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Indian Dance School in Dallas Fort-worth Areas.
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Celebrating all our guest artists who have performed with us in past in our journey of dance productions. These guest artist are invited to come and perform with their own work. The talent that they perform are not taught by us. These are not our students either. They have their own dance/talent academy at some place/city or have their own group that they perform. We pick their performance piece dance based on our dance production.
These Guest Artist are local or new artists who have just stepped in the world of Indian Performing Arts or have just started performing.
It is our absolute honor to introduce them to our audiences and as well work with them.
2016 : Dance of Gods : Adi-Shakti. Event : A fundraiser for CRY America showcasing Bharatanatyam, Bollywood, Indian Folk Dances. Fusion Dances by Elites in respective categories. Guest Artist : Dancer : Meghna Murali, A Bharatanatyam dance presentation on Devi. Singer : Mala Pydimari, Carnatic Singer.

2017 : Jalso : Celebration of Life with Dance, Event : Nritya Ki Masti, Navarasa in Bharatanatyam, Bollywood And Indian Folk Dances. A seperate presentation of Fusion Dances was also showed by our own students, elites-trained in 3 different dance forms/styles. Guest Artist : Dancer : Easter Bunny.2018 : ABCD - American Born Cultured Desi Event : Participating fundraiser for a private foundation-Cqunce Inc. Dances in Bharatanatyam, Bollywood & Indian Folk Dances featuring Festivals of India or celebrated by Indians outside India. A special 11 minute tribute to Shahrukh Khan - King of Bollywood. Exclusive Fusion Dances were showcased by our elites who are trained in 2-3 different dance forms. Guest Artists : Dances : Mishu Shashtri with her team for Bollywood Garba featuring Navratri. Ritu Kharbanda with her team of Rang Barse duet featuring Holi. Instruments : Arjun Iyer (Middle Schooler, LISD School Band)-Clarinet & Keyboard. Kedar Golvekar : Introducing Music for SRK Tribute on Guitar.

2019 : Anantha-1 Dance Production. Special Presentations by Rinku Das for Kathak and Manipuri.
2019 : Anantha-1 Dance Production. Event : An Exclusive Dance Production featuring a full Bharatanatyam Margam,Copyright Dances in Bharatanatyam, Folk Dances of India featuring North, East, West & South India. Special presentation by Elites for Fusion dances such as Swala Jathi, Rabindra Nruthya. Fully trained in their own dances. Guest Artist : Dances : Rinku Das for Kathak Classical Dances Rinku Das for Manipuri Classical Dances. Rinku Das was also introducing choreographer for our company that year. Singing : Our own elite student-Ashna Pethe representing LISD choir.
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2019. This material may not be published, broadcast, rewritten or redistributed without permission.
http://www.graceandgrooves.com 972 979 2559 info@graceandgrooves.com
Ms. Hetal maintains a structured database of participants, including parents, students, interns, and staff engaged with our programs. Participants may join either on-site or remotely, depending on program requirements and accessibility needs.
All internships, school-linked placements, and college-associated training opportunities(must submit university credentials) are structured as intern-positions or based on speciality in year of university, whereever applicable, to ensure equitable access and professional development for students.
There is a 5 month probation period for individuals to submit university, NJHS and such credentials which are to be required as proof of submission(from university, college or school isd official letter) to intiate the work.
In addition, select volunteer opportunities are offered for community engagement and supplementary learning experiences. Our team structure includes administrative staff, program coordinators, interns, externships, parents programs and we ensure appropriate introductions and engagement with all stakeholders as needed for program delivery and oversight.
Company’s Time Line – Grace And Grooves Timeline | Hetal Nagaraj’s Life Stats – https://www.hetaln.com/lifestats
Program leadership and operational direction are primarily overseen by Hetal Nagaraj, ensuring continuity, accountability, and alignment across all activities and participants.
