

Types of Productions – Recitals – Shoots – Workshops – By Hetal Joshi Nagaraj, Grace And Grooves Corp.

Types of Productions – Recitals – Shoots – Workshops –

1. Annual Recital – March – Medley – Madness –

  • Grace And Grooves Corp Company Annual Recital.
  • Once a year, March, April or May. Depends!
  • In house students and students in trainings, Elites, Elite Lines, Graduates also participate.
  • Usually glimpse are posted on Ms. Hetal Joshi Nagaraj’s Playlist.
    • Some dances may include multiple performances as students 13+, 16+ love to perform.

2. Productions – once a year, by repertoire aka genre and sometimes style specific as well –


3. Commercial Productions – 13+, 16+, 18+, 21 + Only.


4. Independent Projects – Singers’ own composition video productions (not to mistake with reel projects).

Hetal Joshi Nagaraj takes independent projects(by song unless whole production album is assigned which is rare these days) of original compositions sung by various artists, saints, singers, remix makers, video gigs, temple guru and such others.

  • Successful projects are successfully delivered. Several of these received awards in competitions, world wide.
    • Karya Siddhi Hanuman Temple Songs x 1 – Classical Semi.
      • Students were trained by various teachers.
      • Only Temple students were allowed.
      • Won 2nd place.
    • Karya Siddhi Hanuman Temple Song x 1 – Non Classical Semi
      • Ms. Hetal’s own Students from scratch.
      • Won multiple times 1st, 2nd and 3rd place for Ashna, Nirja, Samarth, Mansi. Bani – Nomination.
    • Houston Temple
      • Temple’s own students.
    • Gujarati Literature Song
      • Choreo specifics only – package – by email with clips.
    • Private Album – Hiphop Mix Indian Choreo by Indian Singer – California Production House.
      • Hetal Joshi Nagaraj, Last 1 Min completed by Mansi Chauhan as Ms. Hetal had an emergency to attend.
    • Custom Remix Choreo by Recording – London, UK 2021
      • Specifics WIP.
    • Telangana Folk Song sung by singer – streamed all over India. Choreo by Hetal Joshi Nagaraj.
      • Won 2 awards in competition as well.
      • Students were trained in Kuchipudi (Smt. Sri Latha Suri).
      • Locally performed in several Tantex, Nata and Tana Programs.
    • Private Package booked by parents – Sai Temple, Plano – Guru(s) own composition 1.
      • Not Ms. Hetal’s students – Beginners and Mixed Levels – spiritual performance.
    • Private Package booked by parents – Sai Temple, Plano – Guru(s) own composition 2.
      • Not Ms. Hetal’s students – Beginners and Mixed Levels – Semi.
  • In house students and students in trainings, Elites, Elite Lines, Graduates also participate, depends on their genre. Auditions are announced for Sponsored programs through auditions pathways.
  • Pre.requisites.
  • Other Eligibility.

***Ms. Hetal writes dance, costume, music by beats, fabric, textile and can draw too!


5. Workshops –


6. Dhamaal Events Workshops are seperately held, and may not include performances.


7. Types of Shoots  are conviniently listed.


Applicable to Commercial Gigs Only, not as production just performances or workshops –


Grace And Grooves does not do –

Company does not do dance musicals (where-in dancers sing). Hopefully soon!


Dance Dramas do not have seperate productions however these are included within the respective repertoire.


— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

The Grace Effects Service Providers by Hetal Joshi Nagaraj, Grace And Grooves Corp

The Grace Effects Service Providers by Hetal Joshi Nagaraj, Grace And Grooves Corp

Freelancers – not associated with company directly or 3rd party hired by other org or by program host available for our company shoots or have worked with us and very happy clients or customers other than our own inhouse teams and some of our most regular inhouse crew.

This is mainstream media – Photography, Videography and Cinematography. We do not do reel shoots or digital media shoots.

