Grace And Grooves LLC, Names, Logo(s):

Everybody in this world has their inspiration from somewhere or something. So do we and all our names. Just out of sky it did not come in our mind to get these names on our paper to register them as our own. With so many theories out there about names, we had to clear our own lists of all the DBA(s), Logo(s)….

logo

Our Logo in 2012. It had variations such as Grace And Grooves, Grace n Grooves, Grace Grooves, Grace & Grooves, etc.

Grace And Grooves LLC (2012) : This is sort of like additional information on how we got our name. As shared in link above on Grace And Grooves LLC(2012), we got our name from audiences. Topic 2 From Here.

Here’s little more to nail-biting situation we were put through for name!

PayPalLogo

One of other variation that was used…2012 onwards.

 

 

We had unexpected challenges during this walk-in competition. When asked what dance company it was–we did not have a name back then. We did not know what to answer. We wondered, why was it required to put a name when organizer did not disclose such a thing before the event as a basic requirement and just took us in to compete.

Grace, poise, artistic choreography never fails to sell itself. This was compared to a youtube copied choreography that had over a million views 🙂 It had us worried for a while until we heard that we received 1st place award. We were told to give some name by the end of event and when the results are announced(if we win!) so that they can address it as we were the ONLY people there who did not have name there. They seemed to be against participants that were not registered.

cropped-logo-to-update-on-blog-cover.jpg

Our New Logo in 2015 September that we got made for Indian Folk Dances, Bharatnatyam and Fusion Dances. Bollywood was not really program back then. We started Bollywood off-late after September and logo was already done by then!!

An American Indian (well, married to Indian 🙂 complimented our parents and students that she did not understand language or meaning of song but choreography was so beautiful that it touched her heart.

She mentioned specifically which sequence of dance it was upon asking. The song was about relation between Meera(a devotee of lord krishna) and Lord Krishna that was well-read to audience before the song. But, the ending dance sequence when Meera looses her presence in materialistic world in Hare Krishna Dhun (chants with complete submission to the lord Krishna). This dance was performed by Nirja Setty and her school friend (name disclosed on request) in our own designed Kerala Style Tissue Pattu Pavadai. Cloth for this costume was specifically shipped from India (on request of-course) and re-stitched, re-designed for these girls in the City of Irving-Coppell,Texas USA. She said, the dance brought tears in her eyes. Our Success! After hearing compliments from this young lady, we named ourselves–Grace And Grooves when they called us on stage to receive our award-1st place. It was instant. We loved the name that we accidentally spoke out! Comments by the judges : Beautiful Choreography, Dramatic Appearances, Nicely done, Beautiful costumes/props and compliments such as how did you do such a beautiful dance choreography on this song! We always get that & happy to hear one more time 🙂 Choreographer : Hetal Nagaraj. Inspirations from her trainings.

Both students were learning Bharatnatyam with us and Indian Folk Dance(Pure) towards common goal of having them compete in a competition as duet, if the audition process goes well. And, we were waiting to hear the results. Meanwhile, we came to know of this competition and we walked right-in when we heard walk-ins are welcomed. This choreography work has won several awards in competitions, at times-back to back. Nobody gets tired of it :). We hear the same thing–how did you do it!

CALL NOW 972 979 2559 or Email : info@graceandgrooves.com

colors dance

Grace Creations Logo that was created much later. Before that, several works were done in fusion dances.

Grace Creations(2013) : A name that was a direct inspiration from an Indian artistic dance company in east-coast of United States. We were in love with it the day we came across them through a friend. We were shown their you-tube videos when our friend saw Mrs.Nagaraj’s semi-classical work performed by her own self. Our other inspiration was Indian Dance School(In Georgia, USA) for their beautiful unique fusion works. Very artistically done and both of these are Bharatnatyam based Indian Dance Companies. And we started following them but with our own artistic, innovative ways and we infused lot of other styles, forms of dances as well–at times within the limits of form or style while the other times-totally off-limits. All students however were trained in their forms and styles to maintain their commitments. All our fusion choreography work often performs under the label of Grace Creations. Grace Creations will perform in later years next and is currently on vacation :).

CALL NOW 972 979 2559 or Email : info@graceandgrooves.com

Nruthyakala Dance Academy(2017) : The word comes from words Nruthya (or Nritya meaning dance) and Kala meaning Art. We had in mind several other names but we needed a name that goes for both the dance forms – Bharatanatyam and Indian Folk Dances(India). Main idea was to have Nruthya(Nritya meaning Dance) that is combination of Nritta and Natya – both;thus separating these two beautiful forms from all the other programs that we offer. Eventually, it may happen that Bharatnatyam and Indian Folk Dances may operate separately but until then this is it-we loved this as it best-fits our need!