More than 60 official legit ways to work with Grace And Grooves Corporation by Hetal Nagaraj.
Organizational Participation, Staffing & Participants (2011–2025)
Deepthi Chandrasekar
Directors of Various Brands – Staff.
– Staff – Regional, National and International
Former, Current – Staff List W2, W9, 1099, Paypal, through our own Portal Platform –
Company never had a staff until G2. G2 has regular payrolls. All are project based and usually or are Workshops, after the completion of Internships-Externships, if need. Some are own students – Graduates and Elites or are Success of other non-dance specialties and have to take certain hands onn trainings. Seeding projects too have payrolls.
Pre. Elites and Elites Lines of Programs – 2011 to Till Date – Work In Progress.
Some are own students, grads or Elites. Full Direction of Ms. Hetal to achieve milestones for company.
Multiple participants completed structured training pathways (2011–current), including:
Participants transitioned into independent artistic, academic, or freelance careers after program completion.
During this period, the organization experienced operational disturbances associated with several brands, which then were duly reported, documented because of level of damage in the company, reputation and company’s revenue caused due to fraud-criminal disturbances, system interference concerns and code of conduct, which were escalated to relevant authorities for review.
Individual disturbances were –
Other disturbances – loss of million$ worth of seeding projects of 13 Elites and several small scale projects at G2 Arlington location due to negligence of property management company in pending building permits, not conversed during contract to company until director found out through city-portals. Certain access to city-portal is not available until permit application is in process as it contains details of previous owners or until city supervisor is followed through. Public access portal was not updated with respect to property until the matter was addressed by Ms. Hetal.
When these projects rolled back because of delays of locations of permits and back to back fraud, Ms Hetal had to bear the costs of all the cancellations and several legal mess that was caused by these individuals. This marks as the worst period in the history of Ms. Hetal’s or company’s life.
It is essential to know that company and Ms. Hetal survived these dangerous setbacks despite certain individual’s deliberate attempts to cause harm to every single individual within company and to clients. Ms. Hetal’s Information Technology-Intellect and collective experiences of life have saved entire teams, key contributors to company and Ms. Hetal’s own family. This also, saved mis-use of database and personal details of individuals.
Despite these challenges, core instructional and performance programs continued in modified formats, including in-person, hybrid and online delivery models.
During this 2021–2025 period, right after these incidences, the organization encountered significant catastrophic operational disturbances and documented compliance-related concerns that affected several programs, partnerships, and revenue-generating activities. Certain matters were identified through written communications, administrative records, and internal documentation processes, requiring the organization to implement corrective operational and governance measures.
As a result of these challenges, some brands and initiatives were/are temporarily paused until funds are received in full, while some are restructured so that organization remains focused on protecting program integrity, participant interests, and long-term sustainability.
Although several Elite Lines, training initiatives, and organizational programs continued successfully under the leadership of Ms. Hetal through the use of contractual safeguards, structured oversight, and continuity planning.
The organization remains committed to transparency, compliance, accountability, integrity of the company and the country thereby strengthening internal operational systems to support sustainable growth and responsible program management moving forward!
Across programs, several engagements concluded due to standard operational factors such as:
All closures were/are handled within structured program frameworks, with many participants continuing independent artistic or professional pathways afterward.f
The organization has provided sponsored participation opportunities in cultural programs, competitions, and national events, including full or partial funding for select student experiences as part of its community arts mission.
This is handled by Ms. Hetal Nagaraj herself, just as all above and below. Sole Owner.
Non Staff – External Dancers – By Auditions and from own couples or other workshops or private packages :
List of occasional dancers / dance only (no teaching and no other work) :
The organization has experienced operational disruptions that have impacted certain training activities and program engagements across multiple functional areas. These disruptions affected continuity at scale and required immediate implementation of internal controls and corrective administrative measures. In response, the organization has relied on existing contractual agreements, documentation protocols, and compliance safeguards to ensure continuity of essential services and protection of program integrity. These mechanisms have enabled the organization to maintain operational stability and uphold its commitments to stakeholders and participants. The organization has since strengthened its governance framework, including enhanced oversight procedures, documentation verification standards, and internal accountability systems.
