Subscribe to continue reading
Become a paid subscriber to get access to the rest of this post and other exclusive content.
Dance…Beautiful, Graceful, Amazingly pleasing to all kind of eyes :)…Let’s just say, ages.
Become a paid subscriber to get access to the rest of this post and other exclusive content.
Winning 1st 3 prizes for solo(s)/group(s) in Indian Dance Competitions for over a decade in our genre of specialization for non-voting Indian Dance Competitions sounds like a big thing. It actually isn’t if you follow curriculum and keep it fun. For us, it has been a norm for Bharatanatyam, Indian Folk Dances & Bollywood/Some Tollywood and from 2013-Fusion!
HOW ? We love to share how we have been winning from over a decade in all the “stage dance competitions” and how our elites have come this far with such good paid commitments.
One of main attributes in stage competitions/for all genres are : Techniques. Techniques also means right amount of expressions required at certain techniques or mood used in the dance, coordination if group, comfort level of dancers with respect to dance, stage presence and personality, choreography, costumes, makeup and drama aspect. To do it right, you have to feel it and go through it which at Grace And Grooves is a norm! Because our owner herself comes from that background of competitions from over 2 decades! Read About Ms. Hetal Nagaraj.
Look !! Type of Competitions We Do !!!
Be it Bharatanatyam, Indian folk dances or Bollywood/Movie inspired dances; usually these dances are non-commercial dances. For bollywood or tollywood dance industry genre, there is level of dance and name of dance as well. As we all know that bollywood dances emerge from various forms or styles or certain drama attributes and thus will always have name.
However, there are certain category of dances within bollywood that do not have name because they do no follow a form or style and are purely for entertainment or let’s just say – NO RULES thus, these dances makes them commercial dances and usually gets disqualified in first round itself if you do it in-spite of rules given. Open category of competitions usually accepts these for example – most reality show competitions are based on this! That dance industry/world is entirely different than education studio. Education world competitions are to encourage the dancer to follow the rules, get finer in it and excel with feedbacks and let’s just say prepare them for higher grounds of possibilities within the form or with fusions later, if trained. Then, break the rules-it is completely dancers wish and instructor’s wish! None-the-less, our students have won these open category dance competitions with their actual dance forms itself or with fusion depending on what is allowed. Usually it will depend on judges, number of rounds in competitions and students training level in that genre. Everything goes in there…
For Bharatanatyam/Classical Dances & indian folk dances, the category is always non-commercial and standard as it is dance form. Even for entertainment, creativity is out of this world if used within the form. Most classical dances are actual dance formats/margams itself and then there are dance dramas. Not to confuse with dance musicals!
There is this entire category of exclusive Indian Folk Dances that is entirely different than the dances that are into Community stage dances/cultural dances/regional dances/bollywood inspired folk dances/ethnic dances/creative folk dances. Why ? Because of rubrics of judging and rules that go with it is entirely different for both these categories. You cannot possibly compare Folk Dances rubrics to Bollywood or with Bharatanatyam. With Bollywood having different types of techniques and some folk dances do not even have expressions as their main factor. Likewise, Bharatanatyam nritta if done will lack several attributes of nritya or natyam itself. So rubrics are often kept in % by the genre or type of entries.
Depending on competitions, they categorize fusion dances or they put them in open category. Concept of fusion dances is very simple! Some go by dance done on other music to be considered as fusion because their argument is that if dance is not danced on its actual/real music then it is not that dance. That is true but if u do not consider music at all and see the dance without music; what will you name it? That raises lot of fundamental questions. So these occurrences have been very rare in over 10 years of history that we have participated. We had 2 such competitions that we came across in entire history of 10+ years where they had that kind of rule! We got 1st place in both anyway. The only argument to this was you cannot name that dance as fusion unless 2 or more dance form or styles are used. Rest are very clear about categories & thus you’ll know it well.
Then comes the judges. First experience is always a question for you because these competitions do not tell you who the judges are and some do not specify the rubrics either but when you test waters, you’ll know! We had tested some waters — we decided not to waste time there as they were bias to one team based on their friendly relations! Then be it that way, you should call only them!
Some competitions are very transparent to names of judges and their experiences and that is fun! Last but not the least, whether or not there it is any voting. If voting then how many % is counted towards total judging points. What age group we are competing in one category/genre is also important factor for stage like dances!!
