Guest Artists @Grace And Grooves Dance Productions | Annual Recitals | Programs

Celebrating all our guest artists who have performed with us in past in our journey of dance productions. These guest artist are invited to come and perform with their own work. The talent that they perform are not taught by us. These are not our students either. They have their own dance/talent academy at some place/city or have their own group that they perform. We pick their performance piece dance based on our dance production.

These Guest Artist are local or new artists who have just stepped in the world of Indian Performing Arts or have just started performing.

It is our absolute honor to introduce them to our audiences and as well work with them.

guestartist20162016 : Dance of Gods : Adi-Shakti. 
Event : A fundraiser for CRY America showcasing Bharatanatyam, 
Bollywood, Indian Folk Dances. 
Fusion Dances by Elites in respective categories.
Guest Artist : 
Dancer : Meghna Murali, A Bharatanatyam dance presentation on Devi.
Singer : Mala Pydimari, Carnatic Singer.

IMG_1988

2017 : Jalso : Celebration of Life with Dance,
Event : Nritya Ki Masti, Navarasa in Bharatanatyam, 
Bollywood And Indian Folk Dances. 
A seperate presentation of Fusion Dances was also showed by our own 
students, elites-trained in 3 different dance forms/styles.
Guest Artist : 
Dancer : Easter Bunny.
Guestartist20182018 : ABCD - American Born Cultured Desi
Event : Participating fundraiser for a private foundation-Cqunce Inc.
Dances in Bharatanatyam, Bollywood & Indian Folk Dances 
featuring Festivals of India or celebrated by Indians outside India.
A special 11 minute tribute to Shahrukh Khan - King of Bollywood.
Exclusive Fusion Dances were showcased by our elites who are trained
in 2-3 different dance forms.
Guest Artists : 
Dances : 
Mishu Shashtri with her team for Bollywood Garba featuring Navratri.
Ritu Kharbanda with her team of Rang Barse duet featuring Holi.
Instruments :
Arjun Iyer (Middle Schooler, LISD School Band)-Clarinet & Keyboard.
Kedar Golvekar : Introducing Music for SRK Tribute on Guitar.
rinkudas

2019 : Anantha-1 Dance Production. Special Presentations by Rinku Das for Kathak and Manipuri.

rinkumani22019 : Anantha-1 Dance Production.
Event : An Exclusive Dance Production featuring a full 
Bharatanatyam Margam,Copyright Dances in Bharatanatyam, 
Folk Dances of India featuring North, East, West & South India.
Special presentation by Elites for Fusion dances such as Swala Jathi,
Rabindra Nruthya. Fully trained in their own dances.
Guest Artist :
Dances : 
Rinku Das for Kathak Classical Dances
Rinku Das for Manipuri Classical Dances.
Rinku Das was also introducing choreographer for our company that year.
Singing :
Our own elite student-Ashna Pethe representing LISD choir.

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2019.  This material may not be published, broadcast, rewritten or redistributed without permission. 

http://www.graceandgrooves.com        972 979 2559         info@graceandgrooves.com

Salutations To Our People, Staff, Teams…We love you.

Ms. Hetal maintains a structured database of participants, including parents, students, interns, and staff engaged with our programs. Participants may join either on-site or remotely, depending on program requirements and accessibility needs.

All internships, school-linked placements, and college-associated training opportunities(must submit university credentials) are structured as intern-positions or based on speciality in year of university, whereever applicable, to ensure equitable access and professional development for students.

There is a 5 month probation period for individuals to submit university, NJHS and such credentials which are to be required as proof of submission(from university, college or school isd official letter) to intiate the work.

In addition, select volunteer opportunities are offered for community engagement and supplementary learning experiences. Our team structure includes administrative staff, program coordinators, interns, externships, parents programs and we ensure appropriate introductions and engagement with all stakeholders as needed for program delivery and oversight.

Company’s Time Line – Grace And Grooves Timeline | Hetal Nagaraj’s Life Stats – https://www.hetaln.com/lifestats

Program leadership and operational direction are primarily overseen by Hetal Nagaraj, ensuring continuity, accountability, and alignment across all activities and participants.

More than 60 official legit ways to work with Grace And Grooves Corporation by Hetal Nagaraj.

Eligibility Criteria

Organizational Participation, Staffing & Participants (2011–2025)

1. Administrative & Core Coordination Staff

Swati Burra (Swati S.)

  • Role: Coordinator & Administrative Support – Success.
  • Tenure: 2011–2016
  • Brand – Grace And Grooves Corp, and Ms. Hetal’s own.
  • Work Structure: Part-time (4 days/week)
  • Summary: Swati Burra served in a key administrative and coordination role supporting scheduling, operations, and program logistics over a five-year period. She completed her training cycle and transitioned into independent IT consultancy work, reflecting successful professional development and career progression.

Deepthi Chandrasekar

  • Role: Coordinator & Administrative Support, H4 Visa Status.
  • Tenure: 2015-2018
  • Brand – Texas All Star International, Texas All Star Talents, Grace Effects (husband) – Success.
  • Work Structure: 3 days / 3 hours a day
  • Summary: Deepthi served in a key administrative and coordination role supporting research, training, development, various program logistics over 3 years as intern. She completed her training cycle and transitioned to perfomer with company.
    • The only individual offered an official 40 hour-work visa to work officially with company but chosed not to, family planning.

Directors of Various Brands – Staff.

– Staff – Regional, National and International

Former, Current – Staff List W2, W9, 1099, Paypal, through our own Portal Platform –

Company never had a staff until G2. G2 has regular payrolls. All are project based and usually or are Workshops, after the completion of Internships-Externships, if need. Some are own students – Graduates and Elites or are Success of other non-dance specialties and have to take certain hands onn trainings. Seeding projects too have payrolls.