These improvements are designed to reduce operational risk, ensure regulatory and contractual compliance, and support long-term program sustainability. The organization remains committed to maintaining transparent operations, safeguarding participant trust, and ensuring all educational and training activities are conducted in alignment with applicable laws, institutional requirements, and grant compliance standards.
The organization utilizes tiered engagement agreements designed to align participant experience levels, project complexity, and operational requirements. These agreements are implemented primarily to ensure organizational safety, clarity of scope, and proper allocation of responsibilities across varying types of engagements. Standard participation agreements are typically project-based and are not intended to create long-term employment obligations unless explicitly designated as full-time or long-term strategic roles. Certain high-complexity, high-budget, or sensitive turnkey projects may require advanced technical competency, demonstrated experience, and established reliability prior to participation due to the operational demands and risk profile of such work.
Entry-level participants are generally introduced through structured learning, training, or supervised project environments that allow gradual skill development and progressive responsibility. Advancement to higher-responsibility roles is based on demonstrated capability, technical proficiency, and successful completion of assigned deliverables. Many engagement agreements include defined duration terms or completion-based structures to ensure clarity for all parties and to support flexible participation models. This structure is intended to provide participants with autonomy while maintaining clear organizational boundaries and compliance with project requirements.
The organization prioritizes ethical engagement practices, transparent expectations, and role-appropriate responsibility assignment to ensure fairness, safety, and sustainability across all programs. Completion of task with respect to funds received to company, without bringing setbacks to company or individuals within the company is a benchmark of delivery.
This communication serves as an appreciation to all individuals contributing their time, effort, and expertise to our organization’s programs and initiatives. We recognize and value the commitment of our team members, many of whom balance professional roles, academic responsibilities, and other personal commitments alongside their participation in our work.
The organization maintains a flexible and structured engagement model that accommodates individuals at different stages of professional and academic development. Participation in programs may include students, professionals, and collaborators engaged in either full-time commitments elsewhere or concurrent educational pursuits.
As part of our program framework, performance-based teams—including Elite and Pre-Elite designations—are integrated into existing training and production structures. These designations reflect levels of experience, responsibility, and project readiness within performance-oriented teams, consistent with established program standards. Our approach is designed to support inclusive participation, skill development, and progressive advancement while maintaining clear expectations, accountability, and alignment with organizational objectives.
We remain committed to fostering a respectful, structured, and development-focused environment where all contributors are valued for their time, effort, and dedication.
Company offers Integral awards to exceptional students who show leadership in various tasks. These awards are not extended to public interests and remain within the participations of Company.
The organization is committed to maintaining a non-discriminatory and inclusive environment. We do not discriminate on the basis of gender, race, ethnicity, nationality, color, or background.
Participation and engagement are guided solely by interest, capability, and commitment to contributing to the work and mission of the organization. We value individuals who demonstrate dedication, professionalism, and a willingness to contribute meaningfully to collaborative projects and learning environments.
The organization also respects the privacy and autonomy of all participants. Personal background information is not a determining factor in engagement, and individuals are supported in participating in a manner consistent with applicable laws, institutional guidelines, and program requirements.
Under the leadership of Ms. Hetal, the organization promotes a culture of respect, dignity, and equal access to opportunity, ensuring that all participants are treated fairly and consistently within structured program guidelines. As a training institute, Ms. Hetal believes that every day is fresh start, but then there are limitations to not allow fresh start after some point.
Internal Company Opportunities do not extend to individuals who lack skills of particular performance, certain level of maturity as per their existing profile, permissible visa status or by contractual obligations endorsed by parents.