Then comes, prize money if there is one or something of that sort. Then it is motivating for students who are doing competitions regularly or something of that equivalent value. Nobody wants a 10$ trophy after spending money on hours of practices, competition fees, costumes and that just adds to a collection without a meaning!
For us at Grace And Grooves, it has been other way round. Our students have earned more, earned bigger opportunties than what they put money in! It is just boring for our students who have competed from over 10 years now to go for $10 trophies without the meaning to it. They rather spend money 50 to 60$ and do shows with us where they know they are going to get recognition, feathers to wear that they can own as skill-set, showcase as their own, perks, discounts and many more fun things to take home. A beautiful memory to take home. Budget is very important factor too!
Just like that you do not get the wins in 1st 3 places & $$$ prizes. Here are some standard points that we have come across for rubrics in judgement & we would absolutely love to share with you:
1. Expressions 40% depending on genre. Some genres strongly requires that this element isn’t the part of dance because of restrictions on costumes, mask, type of song/pure technique competitions, or certain type of dramas. so % is then distributed.
2. Techniques 50% & % is distributed
3. Comfort level of dance & body movements-rest % divided, solo or group and as per difficulty level.
4. Coordination to music-rest % divided, if solo or group.
6. Costumes-rest % divided
7. Makeup / Dramatic effects of dance : % is divided by genre.
7. Props & usages
8. Choreography and Innovation in dance form without losing genre category—-some competitions have this highest! some have these 2 seperate.
10. Culture aspect depending on dance (if required depending on competitions since we have been to some of most difficult & strict competitions too!!!)
Exclusive Copyrights by Reachh Mediaa for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2020.
This material can not be published, broadcast, rewritten or redistributed without permission.
Celebrating all our guest artists who have performed with us in past in our journey of dance productions. These guest artist are invited to come and perform with their own work. The talent that they perform are not taught by us. These are not our students either. They have their own dance/talent academy at some place/city or have their own group that they perform. We pick their performance piece dance based on our dance production.
These Guest Artist are local or new artists who have just stepped in the world of Indian Performing Arts or have just started performing.
It is our absolute honor to introduce them to our audiences and as well work with them.
2016 : Dance of Gods : Adi-Shakti. Event : A fundraiser for CRY America showcasing Bharatanatyam, Bollywood, Indian Folk Dances. Fusion Dances by Elites in respective categories. Guest Artist : Dancer : Meghna Murali, A Bharatanatyam dance presentation on Devi. Singer : Mala Pydimari, Carnatic Singer.

2017 : Jalso : Celebration of Life with Dance, Event : Nritya Ki Masti, Navarasa in Bharatanatyam, Bollywood And Indian Folk Dances. A seperate presentation of Fusion Dances was also showed by our own students, elites-trained in 3 different dance forms/styles. Guest Artist : Dancer : Easter Bunny.2018 : ABCD - American Born Cultured Desi Event : Participating fundraiser for a private foundation-Cqunce Inc. Dances in Bharatanatyam, Bollywood & Indian Folk Dances featuring Festivals of India or celebrated by Indians outside India. A special 11 minute tribute to Shahrukh Khan - King of Bollywood. Exclusive Fusion Dances were showcased by our elites who are trained in 2-3 different dance forms. Guest Artists : Dances : Mishu Shashtri with her team for Bollywood Garba featuring Navratri. Ritu Kharbanda with her team of Rang Barse duet featuring Holi. Instruments : Arjun Iyer (Middle Schooler, LISD School Band)-Clarinet & Keyboard. Kedar Golvekar : Introducing Music for SRK Tribute on Guitar.

2019 : Anantha-1 Dance Production. Special Presentations by Rinku Das for Kathak and Manipuri.
2019 : Anantha-1 Dance Production. Event : An Exclusive Dance Production featuring a full Bharatanatyam Margam,Copyright Dances in Bharatanatyam, Folk Dances of India featuring North, East, West & South India. Special presentation by Elites for Fusion dances such as Swala Jathi, Rabindra Nruthya. Fully trained in their own dances. Guest Artist : Dances : Rinku Das for Kathak Classical Dances Rinku Das for Manipuri Classical Dances. Rinku Das was also introducing choreographer for our company that year. Singing : Our own elite student-Ashna Pethe representing LISD choir.
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2019. This material may not be published, broadcast, rewritten or redistributed without permission.
http://www.graceandgrooves.com 972 979 2559 info@graceandgrooves.com
Ms. Hetal maintains a structured database of participants, including parents, students, interns, and staff engaged with our programs. Participants may join either on-site or remotely, depending on program requirements and accessibility needs.