CALL NOW 972 979 2559 or Email : info@graceandgrooves.com

Mirchi Dance Academy(2017): This word was decided last year! Very well, it came from Red Chillies Entertainment (An Entertainment Company in Mumbai, India). Mirchi(meaning hot pepper/chillies) is always a must have in plate if you have roots from Kathyavaad. Coming from hybrid-gujarati family, we were born eating tasty peppers/chillies with our all-time favorite theplas, stuffed paranthas or bajri-rotlas with all the other goodies. Some habits don’t go, they say! From our food plate to our DBA name. And you thought we don’t love Bollywood :)…Yes, bring it onn. It is tasty!

Date: August 15, 2017.

Exclusively written by Hetal Nagaraj. Copyright Reach Media for Grace And Grooves | Grace Creations | Nruthyakala Dance Academy | Mirchi Dance Academy | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.

Salutations To Darpana Academy of Performing Arts (Ahmedabad-India) & Hetal’s Trainings :

1007614-medium190ap

*****This article is being submitted by Darpana Academy of Performing Arts, Ahmedabad-India to Grace And Grooves & Hetal Nagaraj to provide knowledge about institute’s premier setup in Ahmedabad-India. This article was specifically formatted to meet the guidelines for a particular submission in news all over USA. Please do not copy without permission of Hetal Nagaraj or there will be legal consequences. Hetal Nagaraj owns several of these copyright articles to circulate in USA, for Darpana.*****

About Darpana Academy of Performing Arts of (Ahmedabad-India) & Trainings :

1949 : Darpana was established as a dance academy by Mrinalini and Vikram Sarabhai. For nearly two decades it taught classical dance.(1949-1969). With Mrinalini as the lead dancer, and Chatunni Panicker as her partner, the Darpana dance company toured across the world. A few years later the great Kuchipudi guru, C R Acharyelu joined the faculty.

1960s : Darpana added departments of Gujarati theatre and puppetry under the inspired direction of Kailash Pandya, Damini Mehta and Meher Contractor. These departments taught and had performing groups that established names for themselves. Gujarati theatre was revived as was the folk form of Bhavai, and many other declining forms from across the country. The Andhra shadow puppets found a new lease of life.

1970s : Thousands of students were studying BharataNatyam, Kathakali, Kuchipudi, Mohiniyattam, Vocal and Instrumental Carnatic music, Puppetry, Bhavai and Modern Theatre. Many of the faculty members got involved in using the arts to tackle every day issues and prejudices. And Darpana grew.

1977s : Mallika Sarabhai took over as Honorary Directory.

1980s : Darpana for Development was established to focus attention on creating behavior change communication through the arts with Kailash Pandya and Mallika taking the lead. Government departments, Ministries and other non governmental agencies began partnering D for D to educate the public in issues of health, education and empowering women. Over the next two decades D for D became the fastest growing segment of Darpana, creating powerful communication that reached hearts and minds.

1994s : Darpana’s Amphitheatre Natarani, Gujarat’s only state-of-the-arts venue came into existence to give local audiences the opportunity to see world class performance, and to give artists a platform to build on. Each year Natarani presents close to 80 events, including dance performances, concerts, plays, cultural programs and films. Natarani’s café offers young writers, poets or music groups its space to hold informal performances, jam sessions and readings. The open gallery space allows Natarani to host thematic events encompassing live performances, craft demonstrations and sale, sculpture and painting exhibitions and specialty food at the café go with the theme.

1999s : When Darpana turned 50, all the Founder’s dreams had been fulfilled and over 20000 students had streamed through the institution. In a major reorganization, the teaching of the arts were put on a back burner and new collaborations, technological innovations and the use of the arts for social change took center stage.

2001s : Yadavan Chandran started Darpana Communications to explore the use of television and film for social change. Over the next decade the department produced and broadcast more than 2000 hours of programming, much of it path breaking in its innovative use of audience participation and in using popular genres to introduce taboo subjects. Recently Darpana for Development and Darpana Communications were merged to become Darpana for Change.

Indian Folk Dances, Bollywood and Bharatnatyam

Bollywood, Bharatnatyam and Folk Dances of India, Hetal Joshi Nagaraj

2014 & onwards : Revanta Sarabhai took charge of the teaching wing, the Conservatory, to revitalize it. This department now runs short and long term courses in classical dance and music, theatre, martial arts and a variety of other forms.

Natarani hosts seven major international festivals every year:

* Sunday to Sunday Theatre Festival – October 5 to 12
* Naada Music Festival – November 13-16
* Women at Work Festival – November 28-30
* InterArt, The Vikram Sarabhai International Arts Festival – Dec 28-30
* Cinema of Resistance – January 23-26 . .