Operational Responsibility, Cost Ownership, and Program Accountability –
The organization operates as a fully funded service and training provider, where significant upfront investment is made to develop, deliver, and maintain educational, creative, and production-based opportunities. These include training programs, costume and production design, technical resources, and experiential learning environments.
All program activities are structured under defined engagement agreements, where participants, staff, and collaborators are responsible for adhering to established scope, expectations, and conduct requirements.
The Company assumes full operational responsibility for program delivery, including financial investment, infrastructure, and production-related expenditures. This includes costs associated with training development, creative execution, and resource allocation that support participant learning and engagement.
To maintain clarity and compliance, participation records, deliverables, and media assets are managed through official program channels. Access to materials such as photos, videos, and project outputs is provided based on eligibility, program participation status, and applicable release agreements.
The organization maintains formal documentation of roles, contributions, and engagement history to ensure transparency, accountability, and proper attribution across all programs. All activities are conducted under the umbrella of the Grace and Grooves Corporation, ensuring consistency in governance, compliance, and operational oversight.
The Company has successfully secured trademarks, copyrights, and brand protections across multiple countries, including the United States, both during and following periods of operational challenge.
These achievements reflect the organization’s continued commitment to structured governance, documentation standards, creative ownership, and operational transparency. Through consistent leadership, program continuity, and participant engagement, the organization has continued to strengthen its international presence and reputation across educational, creative, and performance-based sectors.
Under the leadership of Ms. Hetal Nagaraj—who serves both as an active participative team member and key performer—the organization has maintained a collaborative environment supported by the meaningful contributions of graduates, Elite teams, and specialized participants across multiple disciplines.
The Company remains committed to expanding its educational and experiential training initiatives through future collaborations with universities, institutions, and corporate partners. These programs are designed to provide hands-on learning opportunities, workforce readiness, creative development, and industry exposure for emerging participants and professionals.
Company has secured ownerships to publication company in UK-London. This company owns all the copyrights and trademarks of Ms. Hetal’s every published, documented word, incl this blog!
Transparency, accountability, and structured operational practices continue to remain central to the organization’s philosophy and long-term growth strategy.
Official Program & Organizational References
About Ms. Hetal – www.hetaln.com
Updated on : May 26, 2019 | July 26, 2019 | Feb 26-27th 2019 | March 5, 2020 | June 30, 2020 | Feb 7, 11, 2022 | March 22, 2022 | June 23, 2022 | Sept 19, 2022 | Oct 4, 15, 2022 | Oct 17, 2022 | Nov 1, 16, 2022 | Jan 8, 2023 | Feb 20, 2023 | Feb 25, 2023 | March 15, 2023 | March 20, 2023 | April 20, 23 | July 8th, 2023 | Sept 4, 2023 | Sept 23, 2023 | Oct 22, 2023 | Nov 4, 2023 | Nov 10, 2023 | Nov 13, 2023 | Sept 23, 2024 | Sept 26, 2024 | Oct 1, 2024 | Oct 11, 2024 | Oct 17, 2024 | Oct 29, 2024 | March 20, 2025 | March 28, 2025 | May 15, 2026.
Website : www.graceandgrooves.com
Facebook : https://www.facebook.com/GraceAndGrooves
Twitter : https://twitter.com/GraceAndGrooves
Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw
Pinterest : https://www.pinterest.com/graceandgrooves
Best Number To Contact : 972 979 2559.
Copyright Reach Media for Hetal Nagaraj | Grace And Grooves | Grace Creations | 2012-Current. This material cannot be published, broadcast, rewritten or redistributed without permission.
***2021 & Onwards – Sponsorships are open for only those individuals that have with more than 6 FIELDS specialities with degrees/certificates and full transparent background, charges apply*** :
We will need the following if you would like us to sponsor you or even if we send invite then also we need these papers and details to apply for visa. Each country has different criteria and eligibility for artist. (Visa sponsorship is open from 2021). It is absolutely required.