  • Students – Graduates – Pre Elites – Elites – Internships – Externships – Experienced – Projects and Payrolls.
  • Volunteer hands onn Trainings, NJHS, Scholar Programs – Graduates – Pre Elites – Elites – Internships – Externships – Well Seasoned Experienced – Projects and Payrolls.
  • Reachh PR also has payrolls and projects payouts.
  • Individuals not authorized for remunerations are not paid because of Immigration Policies.
  • These are what you can define as Lab-Pratical Trainings to relate to educational theoritical learnings in the classrooms as student.
  1. Taylor – G2.
  2. Marchawn G2 and hetaln.com
  3. Deepthi, Hourly (EAD).
  4. Mansi, Grace And Grooves – project/gigs/workshops-in person, Dhamaal Events USA brands.
  5. Manoj Bagga, Dhamaal Events USA, All Star International, Texas All Star.
  6. Santosh Kumar, Dhamaal Events USA, All Star International, Texas All Star.
  7. Anna Vasquez G2,
  8. Justin Soo – Grace And Grooves, by project.
  9. Mina G2
  10. Ashna Pethe – Hourly, as available, Company internal work only, Grace And Grooves. hetaln, Dhamaal Events USA brands.
  11. Nirja Setty – Hourly, as available, Company internal work only, Grace And Grooves, hetaln, Dhamaal Events USA brands.
  12. Samarth Setty – Hourly, as available, Company internal work only, Grace And Grooves, hetaln, Dhamaal Events USA brands.
  13. Aahana – Frisco and Vicinity – hourly, as available, Company internal work only, Grace And Grooves, hetaln
  14. Vendors Programs, by project-gig.
  15. Service Providers, Adhoc Services.
  16. Neetu – Kalakshetra – Texas All Star Programs, Dhamaal Events USA
  17. Anula – Depends on gig, vendor programs
  18. Preethi Choleti – depends on gig.
  19. Sindhu J – depends on amount.
  20. Nandika Jay – Gigs only, as available.
  21. Jinal Shah – hetaln.com
  22. Hetal J Shah – hetaln.com
  23. Digvijay – hetaln.com
  24. Jaimin Patel – hetaln.com
  25. Swati Burra – Grace And Grooves
  26. Navneet Jadeja – hetaln.com
  27. Vanita Patel – hetaln.com
  28. Prusti Dave – hetaln.com, by project.
  29. Puja Natesan – Grace And Grooves, by project/gig.
  30. Vinish Vasam – Grace And Grooves – Martial Arts Program.
  31. Anish Rangrej – Dhamaal Events USA, In person – through indian billing

2. Early Program Collaborations

Krishna Veni Putrevu (Odyssey Program – 2012)

  • Program Type: Company-to-company collaborative training model
  • Duration: 6 months (2012)
  • Summary:
    Participated in a structured collaborative arts training initiative involving 12 students under a joint organizational model. During planning for geographic expansion, alignment challenges arose regarding North Dallas participation.
  • The collaboration was formally dissolved, and all 12 students continued their training within the South Irving folk arts program under Hetal Nagaraj.

3. Internships, Training & Student Development Pathways

Shruti Sheladia

  • Tenure: Aug 2012 – Dec 2013
  • Role: Intern / Leadership Trainee (as available)
  • Summary:
    Engaged intermittently in internship and leadership assignments.
  • The engagement concluded due to non-continuation of assigned responsibilities and limited participation consistency.
  • Additional Note: Sponsored participation in Raas Nationals (organization-funded opportunity). Sponsorship by Hetal Joshi Nagaraj.

Mansi Chauhan 2013 – 2023

  • Internship: Aug 2014 – Aug 2015
  • Leadership Role: Jan 2015 – July 2019 (as available)
  • Summary:
    Participated in NJHS scholar pathways, volunteer programs, and leadership assignments.
  • Engagement reduced over time due to academic commitments, travel, and external priorities.
  • Adminstration – Contracts, Compliance.
  • Additional Notes:
    Completed structured dance training in multiple categories and participated in long-term programs (2013–2023), including workshops, performances, and curriculum-based instruction.
  • 2012-2023 – Successful 10 Year Contract Completed with all work assigned, completed, delivered with all due payments to company and several was key part of several development projects within the company.
  • Several Initiatives within the brands.

Pre. Elites and Elites Lines of Programs – 2011 to Till Date – Work In Progress.


4. Direct Hire & Performance Artists

Rinku Das

  • Tenure: Nov 2018 – Aug 2019
  • Role: Direct Hire Performer
  • Summary:
    Performed classical Manipuri and Kathak works, including participation in Anantha-1 (2019) production. Engagement concluded following contract completion and enrollment-based participation requirements not being met for continued collaboration.
  • Rinku Das is director of Nrityajyoti Dance Academy.

Digvijay Singh (DG / DJ / Jasmindar & Family)

  • Tenure: Aug 2018 – 2024, Pseudonym
  • Roles: Intern → Leadership Contributor → Digital Asset Strategy Manager (Paid Role, 2022-2025)
  • Summary:
    Progressed through internship and leadership responsibilities in digital and operational support functions, later transitioning into a paid strategic role in digital asset management.
  • 2025-Relocation.

5. Freelancers & Project-Based Collaborators,

Some are own students, grads or Elites. Full Direction of Ms. Hetal to achieve milestones for company.