11

Our choreography works from past trainings

* Festival of Nonviolence – Jan 30-Feb 2
* Celebrating the World of Dance – Apr 1-6

Over the last 20 years of it’s existence, Natarani has presented  performers like Aditi Mangaldas, Amjad Ali Khan, Anahita Uberoi, Anupam and Kiron Kher, Anuradha Kapur, Astad Deboo, Atul Kumar, the Auroville Dance Company, the Cartoon Sardine Theatre, Fazal Qureishi, the Garlic Puppet Group, Javed Akhtar, Louis Banks, Shivamani, Niladrikumar, Mynta, the Paul Taylor Dance Company, Rahul Bose, Ramdas Padhye, Raman Kutty Nair, Daksha Sheth, Rohini Hattangady, Ronnie Govender, Shabana Azmi, Shovana Narayan, Shubha Mudgal, Tom Alter, Usha Ganguli, Vibha Mishra, Zakir Hussain, Indian Ocean, Deepti Naval, Nandita Das, Zohra Sehgal and many others.

No other private arts institution in India had the facilities available at Natarani. The campus, the theatre, the artists, the technical equipment, the rehearsal rooms, the library of books, music and videos, the workshop, and perhaps most significantly the mind set. This made it unique for opening it out to the artists and creators of the world who wanted to break out of technique bound institutional or performance set ups and have the possibility of working with artists of different trainings, nationalities, sensibilities and goals.

Our Founding Member

Solo-Irving, Duets-Plano, Solo-Fortworth. Choreography Work from past trainings. 1999, 2000. Gujarati Theatre Dance Skit.

Grace And Grooves thanks Darpana Academy of Performing Arts for sharing their beautiful journey of performing arts under the leadership of Guru Smt.Mrinalini Sarabhai and Guru Smt.Mallika Sarabhai. This as well reflects in quality, technique focused environment pertaining to style or form and above all-commitment and discipline to form/style. 

                The above article is being submitted by Darpana Academy of Performing Arts, Ahmedabad-India to Grace And Grooves & Hetal Nagaraj to provide knowledge about institute’s premier setup in Ahmedabad-India. This article was specifically formatted to meet the guidelines for a particular submission in news all over USA. Please do not copy without permission of Hetal Nagaraj or there will be legal consequences. Hetal Nagaraj owns several of these copyright articles to circulate the materials of Darpana, in USA.

Hetal’s Inspirations from own family for performing arts is mentioned here.

Company : www.graceandgrooves.com

Hetal’s Outside family inspiration are from Darpana Academy : 

                      Lt. Mrinalini Sarabhai was the inspiration for institutional setup along with hetal’s own mainstream schools other than her own family environment. She provided a full guidance when Ms.Hetal & her mom:Daksha Joshi came in contact with Darpana & their staff from 1992 to 1995.  It was during a govt program in school functions; when they met!

                       Ms.Daksha Joshi was a contracted artist with govt events for various services. Mrinalini Sarabhai proposed for Hetal if she would be interested in Darpana Academy with everything that is required to be done including the trainings;which she was already taking in schools or had formal teachers too. Amma was then made aware that most girls in Hetal’s family are groomed for outside-india-life to join our other NRI-families and with that, she may not stay in India as well. And so it may not be good idea to commit upfront with these family traditions;few other officials were approached too for same guidance. She was also a volunteer at temples. But with that, she agreed to be launched as paid artist freelance with other projects outside Darpana. And this led to foundations of all the knowledge that she will need to open an institute in 1994-1995 for future, ”if she wants to!”.

Pics of Daksha Joshi & Mrinalini Sarabhai at an event in Gandhinagar – will post them soon 🙂

Hetal completed several trainings at Darpana that she couldn’t complete at schools as she moved to Ahmedabad for her Bachelor’s degree. Ms. Hetal’s trainings that she completed (1999, 2000, 2015) were in various Indian Folk Dances, Puppetry, Chhau and Gujarati Theatre at Darpana Academy of Performing Arts from some of the most renowned artist that visit the institute for teaching their speciality. Some of these choreography and conceptual works were also performed before and after Grace And Grooves was registered with state of Texas as a LLC and were reproduced as direct replica of her trainings at Darpana Academy of Performing Arts(Ahmedabad).

                  While a few of the choreography work-ideas from Darpana students’ showcases (of 1999, 2000, and 2001) have inspired Mrs.Nagaraj to use the very same in Bollywood, Bharatanatyam and other Classical Fusion works (Kalakshetra Style or with multiple styles of Bharatnatyam, and Kathak). All with required trainings without forsaking fundamentals, practical approach and creativity. 