Direct hires are the people :
*** For all Volunteer work as well, legal status documents submission is required***
Are you somebody who fits in that criteria ? DM us.
Terms & conditions will be based on activities and their frequency / occurrences. We have lot of opportunities for our fully trained locals with absolutely straight background so that we can share it with you all.
You can reach Hetal at : www.hetaln.com
Hetal Nagaraj has worked as immigration development field officer (in India) for more than 5 years for all types of visas for a private firm and immigration lawyers. Speciality – training for english dialects, legal protocols, family & student visas, establishment(housing/placements) and university match. Linkedin has entire info of it.(hetaljoshim)
All or any of the criteria is required!
The only volunteer that was offered a work visa sponsorship (till date as of 2023) was Deepthi Chandrasekaran provided that ms. Deepthi works for min 40hours aka full timer. Ms. Deepthi is (now) Grad of Texas All Star Program. Ms. Deepthi has always been legal resident of USA and is STEM graduate and has worked several IT tasks within the company as well, thus was offered. Staff list.
Hetal Nagaraj will be very happy to have anybody onboard and do shows or workshops for us and anybody who may be interested as long as full paperwork is submitted by any mode. Grace And Grooves is fully registered company and type of clients that we work with, we cannot have any other hires for any thing!
No Hard Feelings, just business process to make life easy!
Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-current. This material may not be published, broadcast, rewritten or redistributed without permission. ALL trademark copyright and some IP received as of 2025. Do not copy any word from any blog or website of Ms. Hetal.
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Anantha-1, a dance production series showcasing beauty, elegance, creativity, as well as infinite possibilities of Bharatnatyam, Indian Folk Dances, Rabindra Nruthya, Manipuri And Kathak. All of this without forsaking fundamentals.
Idea of Anantha was implanted in 2018 January when we had faced some challenges that opened doors to other possibilities.
First announcements were made to public in various medias from Nov 2, 2018 and onwards. Every year it just happens that as Grace And Grooves LLC plan their annual programs/recitals and they come out so beautiful that it ends up in dance productions with and without dance-musical dramas.
But the idea of dance recital was not enough for Bharatnatyam and Indian Folk Students after getting ready for 30-45 mins with all that make-up and costume. These students were to be taught the possibilities within the dance form and show it off separately. So, Anantha Production Series it was!
With straight background comes unlimited (Anantha) creativity. Thus, the name of “Anantha” was given to this dance production series with each dance showcasing unlimited possibilities in each dance forms. The name and concept is inspired from several dance production houses or dance institutes like that of her mom, own teachers, formal gurus, dance exponents such as Daksha V Joshi, Mrinalini Sarabhai, Daksha M Joshi, Tanjore Brothers Original Margam, Kalakshetra Foundation, Natyavihar Kalakendra. This intense training of over 34 years has given a shape to Hetal’s own dance creations within exclusive Indian Dance Forms such as Bharatanatyam and Indian Folk Dances. Some dances have also received exclusive copyright permissions to republish under the name of Hetal Nagaraj and some have received competition awards early this year and years before as well.
Anantha opened its door with Anantha-1 in 2019 to begin with on Jan 27, 2019 at Plano Courtyard Theater, Plano, Texas, USA from 330 PM to 730 PM and was a houseful event. The event was an introduction event to her elite students such as Ashna Pethe and The Setty Siblings who are in advance trainings from years now and Rinku Das-a budding artist of Dallas-Forth, Texas. These students roughly danced for more than 2 hours. In Anantha, their intern choreographers, performing teams got every opportunity to be creative under the supervision, direction of Hetal Nagaraj and yet feel challenged without forsaking fundamentals of each dance form. All of it with full safety on practicing it in the right way. It is not about perfection, it is about doing it right.