All internships, school-linked placements, and college-associated training opportunities(must submit university credentials) are structured as intern-positions or based on speciality in year of university, whereever applicable, to ensure equitable access and professional development for students.
There is a 5 month probation period for individuals to submit university, NJHS and such credentials which are to be required as proof of submission(from university, college or school isd official letter) to intiate the work.
In addition, select volunteer opportunities are offered for community engagement and supplementary learning experiences. Our team structure includes administrative staff, program coordinators, interns, externships, parents programs and we ensure appropriate introductions and engagement with all stakeholders as needed for program delivery and oversight.
Company’s Time Line – Grace And Grooves Timeline | Hetal Nagaraj’s Life Stats – https://www.hetaln.com/lifestats
Program leadership and operational direction are primarily overseen by Hetal Nagaraj, ensuring continuity, accountability, and alignment across all activities and participants.
More than 60 official legit ways to work with Grace And Grooves Corporation by Hetal Nagaraj.
Organizational Participation, Staffing & Participants (2011–2025)
Deepthi Chandrasekar
Directors of Various Brands – Staff.
– Staff – Regional, National and International
Former, Current – Staff List W2, W9, 1099, Paypal, through our own Portal Platform –
Company never had a staff until G2. G2 has regular payrolls. All are project based and usually or are Workshops, after the completion of Internships-Externships, if need. Some are own students – Graduates and Elites or are Success of other non-dance specialties and have to take certain hands onn trainings. Seeding projects too have payrolls.
Pre. Elites and Elites Lines of Programs – 2011 to Till Date – Work In Progress.
Some are own students, grads or Elites. Full Direction of Ms. Hetal to achieve milestones for company.
Multiple participants completed structured training pathways (2011–current), including:
Participants transitioned into independent artistic, academic, or freelance careers after program completion.
During this period, the organization experienced operational disturbances associated with several brands, which then were duly reported, documented because of level of damage in the company, reputation and company’s revenue caused due to fraud-criminal disturbances, system interference concerns and code of conduct, which were escalated to relevant authorities for review.
Individual disturbances were –
Other disturbances – loss of million$ worth of seeding projects of 13 Elites and several small scale projects at G2 Arlington location due to negligence of property management company in pending building permits, not conversed during contract to company until director found out through city-portals. Certain access to city-portal is not available until permit application is in process as it contains details of previous owners or until city supervisor is followed through. Public access portal was not updated with respect to property until the matter was addressed by Ms. Hetal.
When these projects rolled back because of delays of locations of permits and back to back fraud, Ms Hetal had to bear the costs of all the cancellations and several legal mess that was caused by these individuals. This marks as the worst period in the history of Ms. Hetal’s or company’s life.
It is essential to know that company and Ms. Hetal survived these dangerous setbacks despite certain individual’s deliberate attempts to cause harm to every single individual within company and to clients. Ms. Hetal’s Information Technology-Intellect and collective experiences of life have saved entire teams, key contributors to company and Ms. Hetal’s own family. This also, saved mis-use of database and personal details of individuals.
Despite these challenges, core instructional and performance programs continued in modified formats, including in-person, hybrid and online delivery models.
During this 2021–2025 period, right after these incidences, the organization encountered significant catastrophic operational disturbances and documented compliance-related concerns that affected several programs, partnerships, and revenue-generating activities. Certain matters were identified through written communications, administrative records, and internal documentation processes, requiring the organization to implement corrective operational and governance measures.
As a result of these challenges, some brands and initiatives were/are temporarily paused until funds are received in full, while some are restructured so that organization remains focused on protecting program integrity, participant interests, and long-term sustainability.
Although several Elite Lines, training initiatives, and organizational programs continued successfully under the leadership of Ms. Hetal through the use of contractual safeguards, structured oversight, and continuity planning.
The organization remains committed to transparency, compliance, accountability, integrity of the company and the country thereby strengthening internal operational systems to support sustainable growth and responsible program management moving forward!
Across programs, several engagements concluded due to standard operational factors such as:
All closures were/are handled within structured program frameworks, with many participants continuing independent artistic or professional pathways afterward.f
The organization has provided sponsored participation opportunities in cultural programs, competitions, and national events, including full or partial funding for select student experiences as part of its community arts mission.
This is handled by Ms. Hetal Nagaraj herself, just as all above and below. Sole Owner.