Be it for fun or competition–it is all about what you take home once the training is done.

About Grace And Grooves Group under Hetal Nagaraj (www.hetaln.com) :

             We, at Grace And Grooves choose to provide the very same quality, commitment and creativity without forsaking the fundamentals of dance forms or styles. Students are taught to practically apply choreography work in their specified dance forms or styles and Indian dance categories(if-competitions). Knowledge of various vedas, shastras, epics versions, access to culture books, translations and history books are open to students who would like to study in-depth.

                Fusion works, musical theatre are taught in their own category of dance forms or styles. It is due to hard work and in-depth interest, that Mrs. Hetal Nagaraj has gained some of the finest knowledge and books from various parts of India during her extensive travels all over India for her education in various fields(including dance) and for the love of travel! While some books and mentorship were gifts from her dance guru(s), instructor(s) and Sanskrit professors at various institutes/universities/department of tourism(state & India) or performing arts related associations.

Hetal123

Bharatnatyam Solo 2008-2009 in Irving Texas. Repeated again in 2012-2013 in Grapevine Texas.

  When you take Indian Folk Dance Classes from Mrs. Hetal Nagaraj in Dallas-Texas, the history of culture with related Indian Folk Dance variations, styles, costume & prop- guidelines, with required rules associated with dance form or style is very much part of program as per region and state wise – Both!

                  Props making & puppetry(-includes making them-) is also taught wherever applicable; knowledge of which she has inherited from her own mother. About her mother’s transparent background.

Graduates of Hetal Nagaraj : By Genre, Click Here.

Hetal’s drama-plays included a full routine of dance performances in Indian Folk Dances on Indian festivals and subjects such Ram Leela, Krishnasthami(Janmashtami), Shivratri, Onam, Sankrant(Makar Sankranti), Dussehra(with 9 days decors), Women’s Empowerment, Diwali Decors, Christmas Plays, Lezim, Lavani and many others to include which are taught today also at Grace And Grooves Indian Folk Dance Classes or Musical Theatre (wherever applicable, as per need) as part of various programs.

Possibilities are endless with trainings as they come with practical safety guidelines for each form or style. This allows you to showcase endless creativity and still stay within the form or style. For No Dance Was Ever Made To Harm And Dance Is Beautiful With Creativity! Just don’t forget what you were dancing out there in the name of creativity.
Elites & HetalJoshiM

Some of our elite performers. Bharatnatyam in 2 different styles and Indian Folk. Performances 2015-2017. Works of other renowned bharatnatyam guru(s) and Indian Folk Dancers from straight trainings. Elite Students and Hetal Nagaraj.

The above article is being submitted by Darpana Academy of Performing Arts, Ahmedabad-India to Grace And Grooves & Hetal Nagaraj to provide knowledge about institute’s premier setup in Ahmedabad-India. This article was specifically formatted to meet the guidelines for a particular submission in news all over USA. Please do not copy without permission of Hetal Nagaraj or there will be legal consequences. Hetal Nagaraj owns several of these copyright articles to circulate the materials of Darpana, in USA.

This above timeline was submitted by Darpana Academy about Darpana Academy to Grace And Grooves for September 2015 publishings in various media across USA.

Post about inspiration to Hetal from Darpana added on Feb 23, 2022.

Copyright Reach Media for Grace And Grooves | Grace Creations | Nruthyakala Dance Academy | Mirchi Dance Academy. 2012-2022. This material may not be published, broadcast, rewritten or redistributed without permission.

Past Staff (Volunteer & Paid)

Past Staff (Volunteer & Paid)

Mrs. Swathi Burra, Irving-Texas :

She was volunteering with us for about 2 full years in lieu of her daughter’s dance fees from 2011-2013 and some months post 2013. Rest, we would gift her. A fabulous lady who knows how to treat people, understands queries and at times their concerns regarding costumes, jewelry, to just about anything. She has travelled around world and knew pretty much everything that anybody had queries regarding. 

Those 2-3 years when we started off doing regular lessons and filed for company name, we had people from outside US such as newly moved to US due to Green-Card Lottery, some moved to US on business visa or H1 visa from other countries while some like us who were pretty much settled where we were(Irving-Coppell). Times, we needed hand in backstage for costumes, makeup, ticketing, coordinating with organizers, collecting fees, checking the venues-this girl would get it all done. Some of these people had never spoken english or barely knew hindi and were an exclusive Telugu influenced. Swati was our big time help for all our south asian/indian programs for coordinating.