Hetal Nagaraj is artistic director of Grace And Grooves LLC. This is her 4th dance program in a row showcasing A Grade Indian Dance Productions with each dance as a reflection of her experiences, trainings and now the degrees. It has been peculiarity of Hetal that her dances include Nritta, Natya and Nruthya as its basic components with balance of Tandav and Lasyam. Each dance of her has a name to define with its subject in the dance along with dance themes that are full of life, happiness, thankfulness, blessings and above all beautiful costumes that she herself designs. But, Anantha-1 is Hetal Nagaraj’s VERY FIRST exclusive dance production for Indian Dance Forms and A Tribute to Rabindranath Tagore Famous Literature and Poems which as a matter of fact matched to our production name. All the students had so much fun learning and practicing for Anantha-1 during their regular class hours itself and no additional class is required. It is not like you pay, you get to be part of it, and be done with it. It is what they have learned, they’ll showcase.
No outside students were allowed to perform or take trainings or as part of freelance dancers. Even the guest artists are/were students of Grace And Grooves LLC enrolled in their exclusive programs. Anantha Dance Production Series is about Grace And Grooves LLC students and their team only. Hetal Nagaraj selects them for this dance production and not everybody is able to make it to her list.
We will always had a special guests like this time we had Rinku Das who will do their own dances and stick to our themes or request with their team or solo but they are our special guests.
From students who wanted the thrill got it covered along with students who wanted the fun of natyam alone still staying in their respective dance forms.
Congratulations to Students Samarth Setty(Age 11) and Tejawini(Adults) for completing their entire Bharatanatyam Margam in Anantha-1 by performing under the strict supervision, instruction and guidance of Mrs. Hetal Nagaraj. This was made possible by dancing back to back for straight 3 hours from Pushpanjali, Allaripu, Jatiswaram, Thillana, Group-Shabdam, Creative Bharatanatyam, Copyright Bharatanatyam Dance Pieces, and Rabindra Nruthya as well. This also means, that it can be very much called their own arangetram, if they choose not to do it as solo arangetrams, separately.
This is Hetal Nagaraj’s 2nd round of completion of full margam from start to finish by teaching it to various students. At Grace And Grooves, we aim to make sure you understand everything you see while we are just doing our job.
Every beautiful thing under this sky has a name and so do the dances.
From the thrill of nritta, beauty as in lasyam, fun of natyam, devotion as in bhakti and tapasya as in training, power as in shakti of tandav and possibilities as in Anantha- the infinite and we are still in same dance form when we do it right!
Anantha-1 Dance Production was made possible by Dhamaal Events in association with Grace Effects ( Gopal S and Dinesh Kumar for photography and videography services).
Big Shout Out To These Young Teenagers who had their paid student assignments at Anantha-1. Aditya Sangole as our Sound Technician and Emcee Yashika Nabar for our Dance Production Anantha-1.
Anantha-2 Dance Production is next scheduled in March 2020.
Dates & Times Will Be Announced Shortly.
Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2019.
This material may not be published, broadcast, rewritten or redistributed without permission.
#hetaljoshim #graceandgrooves #ananthaseries
We always get this questions by people who do not know the art-forms.
That why Seperate Names For Each Programs?
We thought we will pen it, finally!
Bharatnatyam Dances:
Bharatanatyam Students DO NOT want to even hear about what Bollywood/movie dance students are doing.
Funny but true that they are perfectly fine having Indian Folk Dances around during recital times but they want to hear ONLY BHARATANATYAM NEWS.
But they want something of their own that they can rule it for whole 2-3 hours. All that makeup and costumes takes 1 hour just to begin and you just can’t learn dance and leave it there. How to learn to be creative as you walk in this journey!
Thus, Anantha dance production series was started to bring out the creativity in this art form…
Here, check our Signature Bharatnatyam Program
Indian Folk Dances:
Indian Folk Dance students DO NOT want to see Bollywood/Indian Movie Dances posts anywhere happening in their newsfeed or anywhere around them. To them, culture is lost in peppy beats and those thumkas are not ok! Forget about infusing them together.