Non Staff – External Dancers – By Auditions and from own couples or other workshops or private packages :
List of occasional dancers / dance only (no teaching and no other work) :
The organization has experienced operational disruptions that have impacted certain training activities and program engagements across multiple functional areas. These disruptions affected continuity at scale and required immediate implementation of internal controls and corrective administrative measures. In response, the organization has relied on existing contractual agreements, documentation protocols, and compliance safeguards to ensure continuity of essential services and protection of program integrity. These mechanisms have enabled the organization to maintain operational stability and uphold its commitments to stakeholders and participants. The organization has since strengthened its governance framework, including enhanced oversight procedures, documentation verification standards, and internal accountability systems.
These improvements are designed to reduce operational risk, ensure regulatory and contractual compliance, and support long-term program sustainability. The organization remains committed to maintaining transparent operations, safeguarding participant trust, and ensuring all educational and training activities are conducted in alignment with applicable laws, institutional requirements, and grant compliance standards.
The organization utilizes tiered engagement agreements designed to align participant experience levels, project complexity, and operational requirements. These agreements are implemented primarily to ensure organizational safety, clarity of scope, and proper allocation of responsibilities across varying types of engagements. Standard participation agreements are typically project-based and are not intended to create long-term employment obligations unless explicitly designated as full-time or long-term strategic roles. Certain high-complexity, high-budget, or sensitive turnkey projects may require advanced technical competency, demonstrated experience, and established reliability prior to participation due to the operational demands and risk profile of such work.
Entry-level participants are generally introduced through structured learning, training, or supervised project environments that allow gradual skill development and progressive responsibility. Advancement to higher-responsibility roles is based on demonstrated capability, technical proficiency, and successful completion of assigned deliverables. Many engagement agreements include defined duration terms or completion-based structures to ensure clarity for all parties and to support flexible participation models. This structure is intended to provide participants with autonomy while maintaining clear organizational boundaries and compliance with project requirements.
The organization prioritizes ethical engagement practices, transparent expectations, and role-appropriate responsibility assignment to ensure fairness, safety, and sustainability across all programs. Completion of task with respect to funds received to company, without bringing setbacks to company or individuals within the company is a benchmark of delivery.
This communication serves as an appreciation to all individuals contributing their time, effort, and expertise to our organization’s programs and initiatives. We recognize and value the commitment of our team members, many of whom balance professional roles, academic responsibilities, and other personal commitments alongside their participation in our work.
The organization maintains a flexible and structured engagement model that accommodates individuals at different stages of professional and academic development. Participation in programs may include students, professionals, and collaborators engaged in either full-time commitments elsewhere or concurrent educational pursuits.
As part of our program framework, performance-based teams—including Elite and Pre-Elite designations—are integrated into existing training and production structures. These designations reflect levels of experience, responsibility, and project readiness within performance-oriented teams, consistent with established program standards. Our approach is designed to support inclusive participation, skill development, and progressive advancement while maintaining clear expectations, accountability, and alignment with organizational objectives.
We remain committed to fostering a respectful, structured, and development-focused environment where all contributors are valued for their time, effort, and dedication.
Company offers Integral awards to exceptional students who show leadership in various tasks. These awards are not extended to public interests and remain within the participations of Company.
The organization is committed to maintaining a non-discriminatory and inclusive environment. We do not discriminate on the basis of gender, race, ethnicity, nationality, color, or background.
Participation and engagement are guided solely by interest, capability, and commitment to contributing to the work and mission of the organization. We value individuals who demonstrate dedication, professionalism, and a willingness to contribute meaningfully to collaborative projects and learning environments.
The organization also respects the privacy and autonomy of all participants. Personal background information is not a determining factor in engagement, and individuals are supported in participating in a manner consistent with applicable laws, institutional guidelines, and program requirements.
Under the leadership of Ms. Hetal, the organization promotes a culture of respect, dignity, and equal access to opportunity, ensuring that all participants are treated fairly and consistently within structured program guidelines. As a training institute, Ms. Hetal believes that every day is fresh start, but then there are limitations to not allow fresh start after some point.
Internal Company Opportunities do not extend to individuals who lack skills of particular performance, certain level of maturity as per their existing profile, permissible visa status or by contractual obligations endorsed by parents.
Operational Responsibility, Cost Ownership, and Program Accountability –
The organization operates as a fully funded service and training provider, where significant upfront investment is made to develop, deliver, and maintain educational, creative, and production-based opportunities. These include training programs, costume and production design, technical resources, and experiential learning environments.