  • Navneet Jadeja & Family – Visiting artist collaborators (India-based freelance performer, performs in India)
    • Mumbai, Delhi. Part – pseudonym
  • Hetal Shah Patel & Family – Creative collaborators (IT + dance projects via hetaln.com) – Grad and Elite.
    • Aug 2016 – 2026.
  • Vanita Patel – Freelance performer – Grad and Elite.
    • 2018-2026.
  • Jinal Shah Mehta – Project collaborator (former Reachh Mediaa association) – Grad and Elite.
    • Aug 2018 to current. Part – pseudonym
    • 2nd highest Contributor to business and revenue of the company, other than Ms. Hetal
  • Kalpana Sai – PR and project-based freelancer (2019–present) – Grad and Elite. Part – pseudonym
  • Shweta (Thakkar) Jagadish – Long-term freelance performer (2016–2025).
  • Deepthi Chandrasekaran – Solo artist / instructor (2014–2018, 2019-2022 Ad-hoc stage performances) – Grad and Elite- Bollywood. 2025.
  • Sindhu J – Student → Graduate performer → occasional project contributor – Grad and Elite.
  • Ruchita Umesh – 2020 – Online lessons, Batches were rolled off due to low enrollments.
    • On-boarding Trial Period.
  • Santosh K – June 2016 – 2021 March 21 – Online Only
    • 2016-2020 – Paid – Pre Judgement, Non Classical – For all star international.
    • 2016-2017 – Paid – Research Rubrics.
    • June 2020 – March 22, 2021 – Elites, Age 10, Online Classes Only.
    • 2022 September – Special gigs, online.
  • Yagna Pathak – 2019 Sept 1s week – Oct 1, 2019 – Dancer.
  • Jeya Ravi – External Continued Education/Performing Teams – Dancer.
  • Dr Puja Natesan – Performing team, Graduate and Elite.
    • Continued Education, Performing Team. Anantha 2020.
    • Grad and Elite. Reachh Mediaa Group – PR.
  • Kavitha R- August 2018 – 2021 – Auto Immune Break.
    • Can join back when allowed to work with a doctor’s note.
  • Tejaswini K – August 2018
    • Performing teams, Gad and Elite.
    • Continued Education. Family Planning Break from Jan 2019.
  • Mandi Parikh – Holiday Performer – August 2018 – Nov 1, 2022
    • Dance with Elite teams only 2022-2023.
    • Mexico Performances from 2024. Short Projects, Gigs, Admin work.
    • Part – pseudonym
  • Bhuvaneshwari Murugan – 2016-2017 –
    • 52 hour workshop online delivered, 1 commercial performance
  • Prushti Dave – IT –
    • Inventory Systems – Custom Build designed by Ms. Hetal Joshi Nagaraj – 2017
    • March – August 2019 – Back office, IT support
    • Leadership Work 2019 August onwards – Web infrastructure, google console, Seo Teams.
    • moved to Ms. Hetal, permanently.
  • Anamika Jain – June 2019.
    • Performing teams. Sponsored program gigs for celebrities.
    • 2020-too many work travel.
  • Ketki S – June 2019 – Oct 2019.
  • Nimisha Sri – Holidays March 2019 – 2021 –
    • Anantha 2019. Performance
    • 1 photoshoot gig.
  • Devi S – Balasundaram – Sept 2019 – Oct 31, 2019
  • Taylor Hayes – August 2020 – April 2021 – G2 Staff direct hire, G2 Success – Relocated.
  • Anna Vacques – Sept 2021 – June 13, 2022 – G2 Success – Grads. Lay-off. Closure of Location.
  • Mina – Hiphop – Sept 2021 – June 15, 2022.Lay-off. Closure of Location.
  • Marchawn Franklin – Sept 2021-June 2022.Lay-off. Closure of Location.
    • Admin work refined under Ms. Hetal for online meetings, conferences.
    • IT Internships – Success on company’s all the automated systems.
  • Jaimin Patel – June 30, 2022. Part – pseudonym
  • Vinish Vasam – Sept 30, 2022 – Feb 22, 2023.
  • Preethi Cholleti – 2023-2024 – Dancer.
    • Ms. Hetal refused to come to Mckinney to supervise lessons nonetheless, batch was not quite formed.
    • Gigs as available. Reachh Mediaa Group PR
  • Anula 2022-current – Elite by Audition Programs
    • Performances in company shows, gigs, Sponsored programs by Hetal Nagaraj.
    • Brand Paused – Moved to Vendor Programs by Hetal Nagaraj.
  • Jae/Justin Soon – 2019 – 2021 – G2 Launch Activities, Brand Launch.
    • Closure of location – 2022.
    • Continued providing services for Commercial Gigs – Online.
  • Aahana M – 2022-2023 – Bollywood Program – 12 hours & Rehearsal Ms. Hetal – Grade and Elite.
    • Bollywood, Folk Dances of India, Kalaripayattu, Creatives, Mixed Martial Arts Demonstrations.

6. Program Graduates & Structured Training Outcomes

Multiple participants completed structured training pathways (2011–current), including:

  • Classical and Folk Dance Education
  • Bollywood and Fusion Programs
  • NJHS (National Junior Honor Society, Education-Scholar Paths) are :
    • Amuy*** – Student Intern
      • Volunteer – NJHS Scholar Path, Relocation due to degree studies.
      • Grace Effect Photography Initiative, in association with LISD Electives.
    • Mansi Chauhan, Student Intern – 7th grade.
      • Volunteer – NJHS Scholar Path
      • Grad And Elite.
      • Commercial Competition Initiative.
      • 3rd Highest Contributor to business and revenue of the company, other than Ms. Hetal
      • Successful Completion.
    • Nirja Setty – Student from age of 4.5 years.
      • Volunteer – NJHS Scholar Path
      • Grad And Elite
      • Several Initiatives within the company, record breaking straight 10 years of win in competitions in Bharatanatyam, Folk, Hiphop, K-Pop and Bollywood.
      • Initiatives to launch more than 45 brands of Grace And Grooves Corp.
      • Highest Contributor to business and revenue of the company, other than Ms. Hetal
      • Successful Completion.
    • Samarth Setty – Student from age of 3 years.
      • Volunteer – NJHS Scholar Path
      • Grad And Elite.
      • Several Initiatives within the company, record breaking straight 8 years of win in competitions in Bharatanatyam, Folk, Hiphop, Kalaripayattu-Martial Arts Demonstrations, K-Pop and Bollywood.
      • Initiatives to launch more than 45 brands of Grace And Grooves Corp.
      • Highest Contributor to business and revenue of the company, other than Ms. Hetal
      • Successful Completion.
    • Ashna Pethe – Student from age of 8 years.
      • Volunteer – NJHS Scholar Path
      • Grad And Elite.
      • Initiatives to Model Shoot Programs for Teenagers.
      • Successful Completion.
    • Avani Parihar
      • Volunteer – NJHS Scholar Path
      • 51 hours of successful tasks assigned and completed along with in-person private package trainings for correction lessons in Bharatanatyam.
      • Group Lessons, Allen Location – Bharatanatyam – Adavus.
      • Ms. Hetal refused to come to Prosper.
  • Performance-based curriculum tracks.
  • Annual production participation (Annual Productions held thrice a year)
  • More than 60 ways to be the part of this infrastructure.

Participants transitioned into independent artistic, academic, or freelance careers after program completion.


8. Operational Challenges & Program Disturbances

System Disturbances & Fraud to the company (2021-2022 Period)

During this period, the organization experienced operational disturbances associated with several brands, which then were duly reported, documented because of level of damage in the company, reputation and company’s revenue caused due to fraud-criminal disturbances, system interference concerns and code of conduct, which were escalated to relevant authorities for review.

Individual disturbances were –

  • Deliberate pauses in program delivery systems by creating unnecessary setbacks without understanding brand workforce.
  • Deliberately delaying administrative workforce despite the task priority to high income projects.
  • Demotion from every brand and leadership assignments – inability to correct.
  • Inability to take leadership roles, being absent in all the work assigned.
  • Delays in certain project pipelines by creating unnecessary setbacks.
  • Unauthorized activities without consent of company or Ms. Hetal
  • Unauthorized activites outside visa limitations.
  • Program disturbances caused due to code of conduct, despite regular reminders of several waivers.
  • Unauthorized permissions to minors in certain activities without consent of Ms. Hetal and Company.
  • Reallocation of internal company’s resources that contributes toward system recovery and continuity, without permissions.
  • Forged Documents, contracts without permission of company or Ms. Hetal and outside limitations of visa and deactivated automated contract platforms without permissions that ensures transparency and traceability of every contract discrepency.
  • Unauthorized payments received to self in name of company, without consent of company or Ms. Hetal and never received to Ms. Hetal or company.
    • Individual in above fraud interferences – Saumya Bhardwaj Kaur / Saumya Kaur – Not a 20 year old-student and is 30+ year old, defrauded company the Ms. Hetal with fake resume.
    • Despite given all the opportunity to start fresh as a training school would;until company-emails revealed dangerous activities being planned to harm Elites. Individual is reported to authorities.
  • These are verified through the following documented incidents such as evidences of emails, emails to lawyers falsely accusing company or company’s elites or Ms. Hetal, text messages, recorded clips or videos of unauthorized activities and unauthorized permission to minors, refusal of permissions, verified internal findings with unathorized transactions, unauthorized activities outside visa limitations, findings of unauthorized activities posts on social media, contractual disputes because of forged documents, compliance concerns, or formally reported matter to local authorities.
  • These verifications were caught on company’s assets such as company provided gmail ids to converse within company, icloud backups, gadgets and gears backups – phone and laptop, external drives and memory cards — usually provided to every individual in university or student programs for leadership smooth operations.
  • Several emails and details were deleted from gadgets, or company assets and Ms. Hetal was able to retreive them all.