From below, these take up the assistant additional photographer or videographer’s place —
  • DFW – Bombay Photography, Aftab – 2008 onwards.
    • 2008 external program of hetal joshi nagaraj
    • 2010 – private group program head shots and program shoot
    • 2012-2014 – company launch activities and several external company shoots
    • 2016 – pre.elites shoot external program collab shoot hired by org
    • 2017 – pre program shoots and headshots
    • 2018 – recital 2018
  • DFW – Stephen Powell – A Solo Freelancer – 2015 – 2016 External Photo Shoots of Ms. Hetal, per requirement by client for submissions.
    • This shoot pics broke record of ms. hetal’s own pictures with more than 15 million views on various media upon submissions for the gigs.
    • The most loved pic of hetal nagaraj, pink sari and black dress.
  • DFW – Shilpa/Flashbrush’s team – 2019
    • 2019 Sarva Production – preprogram head shots, program headshots, pre.elite shoots, post program shoots.

Related Posts –

  1. Types of Shoots At Grace Effects – By Hetal Joshi Nagaraj.
  2. Head Shot Extra Service Providers and Crew
  3. Best Shots that won awards in Photography
  4. The Grace Effects Graduates
  5. Pictures that made brand difference
  6. Basic Photography Gallery
  7. Ms. Hetal’s Specialities

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

Photography & Videography Competition Coverage – Grace And Grooves Corp – By Hetal Joshi Nagaraj.

Photography & Videography Competition Coverage By Hetal Joshi Nagaraj. The Grace Effects.

This is mainstream media – Photography, Videography and Cinematography. We do not do reel shoots or digital media shoots.

About the Brand Grace Effectshttps://www.graceandgrooves.com/the-grace-effects

About the Program of Texas All Star For Grace Effects – https://wp.me/p7EbkV-7AF

You tubehttps://www.youtube.com/@graceeffectsbyhetaljoshim

  1. Shoots for Competitions – Either Online, In Person or for Submission for Awards or just the qualifying round or to be eligible for the competition itself
  2. FOR OWN STUDENTS ONLY in various programs – recreational, competitive levels, elites, competition package, workshop students who want to compete, regular annual program students to name a few.
  3. Packages are entirely seperate.
  4. These spiked from 2020 onwards!
  5. Outside Service Providers are not allowed for this. Exclusive!

Related Posts –

  1. Types of Shoots At Grace Effects – By Hetal Joshi Nagaraj.
  2. Head Shot Extra Service Providers and Crew
  3. Best Shots that won awards in Photography
  4. The Grace Effects Graduates
  5. Pictures that made brand difference
  6. Basic Photography Gallery
  7. Ms. Hetal’s Specialities

— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

Types of Shoot – Under Hetal Joshi Nagaraj, The Grace Effects – Grace And Grooves Corp.

This is mainstream media – Photography, Videography and Cinematography. We do not do reel shoots or digital media shoots.

About the Brand Grace Effectshttps://www.graceandgrooves.com/the-grace-effects

About the Program of Texas All Star For Grace Effects – https://wp.me/p7EbkV-7AF

You tubehttps://www.youtube.com/@graceeffectsbyhetaljoshim


Awards in Photography, Videography and Cinematography

Ms. Hetal Joshi Nagaraj has won awards in Photography, Videography and several nominations in Cinematography. Ms Hetal’s latest win is Ai-photography competition world wide, just few months ago. Ms. Hetal loves to compete herself too.

Company has own gears, gadgets, lights, camera, recorders, and several such portable gears so Ms. Hetal Joshi Nagaraj often takes up these! These are fun for Teens and Middle-High School kids as part of their supplement programs. Their other fav part is drama, sound dubbing and voice over.

Shoot Specifications Under Hetal Joshi Nagaraj.


Texas All Star Program has interns in all specialities.
  • Texas All Star Brand is not under Grace And Grooves Corp.
  • It runs under Cqunce – a Non Profit 501 3 C company.
  • Company offers plug in programs because of vast field of performing arts.
  • Specialities under Texas All Star Talents are listed on this website link – https://www.graceandgrooves.com/texasallstartalentsbyhetaljoshim


— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current

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