All program activities are structured under defined engagement agreements, where participants, staff, and collaborators are responsible for adhering to established scope, expectations, and conduct requirements.
The Company assumes full operational responsibility for program delivery, including financial investment, infrastructure, and production-related expenditures. This includes costs associated with training development, creative execution, and resource allocation that support participant learning and engagement.
To maintain clarity and compliance, participation records, deliverables, and media assets are managed through official program channels. Access to materials such as photos, videos, and project outputs is provided based on eligibility, program participation status, and applicable release agreements.
The organization maintains formal documentation of roles, contributions, and engagement history to ensure transparency, accountability, and proper attribution across all programs. All activities are conducted under the umbrella of the Grace and Grooves Corporation, ensuring consistency in governance, compliance, and operational oversight.
The Company has successfully secured trademarks, copyrights, and brand protections across multiple countries, including the United States, both during and following periods of operational challenge.
These achievements reflect the organization’s continued commitment to structured governance, documentation standards, creative ownership, and operational transparency. Through consistent leadership, program continuity, and participant engagement, the organization has continued to strengthen its international presence and reputation across educational, creative, and performance-based sectors.
Under the leadership of Ms. Hetal Nagaraj—who serves both as an active participative team member and key performer—the organization has maintained a collaborative environment supported by the meaningful contributions of graduates, Elite teams, and specialized participants across multiple disciplines.
The Company remains committed to expanding its educational and experiential training initiatives through future collaborations with universities, institutions, and corporate partners. These programs are designed to provide hands-on learning opportunities, workforce readiness, creative development, and industry exposure for emerging participants and professionals.
Company has secured ownerships to publication company in UK-London. This company owns all the copyrights and trademarks of Ms. Hetal’s every published, documented word, incl this blog!
Transparency, accountability, and structured operational practices continue to remain central to the organization’s philosophy and long-term growth strategy.
Official Program & Organizational References
About Ms. Hetal – www.hetaln.com
Updated on : May 26, 2019 | July 26, 2019 | Feb 26-27th 2019 | March 5, 2020 | June 30, 2020 | Feb 7, 11, 2022 | March 22, 2022 | June 23, 2022 | Sept 19, 2022 | Oct 4, 15, 2022 | Oct 17, 2022 | Nov 1, 16, 2022 | Jan 8, 2023 | Feb 20, 2023 | Feb 25, 2023 | March 15, 2023 | March 20, 2023 | April 20, 23 | July 8th, 2023 | Sept 4, 2023 | Sept 23, 2023 | Oct 22, 2023 | Nov 4, 2023 | Nov 10, 2023 | Nov 13, 2023 | Sept 23, 2024 | Sept 26, 2024 | Oct 1, 2024 | Oct 11, 2024 | Oct 17, 2024 | Oct 29, 2024 | March 20, 2025 | March 28, 2025 | May 15, 2026.
Website : www.graceandgrooves.com
Facebook : https://www.facebook.com/GraceAndGrooves
Twitter : https://twitter.com/GraceAndGrooves
Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw
Pinterest : https://www.pinterest.com/graceandgrooves
Best Number To Contact : 972 979 2559.
Copyright Reach Media for Hetal Nagaraj | Grace And Grooves | Grace Creations | 2012-Current. This material cannot be published, broadcast, rewritten or redistributed without permission.
Anantha-1, a dance production series showcasing beauty, elegance, creativity, as well as infinite possibilities of Bharatnatyam, Indian Folk Dances, Rabindra Nruthya, Manipuri And Kathak. All of this without forsaking fundamentals.
Idea of Anantha was implanted in 2018 January when we had faced some challenges that opened doors to other possibilities.
First announcements were made to public in various medias from Nov 2, 2018 and onwards. Every year it just happens that as Grace And Grooves LLC plan their annual programs/recitals and they come out so beautiful that it ends up in dance productions with and without dance-musical dramas.
But the idea of dance recital was not enough for Bharatnatyam and Indian Folk Students after getting ready for 30-45 mins with all that make-up and costume. These students were to be taught the possibilities within the dance form and show it off separately. So, Anantha Production Series it was!