Other disturbances – loss of million$ worth of seeding projects of 13 Elites and several small scale projects at G2 Arlington location due to negligence of property management company in pending building permits, not conversed during contract to company until director found out through city-portals. Certain access to city-portal is not available until permit application is in process as it contains details of previous owners or until city supervisor is followed through. Public access portal was not updated with respect to property until the matter was addressed by Ms. Hetal.

When these projects rolled back because of delays of locations of permits and back to back fraud, Ms Hetal had to bear the costs of all the cancellations and several legal mess that was caused by these individuals. This marks as the worst period in the history of Ms. Hetal’s or company’s life.

It is essential to know that company and Ms. Hetal survived these dangerous setbacks despite certain individual’s deliberate attempts to cause harm to every single individual within company and to clients. Ms. Hetal’s Information Technology-Intellect and collective experiences of life have saved entire teams, key contributors to company and Ms. Hetal’s own family. This also, saved mis-use of database and personal details of individuals.

Program Continuity and Operational Resilience

Despite these challenges, core instructional and performance programs continued in modified formats, including in-person, hybrid and online delivery models.

During this 2021–2025 period, right after these incidences, the organization encountered significant catastrophic operational disturbances and documented compliance-related concerns that affected several programs, partnerships, and revenue-generating activities. Certain matters were identified through written communications, administrative records, and internal documentation processes, requiring the organization to implement corrective operational and governance measures.

As a result of these challenges, some brands and initiatives were/are temporarily paused until funds are received in full, while some are restructured so that organization remains focused on protecting program integrity, participant interests, and long-term sustainability.

Although several Elite Lines, training initiatives, and organizational programs continued successfully under the leadership of Ms. Hetal through the use of contractual safeguards, structured oversight, and continuity planning.

The organization remains committed to transparency, compliance, accountability, integrity of the company and the country thereby strengthening internal operational systems to support sustainable growth and responsible program management moving forward!


8. Contractual Outcomes & Engagement Closures (Selected Examples)

Across programs, several engagements concluded due to standard operational factors such as:

  • Scheduling or location constraints
  • Academic or personal commitments and other goals in life
  • Transition to independent work
  • Enrollment or participation limitations
  • Contract completion or mutual non-renewal
  • Time, Duration of Project.
  • More than 60 ways to be part of the program.

All closures were/are handled within structured program frameworks, with many participants continuing independent artistic or professional pathways afterward.f


9. Sponsorship & Community Support Activities

The organization has provided sponsored participation opportunities in cultural programs, competitions, and national events, including full or partial funding for select student experiences as part of its community arts mission.

This is handled by Ms. Hetal Nagaraj herself, just as all above and below. Sole Owner.


10. Long-Term Program Impact (2013–2023)

  • 10-year continuous program cycle with structured training delivery, not 1 but more than 10 examples!
  • Multiple cohorts trained across classical, folk, and indian-demonstration contemporary forms
  • Students transitioned into independent artistic, academic, and professional roles to leadership roles.
  • Consistent delivery of performances, workshops, educational outcomes, documented – 44,000+ recorded classes.
  • Development of hybrid IT, all areas of performing arts, industrial arts, commercial arts, manufacturing from ground zero locally, professional arts, institutional arts, internship, externships, innovation, cultural, spiritual, relgious, faith practice, Philanthropic, Civic & Charity as well as creative pathways in multiple styles and formats.

Non Staff – External Dancers – By Auditions and from own couples or other workshops or private packages :

  • Krishna Pseudo name – aka Hi**** – Male – Dancer. from own couples package – No Show.
  • Nandika Jay – Female – Own Texas All Star Talent Student – Successfully Delivered.
  • Tani*** and sister (Flowermound)- Dancer Female. from own couples package – Successfully Delivered.

List of occasional dancers / dance  only (no teaching and no other work) :

  1. Baz**. Lewisville, Grapevine. 2 solo performances.

11. Risk Management, and Operational Continuity – 2021-2022 –

The organization has experienced operational disruptions that have impacted certain training activities and program engagements across multiple functional areas. These disruptions affected continuity at scale and required immediate implementation of internal controls and corrective administrative measures. In response, the organization has relied on existing contractual agreements, documentation protocols, and compliance safeguards to ensure continuity of essential services and protection of program integrity. These mechanisms have enabled the organization to maintain operational stability and uphold its commitments to stakeholders and participants. The organization has since strengthened its governance framework, including enhanced oversight procedures, documentation verification standards, and internal accountability systems.

These improvements are designed to reduce operational risk, ensure regulatory and contractual compliance, and support long-term program sustainability. The organization remains committed to maintaining transparent operations, safeguarding participant trust, and ensuring all educational and training activities are conducted in alignment with applicable laws, institutional requirements, and grant compliance standards.

12. Contractual Structure and Program Engagement Framework –

The organization utilizes tiered engagement agreements designed to align participant experience levels, project complexity, and operational requirements. These agreements are implemented primarily to ensure organizational safety, clarity of scope, and proper allocation of responsibilities across varying types of engagements. Standard participation agreements are typically project-based and are not intended to create long-term employment obligations unless explicitly designated as full-time or long-term strategic roles. Certain high-complexity, high-budget, or sensitive turnkey projects may require advanced technical competency, demonstrated experience, and established reliability prior to participation due to the operational demands and risk profile of such work.

Entry-level participants are generally introduced through structured learning, training, or supervised project environments that allow gradual skill development and progressive responsibility. Advancement to higher-responsibility roles is based on demonstrated capability, technical proficiency, and successful completion of assigned deliverables. Many engagement agreements include defined duration terms or completion-based structures to ensure clarity for all parties and to support flexible participation models. This structure is intended to provide participants with autonomy while maintaining clear organizational boundaries and compliance with project requirements.

The organization prioritizes ethical engagement practices, transparent expectations, and role-appropriate responsibility assignment to ensure fairness, safety, and sustainability across all programs. Completion of task with respect to funds received to company, without bringing setbacks to company or individuals within the company is a benchmark of delivery.