Till date, it is 2019 when we are editing this blog entry and we have received calls from organizers asking if its Swati they are talking to and they would start their talk in Telugu.

Journey with us :

We had just registered our company and formation was still going on with lot of other paper-work during that time and our Indian Folk Dances Program was pretty well established with private groups in Irving, Coppell, Valley Ranch Areas of Dallas and Denton County with over 30 students on an average. Some recreational while some only competitions in Indian Folk Dances and a few work-out groups for moms.

Recreational Folk Dances were only names as such because they would not bother to perform in US or anywhere at all or would perform only in Indian audiences in India which made us even more proud when we received compliments and in some cases, some certificates or awards as they would participate in India for various competitions during their visits to their homeland. 

Srinija Burra

Indian Folk Dancers, Bollywood And Amongst Very First Grace Creations Dancer.

Even after we were registered fully and almost all paper work was done, we were NOT committed to doing any regular community performances as Indian Folk Dances at competition level or even basic performance took us about fairly 10-12 classes for a good choreography to establish for an age group of 6 to 10 years. 

It was Ms. Swati’s decision however to prompt us to start Bollywood / Tollywood (Telugu Cinema Dances)/Indian Movie Dances.

And our very first Bollywood Group had its very first official performance in IANT  2013 under the name of Grace Creations-our non-competitive performing fusion company. And we started taking Bollywood students in groups targeting specific performances for community events.

Grace Creation, however, was formed with an inspiration from Indian dance companies in east-coast which Mrs. Nagaraj had been following in various social-media channels or as her idols or via her network of dancers in Ahmedabad, Mumbai, Rajasthan and Delhi. Our Students were already trained in Non-Indian Dances from Ballet Academy of Texas, and Coppell Dance Center(Now Prestige Dance Center) and we already had required Indian Dance knowledge of Indian Folk and Bharatnatyam that we needed to create fusion category of dances. 

But that was it, the group then dissolved as nobody was interested in regular community performances on monthly basis for Bollywood but instead wanted to move to Bharatnatyam when they saw Ms. Hetal Nagaraj teaching some classical work to college students who had come for competition related classes. 

Some students moved outside city itself while for others who stayed with us, shaped with us with our newly established structured program for Bollywood Dances. These students were also taking Indian Folk Dance Lessons from us as seperate programs and Bharatanatyam. In total, they would dance 1 hour per week for each program i.e. 3 hours total.

Looking back, if it wasn’t for the push of Ms. Burra, we would NOT have initiated the Bollywood-Tollywood or Indian Movie Dances Program and Grace Creations wouldn’t have existed so early. Initial plan was to launch Grace Creations in 2016, otherwise. Grace Creations is still our non-competing group for Bollywood students where now, most of our Musical Theatre Dances and acts happen in their respective categories and programs based on type/timeline of performance date. However, off-late in 2016 onwards, some of our fusion dances won 1st place non-stop in various competition from local, regional to state and national level.

Ms. Swati’s daughter, Srinija Burra was a fabulous recreational Indian Folk Dancer who was accepted in several competitions as Solo dance artist(Age 6) and was important part of our team. She has also won group Indian Folk Dance Competitions (Pure Folk and with respected judges/organizers with double degrees in fine arts-very proud of this young lady!) with our other 10 Indian Folk Dance Students. Srinija Burra has also been the student of the year and received discounts on our elite line of costumes rentals and several other perks that we offered from our sponsorships of our dances that time. 

Srinija & Nirja were often mistaken and switched in their solo performances by the organizers due to similarity in names and back then they would look very same! Best part was, both these girls would steal the show anywhere they would go, be it solo, duet or in group. All photographers, videographers and other parents who did not know us or these girls would take only their pictures and dance-videos with close-ups in-spite of being 10-15 dancers on stage without our informing them.

They were/are known to be the face and honor of Grace And Grooves LLC and often mistaken as Mrs. Hetal’s daughters or Mrs. Swati’s daughters as well. Nobody knew. Fun!

Today as well, till date in 2019, they are asked by various organizers who see our promo videos and pictures going out or in google search for modeling to dance assignments. A childhood friendship that shares some of the most beautiful memories that both the girls will cherish throughout their life! We are very blessed to have these young ladies as part of our family. 

Srinija was also the reason why we have student of the year today and was amongst our very first Student Of The Year :).

Thank you Swati for being our best one. We Miss You 🙂 This Blog post is exclusively for you! 

Blog Entries: Late 2017, April 3, 2019 with Srinija’s credits.

Copyright Reach Media for Hetal Nagaraj | Grace And Grooves | Grace Creations | 2012-2019. This material may not be published, broadcast, rewritten or redistributed without permission.