With straight background comes unlimited (Anantha) creativity. Thus, the name of “Anantha” was given to this dance production series with each dance showcasing unlimited possibilities in each dance forms. The name and concept is inspired from several dance production houses or dance institutes like that of her mom, own teachers, formal gurus, dance exponents such as Daksha V Joshi, Mrinalini Sarabhai, Daksha M Joshi, Tanjore Brothers Original Margam, Kalakshetra Foundation, Natyavihar Kalakendra. This intense training of over 34 years has given a shape to Hetal’s own dance creations within exclusive Indian Dance Forms such as Bharatanatyam and Indian Folk Dances. Some dances have also received exclusive copyright permissions to republish under the name of Hetal Nagaraj and some have received competition awards early this year and years before as well.
Anantha opened its door with Anantha-1 in 2019 to begin with on Jan 27, 2019 at Plano Courtyard Theater, Plano, Texas, USA from 330 PM to 730 PM and was a houseful event. The event was an introduction event to her elite students such as Ashna Pethe and The Setty Siblings who are in advance trainings from years now and Rinku Das-a budding artist of Dallas-Forth, Texas. These students roughly danced for more than 2 hours. In Anantha, their intern choreographers, performing teams got every opportunity to be creative under the supervision, direction of Hetal Nagaraj and yet feel challenged without forsaking fundamentals of each dance form. All of it with full safety on practicing it in the right way. It is not about perfection, it is about doing it right.
Hetal Nagaraj is artistic director of Grace And Grooves LLC. This is her 4th dance program in a row showcasing A Grade Indian Dance Productions with each dance as a reflection of her experiences, trainings and now the degrees. It has been peculiarity of Hetal that her dances include Nritta, Natya and Nruthya as its basic components with balance of Tandav and Lasyam. Each dance of her has a name to define with its subject in the dance along with dance themes that are full of life, happiness, thankfulness, blessings and above all beautiful costumes that she herself designs. But, Anantha-1 is Hetal Nagaraj’s VERY FIRST exclusive dance production for Indian Dance Forms and A Tribute to Rabindranath Tagore Famous Literature and Poems which as a matter of fact matched to our production name. All the students had so much fun learning and practicing for Anantha-1 during their regular class hours itself and no additional class is required. It is not like you pay, you get to be part of it, and be done with it. It is what they have learned, they’ll showcase.
No outside students were allowed to perform or take trainings or as part of freelance dancers. Even the guest artists are/were students of Grace And Grooves LLC enrolled in their exclusive programs. Anantha Dance Production Series is about Grace And Grooves LLC students and their team only. Hetal Nagaraj selects them for this dance production and not everybody is able to make it to her list.
We will always had a special guests like this time we had Rinku Das who will do their own dances and stick to our themes or request with their team or solo but they are our special guests.
From students who wanted the thrill got it covered along with students who wanted the fun of natyam alone still staying in their respective dance forms.
Congratulations to Students Samarth Setty(Age 11) and Tejawini(Adults) for completing their entire Bharatanatyam Margam in Anantha-1 by performing under the strict supervision, instruction and guidance of Mrs. Hetal Nagaraj. This was made possible by dancing back to back for straight 3 hours from Pushpanjali, Allaripu, Jatiswaram, Thillana, Group-Shabdam, Creative Bharatanatyam, Copyright Bharatanatyam Dance Pieces, and Rabindra Nruthya as well. This also means, that it can be very much called their own arangetram, if they choose not to do it as solo arangetrams, separately.
This is Hetal Nagaraj’s 2nd round of completion of full margam from start to finish by teaching it to various students. At Grace And Grooves, we aim to make sure you understand everything you see while we are just doing our job.
Every beautiful thing under this sky has a name and so do the dances.
From the thrill of nritta, beauty as in lasyam, fun of natyam, devotion as in bhakti and tapasya as in training, power as in shakti of tandav and possibilities as in Anantha- the infinite and we are still in same dance form when we do it right!
Anantha-1 Dance Production was made possible by Dhamaal Events in association with Grace Effects ( Gopal S and Dinesh Kumar for photography and videography services).
Big Shout Out To These Young Teenagers who had their paid student assignments at Anantha-1. Aditya Sangole as our Sound Technician and Emcee Yashika Nabar for our Dance Production Anantha-1.
Anantha-2 Dance Production is next scheduled in March 2020.
Dates & Times Will Be Announced Shortly.
Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2019.
This material may not be published, broadcast, rewritten or redistributed without permission.