13. Team Appreciation and Engagement Structure –

This communication serves as an appreciation to all individuals contributing their time, effort, and expertise to our organization’s programs and initiatives. We recognize and value the commitment of our team members, many of whom balance professional roles, academic responsibilities, and other personal commitments alongside their participation in our work.

The organization maintains a flexible and structured engagement model that accommodates individuals at different stages of professional and academic development. Participation in programs may include students, professionals, and collaborators engaged in either full-time commitments elsewhere or concurrent educational pursuits.

As part of our program framework, performance-based teams—including Elite and Pre-Elite designations—are integrated into existing training and production structures. These designations reflect levels of experience, responsibility, and project readiness within performance-oriented teams, consistent with established program standards. Our approach is designed to support inclusive participation, skill development, and progressive advancement while maintaining clear expectations, accountability, and alignment with organizational objectives.

We remain committed to fostering a respectful, structured, and development-focused environment where all contributors are valued for their time, effort, and dedication.

Company offers Integral awards to exceptional students who show leadership in various tasks. These awards are not extended to public interests and remain within the participations of Company.

  • Student of the Year Leadership Awards within the company with Endorsments and Perks.
  • Company never had any staff prior to G2 to consider staff-awards. G2 Arlington location tenure or staff was under constant change to validate any awards for the staff.
  • Cadre Awards –
    • Parents with outstanding performance to represent company in absence of Ms. Hetal.
    • 21+ Teams participate in cadre awards such as clay cup, silver cup, gold cup, diamond cup with endorsements of PR Perks, Remunerations and such other.
      • Interns, Grads, Elites – Gold Cup – Deepthi Chandrasekaran, Sindhu J, Mansi Chauhan.
      • Parents – Gold Cup – Priya Joshi, Digvijay Sinh.
      • Diamond Cup, As parent and Success Intern, Grad and Elite – Jinal Shah.
  • Man of the Year Awards in Women-Owned Business – Endorsed externally by Hello Gujarat – 21+ sponsored through Grace And Grooves Corp PR Reachh Mediaa – International Artist Brand – Dhamaal Events USA.
    • Manoj Bagga (Darpana Academy of Performing Arts, Ahmedabad, Gujarat, India) for online programs during pandemic year 2020-2021and “paid” judge activity for all star international.
    • Santosh Kumar (Hyderabad/India-Vietnam-Australia) – for online programs during pandemic year 2020-2021 and “paid” judge activity for all star international.

14. Equal Opportunity and Inclusive Participation –

The organization is committed to maintaining a non-discriminatory and inclusive environment. We do not discriminate on the basis of gender, race, ethnicity, nationality, color, or background.

Participation and engagement are guided solely by interest, capability, and commitment to contributing to the work and mission of the organization. We value individuals who demonstrate dedication, professionalism, and a willingness to contribute meaningfully to collaborative projects and learning environments.

The organization also respects the privacy and autonomy of all participants. Personal background information is not a determining factor in engagement, and individuals are supported in participating in a manner consistent with applicable laws, institutional guidelines, and program requirements.

Under the leadership of Ms. Hetal, the organization promotes a culture of respect, dignity, and equal access to opportunity, ensuring that all participants are treated fairly and consistently within structured program guidelines. As a training institute, Ms. Hetal believes that every day is fresh start, but then there are limitations to not allow fresh start after some point.

Internal Company Opportunities do not extend to individuals who lack skills of particular performance, certain level of maturity as per their existing profile, permissible visa status or by contractual obligations endorsed by parents.


Operational Responsibility, Cost Ownership, and Program Accountability –

The organization operates as a fully funded service and training provider, where significant upfront investment is made to develop, deliver, and maintain educational, creative, and production-based opportunities. These include training programs, costume and production design, technical resources, and experiential learning environments.
All program activities are structured under defined engagement agreements, where participants, staff, and collaborators are responsible for adhering to established scope, expectations, and conduct requirements.

The Company assumes full operational responsibility for program delivery, including financial investment, infrastructure, and production-related expenditures. This includes costs associated with training development, creative execution, and resource allocation that support participant learning and engagement.
To maintain clarity and compliance, participation records, deliverables, and media assets are managed through official program channels. Access to materials such as photos, videos, and project outputs is provided based on eligibility, program participation status, and applicable release agreements.

The organization maintains formal documentation of roles, contributions, and engagement history to ensure transparency, accountability, and proper attribution across all programs. All activities are conducted under the umbrella of the Grace and Grooves Corporation, ensuring consistency in governance, compliance, and operational oversight.

15. Trademarks, Intellectual Property, Copyrights, Transparency, and Organizational Growth

The Company has successfully secured trademarks, copyrights, and brand protections across multiple countries, including the United States, both during and following periods of operational challenge.

These achievements reflect the organization’s continued commitment to structured governance, documentation standards, creative ownership, and operational transparency. Through consistent leadership, program continuity, and participant engagement, the organization has continued to strengthen its international presence and reputation across educational, creative, and performance-based sectors.

Under the leadership of Ms. Hetal Nagaraj—who serves both as an active participative team member and key performer—the organization has maintained a collaborative environment supported by the meaningful contributions of graduates, Elite teams, and specialized participants across multiple disciplines.

The Company remains committed to expanding its educational and experiential training initiatives through future collaborations with universities, institutions, and corporate partners. These programs are designed to provide hands-on learning opportunities, workforce readiness, creative development, and industry exposure for emerging participants and professionals.

Company has secured ownerships to publication company in UK-London. This company owns all the copyrights and trademarks of Ms. Hetal’s every published, documented word, incl this blog!

Transparency, accountability, and structured operational practices continue to remain central to the organization’s philosophy and long-term growth strategy.

Official Program & Organizational References

Ms. Hetal is a certified trainer from IIM – Ahmedabad – AMA corporate training program.

About her leadership certifications and achievements, other than performing arts – click here.

About Ms. Hetal – www.hetaln.com

Updated on : May 26, 2019 | July 26, 2019 | Feb 26-27th 2019 | March 5, 2020 | June 30, 2020 | Feb 7, 11, 2022 | March 22, 2022 | June 23, 2022 | Sept 19, 2022 | Oct 4, 15, 2022 | Oct 17, 2022 | Nov 1, 16, 2022 | Jan 8, 2023 | Feb 20, 2023 | Feb 25, 2023 | March 15, 2023 | March 20, 2023 | April 20, 23 | July 8th, 2023 | Sept 4, 2023 | Sept 23, 2023 | Oct 22, 2023 | Nov 4, 2023 | Nov 10, 2023 | Nov 13, 2023 | Sept 23, 2024 | Sept 26, 2024 | Oct 1, 2024 | Oct 11, 2024 | Oct 17, 2024 | Oct 29, 2024 | March 20, 2025 | March 28, 2025 | May 15, 2026.