But they want something of their own that they can rule it for whole 2-3 hours. All that makeup and costumes takes 1 hour just to begin and you just can’t learn dance and leave it there. How to learn to be creative as you walk in this journey!
Thus, Anantha dance production series was started to bring out the creativity in this art form…
Here, check our Signature Indian Folk Dance Program.
We are proud of what is not in these dances 🙂
Bollywood Dances :
Indian Movie Dances/Bollywood/Tollywood/Whatever-ALL wood 🙂 students do not want to even hear the Carnatic Music! And Folk Music is not always appealing to people who have lived half of their life talking about movie stars and hearing those peppy beats!
Forget about seeing their dances on one page and don’t even talk about ta tai tai tha..
Here, check our Signature Bollywood/Tollywood Dance Program.
Grace Creations :
Fusion dances is whole new story and is not everybody cup of tea.
Whoever dives in it will have to do the trainings.
Why ?
Guess what, Students of Fusion Dances at Grace And Grooves LLC can still define their dance moves with names 🙂 And yes, all of them has NAMES.
Above ALL what differs from Audience & Dances is : Some businesses or dance academies are bought either from Hetal Nagaraj’s own partnerships or bought in full price, as is with full inventory. This is other reason, why these names cannot be changed. The presence of these academies in various social medias were so vast before the merger with Hetal Nagaraj that it makes it impossible to merge on any platform other than putting them in the websites. No Social Media merges these accounts due to differences in services. But otherwise, Check one of the speciality of Hetal Nagaraj : Mergers & Acquisitions.
Other than that, some of the businesses were either our service providers or partnered or bought by hetal nagaraj herself. She specializes in mergers, acquisitions, partnerships & business/commerce infrastructure by her main stream education degree. Read about her : www.hetaln.com. Talk about about receiving lot of good vibes and blessings from all the right people, grapes have never been sour for us. #training.
Page updated : Nov 4, 2020 after its first release | Jan 24, 2021 | May 19, 2025.
Exclusive Copyrights by Reach Media since 2013 for Hetal Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-till date.
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Rinku Bhattarcharya Das
Rinku Bhattacharya Das was initiated to the world of Kathak dance by her mother Smt Mallika Bhattacharya disciple of Guru Acchan Maharajji and Guru Laxminarayanji of Gunijankahana Jaipur. Ever since winning the prestigious Indian national dance scholarship from West Bengal Governor B.D. Pande at age 5 she continued her training from Smt Bela Arnab ( Dean of Kathak dance Rabindra Bharati University).
She broadened her understanding of indian classical dance forms by receiving rigorous training in Manipuri Dance from Guru Bipin Singh,Kalavati Devi and Padmashri Darshana Jhaveri. She was introduced to the world of contemporary dance by renowned Manipuri and Contemporary Dance artiste Sri Sanjib Bhattacharya . As a solo and a performing artiste in both classical and contemporary art forms she has performed in various prestigious dance programmes and festivals of India and USA. She is currently the Director of Nrityajyotidance Academy, North Carolina, USA which is devoted to the dissemination, training and promotion of the classical as well as contemporary performing arts based on Guru Shishya tradition and helps in promoting them internationally. 
Receiving 2012-2013 Ella Pratt Fountain Emerging Artist Award from Durham Arts council NC,USA
Some of her Major Performances in India and abroad:
Guru Bipin Singh, Smt Kalavati devi
http://manipurinartanalaya.org/manipurinartanalaya/Founders.html
Padmashri Darshana Jhaveri
http://www.darshanajhaveri.com
Smt Mallika Bhattacharya and Guru LaxmiNarayanji (To be uploaded)
Guru Parveen Gangani
http://parveengangani.com/shree-parveen-gangni
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Call NOW : 972 979 2559.
Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2019.
This material may not be published, broadcast, rewritten or redistributed without permission.
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