#hetaljoshim #graceandgrooves #ananthaseries
2013 and onwards, Grace And Grooves started teaching Bollywood/Tollywood-Indian Movie Dance Lessons with structured programs. Songs such as Bahubali, Jai Ganesh, Krishna Leela, Heer, Tamma Tamma(Remix) and many more were acknowledged and requested by clients and organizers to perform in community/cultural events and auditions/competitions over and over again. Some of the listed songs that we performed were non-movie songs remixes such as Come and Get it by Selena Gomez, Cheap-Thrills combined with indian songs etc. T’was fun teaching them.
Personal achievements of choreographers with their other dance activities ARE NOT listed. You can check those out in our other blog post! Multiple Entry of same song means it was performed multiple times but with entirely new choreography with absolutely no relevance with previous one. All dancers in non-indian dance forms or styles are fully trained dancers at competitive levels.
These dances have won/taught at recreational, competition and as freelance paid or volunteer workshops (with/without performances) under the exclusive label of Grace And Grooves LLC, or Hetal Nagaraj and our other past/present choreographers and our elites as Assistant Choreographers:Nirja Setty and Ashna Pethe.
Format of below listing – Song Name, Movie/Album-Year, Starring or Singers/if private album. Choreographers Name. Assistant Choreographer as Asst. (Practices or few couple sequences.).
The number of songs prepared differently do not relate to the number of performances:
The pre-made MP3 files in various combinations of these songs are available with/without added beats/musics from other sources for sale for $10 for each remix with exclusive copyright to re-use without using our name in tag anywhere. The original songs are available everywhere irrespective of copyrights. Ours is performance oriented and its not original song. you can own it for your dance school or dance groups without any efforts by buying it. No edits. Take it or Leave it. Choreography not included with these files. Welcome to ask for it and it will be sold with seperate price tag depending on copyrights on it (as they are our Competition Dances). Average mixes are about 5 minutes while some up-to 10minutes.
Because At Grace And Grooves LLC, we don’t really like to repeat same songs unless requested a lot or for specific purposes even for teaching 😉 OR we make them all over again with other sets of remixes or beats or added music to it. It is FUN and that is what Bollywood/Tollywood/Indian Movie Dances ALL ABOUT. FUN……..SAFELY 😉
OH YEAH, WE ARE GOING TO TRASH THESE MIX-UPS ANYWAYS 😉
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2017.
This material can not be published, broadcast, rewritten or redistributed without permission. If found being copied without permission will be sued in the court of law.
#historyneverrepeats #alwaysnew #alwaysfun #fresh #happy #fun #graceandgrooves #hetaljoshim #sowhatifitsbollywood #sowhatifitstollywood #takeitorleaveit #straightbackground #mp3files #store #noiterations #funwithcreativity #intelligencewithknowledge #knowledgeforfun #lovingit #norules
August 2016 : We were excited to hear the news that Hetal Nagaraj got accepted for Masters Program at TDES via Tamil University in August 2016. College: Kalai Kaveri College of Fine Arts, Trichy, India.
A label & ID of OKC213160083A was given to her as Hetal Mahesh Joshi. She would mock to her students that she got her roll-number/student id too and that she is student too. Some of her students started calling her Hetal since then :).

This makes us laugh for 2 reasons. First reason is, a very non-traditional picture-LOL. 2. Our owner was a student, not long ago 😛
Her inspiration of having a master degree in fine arts comes directly from one of her own cousin’s spouse/bhabhi (sister in law & aunt-2way relation:) who was enrolled in Masters Program @Darpana Academy, Ahmedabad India. Her Bhabhi had to leave her degree half-way for personal reasons and since then, Hetal Nagaraj had her mind set on doing Masters in either bharatnatyam, or theater with full dance work, at some point of time.
Finding a university or dance program that not only offers robust MASTERS program of Bharatnatyam but also offers in-depth knowledge of Natya Shashtra, History, Styles, Theaters and Musicals with the flexibility of long distance program was a challenge. Hetal Nagaraj got accepted in 2 universities for this program with her dance experience, video clips of main margam, creative bharatnatyam dances, direct referral letters from her past dance teachers and her existing Master Degrees in other education stream that she already had. Rest all the universities had a requirement to do a full 2 year resident program and stay local for full two years with classes non-stop through the week and weekend! For those in India or want to pursue their degree in India for on-campus degrees within India, most welcome to contact Hetal Nagaraj:info@graceandgrooves.com, she’ll be very happy to guide you for all these courses.