Website : www.graceandgrooves.com

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw

Pinterest : https://www.pinterest.com/graceandgrooves

Best Number To Contact : 972 979 2559.

Copyright Reach Media for Hetal Nagaraj | Grace And Grooves | Grace Creations | 2012-Current. This material cannot be published, broadcast, rewritten or redistributed without permission.

Journey of Master In Fine Arts….Submitted By Hetal Nagaraj.

August 2016 : We were excited to hear the news that Hetal Nagaraj got accepted for Masters Program at TDES via Tamil University in August 2016. College:  Kalai Kaveri College of Fine Arts, Trichy, India.

A label & ID of OKC213160083A was given to her as Hetal Mahesh Joshi. She would mock to her students that she got her roll-number/student id too and that she is student too. Some of her students started calling her Hetal since then :).

University ID LOL

This makes us laugh for 2 reasons. First reason is, a very non-traditional picture-LOL. 2. Our owner was a student, not long ago 😛

Her inspiration of having a master degree in fine arts comes directly from one of her own cousin’s spouse/bhabhi (sister in law & aunt-2way relation:) who was enrolled in Masters Program @Darpana Academy, Ahmedabad India. Her Bhabhi had to leave her degree half-way for personal reasons and since then, Hetal Nagaraj had her mind set on doing Masters in either bharatnatyam, or theater with full dance work, at some point of time.

Finding a university or dance program that not only offers robust MASTERS program of Bharatnatyam but also offers in-depth knowledge of Natya Shashtra, History, Styles, Theaters and Musicals with the flexibility of long distance program was a challenge. Hetal Nagaraj got accepted in 2 universities for this program with her dance experience, video clips of main margam, creative bharatnatyam dances, direct referral letters from her past dance teachers and her existing Master Degrees in other education stream that she already had. Rest all the universities had a requirement to do a full 2 year resident program and stay local for full two years with classes non-stop through the week and weekend! For those in India or want to pursue their degree in India for on-campus degrees within India, most welcome to contact Hetal Nagaraj:info@graceandgrooves.com, she’ll be very happy to guide you for all these courses.

Masters of Bharatnatyam

Master Of Fine Arts Year1

Biggest Challenge for Hetal Nagaraj was that she can’t just leave a young family and pursue dreams while running a full fledge A+ rating dance business with multiple locations, competitive performance schedules (almost every other month) in Bharatnatyam, Indian Folk Dances, Bollywood, Workshops, Elite performing team and all of that with her students taking part in competitions. Once you are married happily ever-after & have family, it is a package for whole family to achieve something as big as degree especially if parents are taking them; irrespective of whether or not you are in dance business! Whole family goes hand in hand to actually make it happen. Entire month of kids activities, planning meals for whole family, routines with home works, car-pooling, classes shuffled between choreographers as applicable in her absence, volunteer parents, website maintenance and it was STAAR Exam time for kids as well.

Bharatnatyam, Bharatanatyam

Break Time between classes…..all these are her classmates and they have dance businesses of their own in and out of India. Some in USA as well.

TDES via Tamil University gave her the options to not only be competitive at learning edge but flexibility to travel to Chennai for at-least one out of two degree years to give on-campus bharatnatyam theory exams, assignments, thesis/research,  presentations, do practical exams, live concert, musical and folk dance drama to be showcased before the teachers for grading.

All these dances were with full makeup and relevant costumes and costume change as required. Further, she decided to choose her degree location at Don Bosco College of Arts And Science, Chennai, India as her on-campus exam training (1 month required in person or average of 20-days) and examinations (practical and theory, in person). She decided Chennai as her location considering that Tamil History was one of the main subject and so she wanted to stay around Chennai to complete her research subject from locally available sources such as libraries, bookstores and visits to local dance schools. Don Bosco College of Arts And Science was her pick from the list due to her past upbringing of Convent Schools in Gandhinagar(India) and then affiliated programs at Ahmedabad(India) due to its discipline, environment, experiences and education standards.

Masters In Bharatnatyam

ConcertPaper, Folk Dance Drama

At first the initial plan was to go in second year. Plans changed when the syllabus arrived in Fedex from university with a whopping 22 dance items to take care of, showcase them, write 1 research paper each year, minimum of 2 assignments per year, minimum of 1 presentation per year, LIVE concert, nattuvangam, talam, ragam and Tamil History with all terms in Tamil. It was her husband Nagaraj who insisted that with this type of syllabus, she should take this as an opportunity and must go personally both the years, just like any student would do for each year in any other Masters Program.

Bharatnatyam, Master of Fine Arts

@Don Bosco School of Arts And Science canteen…break time between classes…fun food and lovely people.

The dance items and other master level dances required hours of practices and a mentor/guide to correct/remind as required because of complexity in choreography. They were in speed 2, 3 and 4 at a cutting edge but not a sweet cherry on the top, most in 3 and 4!

It isn’t for a regular bharatnatyam dancer who is barely trained and could still handle that type of work with that intense choreography.  Complexity with speed 3 and 4 was tough nut after a long time for Hetal Nagaraj.

She learned latest concepts in Bharatanatyam which she had never learned or were not taught in North India probably because back then these were taught @post-arangetram level only. Most of these concepts were added to standard margam by Kalakshetra Foundation founded by Rukmani Devi, Chennai and by renowned Bharatanatyam Artists in multiple styles.

Thus the degree curriculum included Main Margam Items, Non-Margam Items as well as Additional Creative Choreography from renowned artist of  Mysore Bani, Pandanallur Bani, Thanjavur Bani and Kalakshetra Bani margam as a compulsory LIVE concert-all of this with grading. While Vazhuvur Bani was one of the sub-topic for Mrs. Hetal Nagaraj as part of her research/dissertation. She took several skype/watsapp video classes from her guide Dr. Marie Stella who taught and corrected her for the possibilities in margam bharatnatyam dances with nattuvangam.

MargamPerformance w/Folk

Mrs.Hetal Joshi Nagaraj also took in-person classes with Dr. Marie Stella at Pondicherry where Dr. Marie Stella runs her own Dance Institute Kalai Aalayam Fine Arts Academy. Their group performed various items of margams, folk and solo bharatnatyam master works.

Her journey to full month stay at training and exam center for both the years were absolutely amazing! She stepped into this whole new world of Bharatnatyam with the infinite possibilities and complexities in southern India.

From what she thought would be questionable to do in various margam dances was NOW possible in unlimited combinations further. This experience opened a whole new creativity level in musicals, dance themes, concepts, usage of jatis and adavus in various permutations and combinations.

She implemented those concepts and was able to successfully use them not only in Bharatnatyam but in Indian Folk Dances and Bollywood/Tollywood/Indian Movie Dances of Grace And Grooves LLC giving exceptionally beautiful results with least amount of effort even for Bharatnatyam.

Masters in bharatnatyam

Thesis, Myselfie, concertpaper2

It took her 2 full years (2016 to 2018) for her to complete her degree in Masters In Fine Arts with whole family involved. This includes all our lovely students’ parents  of our private classes who walked with her in her journey very beautifully as she had to meet her deadlines of submissions or had her parallel skype classes.

With the type of knowledge that she gained in practical classes (skype/video watsapp/in person @Pondicherry) with her guide Dr. Marie Stella and during monthly in-house trainings, she thanks god that it did not happen in a click of button.

It would be too much for human brain to absorb all that, if it were to happen! She thanks her Tamil friends’ grand-parents (who were bharatnatyam dancers themselves) who helped her with very old tamil dialects for her theory papers that required compulsory usage of these words for grading. A lot of her regional tamil friends from chennai as well found it difficult to explain or understand these terms. All of that happened for Hetal Nagaraj for both the years back to back, one year at a time with proper planning.

Don’t even wish for a degree in 1 day with a click of a button. It is not going to help you! It is the training from all the right people that will never fail you and that you will not experiment on students because you have studied each scenario with pros and cons & thus it is available for you to use in your own creative way, very very safely!

Just that common sense is something that no university will ever teach you and to master that you will have to let go your ego ;). This is irrespective of your age!

Planning

80 Seperate School Lunches(2 kids), 40 dinners combined for 4 people, 40 lunches for huby/mil(combined 2 ppl), 25 breakfast(2 ppl), and extra 10 dishes here and there. There are similar bento boxes behind the line you see in the picture. 2017 too, similar preps and this year pretty much same plan but with MIL present, it was easier.

We strongly recommend all bharatnatyam dancers who are interested to go for this course provided you have the following :

  1. Zeal, patience, energy, money (investment in INR), and proper planning to do so.
  2. You should have done bharatnatyam up-to varnam level and above at some point in your life to be able to handle this type of work. Arangetram is irrelevant.
    • Style of bharatnatyam will not matter for this particular degree because their program itself includes multiple styles.
    • You must submit videos of any of these with other degrees that you have to become eligible for this program.
    • Private classes with your guide will be required to get your smoothly through this journey with deadlines, protocols to be followed and your guide will help you with the following as well :
      • if you have learned your bharatnatyam in non-traditional or conventional ways or you had several breaks through out your learning, or nattavangams, ragam, talam were not part of your training then you will have to educate yourself with these.
      • Nattuvangam, Recitation of Jatis and Adavus are graded.
      • In-person practicals, concerts participation is required. Must be ready to showcase all of above or as asked with full costume, makeup, hair-do; irrespective of any help available. Makeup artist may/may not be available.
  3. Expect morning 9am to 5pm dance routines and as you get closer to exams it will be 9am to 11pm practice hours. If you have any physical disability, come with doctor’s note or do not apply!
  4. List/selections of locations, accommodation to be take care by you while these will be required during your on campus trainings and all exams.
    • Paid meals 3 times a day at the campus canteen and everything is available around the area.
  5. Most important-you should be ready to go for a month (average of 20 days approx and add 2 more days to get the feel of area and shopping for your concert). Attendance is strictly required during all the days for the on-campus classes and exams. Best if you go both years. It will be worth a trip….
  6. Cons : Make sure you stay at the top of conversation with these people and get it all in writing, we had students who were marked absent even when they were present, we had students whose names and marks were printed wrong and lot of such issues.. Hetal managed to get out clean because she is from security background and so she has habit of keeping track of everything. Our owner is on the top of everything and that is how she is able to make a positive and inspiring difference in her students’ life.

Specifics are mentioned deliberately in detail as an effort to provide all the information that you may need as a student to apply! This blog post details were taken from articles submitted by Hetal Nagaraj to company.

Hetal Nagaraj says I did it and she will love to guide you to do it too! 

New Images Added : July 18, 2020.

Phone : 972 979 2559

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2020.  This material may not be published, broadcast, rewritten or redistributed without permission. 

http://www.graceandgrooves.com        Phone : 972 979 2559       info@graceandgrooves.com

 

 

Why Grace And Grooves LLC discontinued Better Business Bureau of Dallas Fortworth.

Why Grace And Grooves LLC discontinued Better Business Bureau of Dallas Fortworth : 

Loved, loved and loved the services and perks that we received from BBB, A Better Business Bureau. Past 2 years has been an amazing ride with them with all the wonderful services, workshops and knowledge that they offer for small businesses like Grace And Grooves LLC.

It is when you suddenly realize that you are the only Indian Company offering exclusive indian folk dance classes apart from bollywood and not mix it up anywhere around, and that you are the only one with absolutely transparent background in all the programs that you offer from Bharatnatyam and Bollywood as well, it is a feature on our hats to be connected with BBB, A better Business Bureau.

The only problem that we faced was as we moved further in journey with them, we asked our parents and staff members to write something about how they feel about us on our little place that we earned it from Better Business Bureau as we were with A+ accreditation with them.

It seems like social media such as google, waze, facebook, twitter and instagram took over all of this when it came to customer feeling more at comfort talking about it. Our customers share such a fun and healthy relationship with us that it was better and easier for them to just write reviews over social medias instead of BBB boards.

From ethical grounds, quality of work, affordable services, beautiful costumes, non-allergic jewelry, arangetram preps, continued education in classical dances for various degrees and providing services as promised in the related programs, everything just ended up in social medias, recommendations, emails and text/sms messages.

And thus, we had to let go the better business bureau accreditation at-least until we get students/parents/customers who would not mind spending some time logging to these BBB boards to see our exclusive little place on their website and write something about us-good or bad!

That being said, we still enjoy attending their programs as we come across and available. We miss that tiny little icon of better business bureau and we hope that in near future, we can do something more with them and use them further for our services and products.

Grace And Grooves LLC shared A+ accreditation amongst the BBB businesses from 2016 to May 2018.

But that taught us to give you all what we do best :).

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2018. This material may not be published, broadcast, rewritten or redistributed without permission.

Grace And Grooves Annual Updates By Hetal Nagaraj

Grace And Grooves Annual Updates | Hetal Joshi M, Hetal Nagaraj.

For research students/art enthusiasts and for dance credit interns – Pls contact Ms. Hetal : Here OR here directly.

Grace And Grooves holds exclusive rights for all the content & pictures being posted with permission of organizers for exclusive Grace And Groove use only. Exclusive Copyrights by Reachh Mediaa from 2013 for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-current

All Pictures posted here are with an exclusive consent of participating students, parents or school staffs. This material can not be published, broadcast, rewritten or redistributed without permission.

Recital 2018 – A Fusion Life of American Born Cultured Indian/Desi (ABCD)

fusionlife2018Recital 2018 concept and theme was decided in 2016 by Hetal Nagaraj.

The students in beginning of 2017 were actually taught dances like-wise throughout the year covering just the basics staying in their own category.

The whole idea got the shape in October 2017 when a rough playlist was made. A couple of these dances were also showcased in some of local talent competitions (September-October 2017), Diwali Mela(s)-(November 2017) at various places and other local festival stages. And a few of these had already won the awards too such as Pushpanjali, Madhurashtakam (Practice video-Selected for finals).

With all the influences of Non.Indian Culture in our Indian Dances, Dramas and thus our lives, we thought of showing how a life of our next generations that are brought up here. As it says, A=American, B=Born, C=Confused, D=Desis. But for our students of Grace And Grooves, C stands for CULTURED DESI, CLEAR FUNDAMENTALS, AND CRYSTAL CUT Diamond like TALENTS. Talents that can’t be beaten, Talents that can’t be judged with shallow mark-ups or untrained eyes and Talents that can’t be shadowed. 

Grace And Grooves is an Indian Dance School where students know difference between Bollywood And Indian Folk Dances, Bollywood And Bharatnatyam, Bharatnatyam and Indian Folk, Semi-Classical And Bharatnatyam too! 
So the recital program 2018 of Grace And Grooves had Pure Bharatnatyam that showcased the richness of Indian Classical Dances to Fun Indian Folk, Fusion Folk, Movie Types Semi-Classical Dances infused with & without Desi-HipHop to real semi-classical dances, Bollywood Modern-Contemporary Desi-HipHop Fusions and Folk And the dance dramas inspired from movies such as Bahubali, Veer Zaara & many more. 

Grace And Grooves successfully completed NAVARASA as per Natya Shashtra Guidelines in Bharatnatyam, Indian Folk Dances And Bollywood/Movie Dances in 2017-2018 year. All the dances are directed or choreographed exclusively by Hetal Nagaraj unless otherwise mentioned. Our Company Choreographers contributed with dances on Ramta Jogi by Mansi Chauhan and Ganesh Kavtuvam by Buvuneshwari Murugan.

We cannot forget Indian Movies that teaches us to dream big and live-happily ever after within our cultural boundaries—no matter where we go. Thus, our Special Feature of the evening & 90s Tribute was An Exclusive Tribute to Shahrukh Khan of Bollywood – SRK as we know him. It showcased non-stop 11 mins of SRK’s movie dances by around 20+ students and special appearances from Raghu K and Pavithra K. Videos will be shortly available.

Very first time in our recital, we had Guest Choreographers with Rang Barse-Holi Remix Tribute by Ritu Kharbanda and Bollywood Garba on Nagada Sang Dhol Baaje By Mishu Shashtri. Our Guest-Artist this time was a young artist – Arjun Iyer, Age 11 who played various notes starting from National Anthem of USA with music to notable Tamil Songs on Keyboard-Piano and Clarinet. Guest choreographer Ritu Kharbanda contributed with song of Om Shanti Om to our SRK non.stop dance extravaganza as her contribution to salute our King Khan with Harshita and Gargi.

All students, choreographers were acknowledged with participating medals and certificates during the show and later-during the classes. Below are the all the pictures, Enjoy And Don’t forget to sign up for our lessons : www.graceandgrooves.com

Phone : 972 979 2559

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

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Bharatnatyam Pushpanjali. Concept, Choreography, Choreographer, Direction by Hetal Nagaraj. University Level Work.IMG_5966

Golden Era of Movies in various Languages : 50s, 60s, 70s, 80s From Semi-Classical Mujras To Desi Hip Hop Infused with various Indian Folk Dances.Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

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Recital 2018 Dance Dramas In Pure Bharatnatyam, Semi-Classical, Indian Folk And Bollywood/Movie Dances In Various Languages. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

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Our tribute to Gujarati Sahitya @Recital 2018. Abhinaya covering Navarasa in Pure Bharatnatyam-Gujarati Dance Drama with Gujarati Classical Music. Concept, Choreography, Choreographer, Direction by Hetal Nagaraj.

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Recital 2018 Dances In Pure Bharatnatyam, Semi-Classical, Indian Folk And Bollywood/Movie Dances In Various Languages. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

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Recital 2018 Dance Dramas In Pure Bharatnatyam, Semi-Classical, Indian Folk And Bollywood/Movie Dances In Various Languages. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

IMG_5965

Golden Era of Movies in various Languages : 50s, 60s, 70s, 80s From Semi-Classical Mujras To Desi Hip Hop Infused with various Indian Folk Dances. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

IMG_5972

We did Bahubali 1 and won several competitions in Solos & Groups. How can we not do Bahubali 2. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

IMG_5973

A Special Tribute of 90s & Later was for our SRK – Shah rukh Khan. A 11 Minute Non.Stop Dancing By Around 20 Dancers featuring his movie dances with our choreography n his famous dance moves. Choreography, Choreographer Hetal Nagaraj. Concept & Direction by Hetal Nagaraj.

IMG_5977

A Special Tribute of 90s & Later was for our SRK – ShahRukh Khan. A 11 Minute Non.Stop Dancing By Around 20 Dancers featuring his movie dances with our choreography n his famous dance moves. Choreography, Choreographer Hetal Nagaraj. Concept & Direction by Hetal Nagaraj.

IMG_5974

A Special Tribute of 90s & Later was for our SRK – Shahrukh Khan. A 11 Minute Non.Stop Dancing By Around 20 Dancers featuring his movie dances with our choreography n his famous dance moves. Choreography, Choreographer Hetal Nagaraj. Om Shanti Om Title Song By Ritu Kharbanda. Concept & Direction by Hetal Nagaraj.

IMG_5989

Our Company Choreographers for Ganesh Kavtuvam By Bhuvaneshwari Murugan and Ramta Jogi By Mansi.

recital2018Arjun IMG_5986

Special Thanks :

  • Mishu Shastri-Dance, Ritu Kharbanda-Dance for their wonderful participation in Recital 2018, A Fusion Life of ABCD.
  • Arjun Iyer for Instruments.(Pic Added Jan-2,2020)
  • Kedar Golvelkar For Music on Guitar (Ankhon Mein Teri),
  • Bhagwat Pandya For Sound Technician Services.
Call NOW : 972 979 2559.

Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2020.  

This material may not be published, broadcast, rewritten or redistributed without permission.  

Post Updated : March 15 2018, Jan 2 2020.