Master Of Fine Arts Year1
Biggest Challenge for Hetal Nagaraj was that she can’t just leave a young family and pursue dreams while running a full fledge A+ rating dance business with multiple locations, competitive performance schedules (almost every other month) in Bharatnatyam, Indian Folk Dances, Bollywood, Workshops, Elite performing team and all of that with her students taking part in competitions. Once you are married happily ever-after & have family, it is a package for whole family to achieve something as big as degree especially if parents are taking them; irrespective of whether or not you are in dance business! Whole family goes hand in hand to actually make it happen. Entire month of kids activities, planning meals for whole family, routines with home works, car-pooling, classes shuffled between choreographers as applicable in her absence, volunteer parents, website maintenance and it was STAAR Exam time for kids as well.

Break Time between classes…..all these are her classmates and they have dance businesses of their own in and out of India. Some in USA as well.
TDES via Tamil University gave her the options to not only be competitive at learning edge but flexibility to travel to Chennai for at-least one out of two degree years to give on-campus bharatnatyam theory exams, assignments, thesis/research, presentations, do practical exams, live concert, musical and folk dance drama to be showcased before the teachers for grading.
All these dances were with full makeup and relevant costumes and costume change as required. Further, she decided to choose her degree location at Don Bosco College of Arts And Science, Chennai, India as her on-campus exam training (1 month required in person or average of 20-days) and examinations (practical and theory, in person). She decided Chennai as her location considering that Tamil History was one of the main subject and so she wanted to stay around Chennai to complete her research subject from locally available sources such as libraries, bookstores and visits to local dance schools. Don Bosco College of Arts And Science was her pick from the list due to her past upbringing of Convent Schools in Gandhinagar(India) and then affiliated programs at Ahmedabad(India) due to its discipline, environment, experiences and education standards.

ConcertPaper, Folk Dance Drama
At first the initial plan was to go in second year. Plans changed when the syllabus arrived in Fedex from university with a whopping 22 dance items to take care of, showcase them, write 1 research paper each year, minimum of 2 assignments per year, minimum of 1 presentation per year, LIVE concert, nattuvangam, talam, ragam and Tamil History with all terms in Tamil. It was her husband Nagaraj who insisted that with this type of syllabus, she should take this as an opportunity and must go personally both the years, just like any student would do for each year in any other Masters Program.

@Don Bosco School of Arts And Science canteen…break time between classes…fun food and lovely people.
The dance items and other master level dances required hours of practices and a mentor/guide to correct/remind as required because of complexity in choreography. They were in speed 2, 3 and 4 at a cutting edge but not a sweet cherry on the top, most in 3 and 4!
It isn’t for a regular bharatnatyam dancer who is barely trained and could still handle that type of work with that intense choreography. Complexity with speed 3 and 4 was tough nut after a long time for Hetal Nagaraj.
She learned latest concepts in Bharatanatyam which she had never learned or were not taught in North India probably because back then these were taught @post-arangetram level only. Most of these concepts were added to standard margam by Kalakshetra Foundation founded by Rukmani Devi, Chennai and by renowned Bharatanatyam Artists in multiple styles.
Thus the degree curriculum included Main Margam Items, Non-Margam Items as well as Additional Creative Choreography from renowned artist of Mysore Bani, Pandanallur Bani, Thanjavur Bani and Kalakshetra Bani margam as a compulsory LIVE concert-all of this with grading. While Vazhuvur Bani was one of the sub-topic for Mrs. Hetal Nagaraj as part of her research/dissertation. She took several skype/watsapp video classes from her guide Dr. Marie Stella who taught and corrected her for the possibilities in margam bharatnatyam dances with nattuvangam.

Mrs.Hetal Joshi Nagaraj also took in-person classes with Dr. Marie Stella at Pondicherry where Dr. Marie Stella runs her own Dance Institute Kalai Aalayam Fine Arts Academy. Their group performed various items of margams, folk and solo bharatnatyam master works.
Her journey to full month stay at training and exam center for both the years were absolutely amazing! She stepped into this whole new world of Bharatnatyam with the infinite possibilities and complexities in southern India.
From what she thought would be questionable to do in various margam dances was NOW possible in unlimited combinations further. This experience opened a whole new creativity level in musicals, dance themes, concepts, usage of jatis and adavus in various permutations and combinations.
She implemented those concepts and was able to successfully use them not only in Bharatnatyam but in Indian Folk Dances and Bollywood/Tollywood/Indian Movie Dances of Grace And Grooves LLC giving exceptionally beautiful results with least amount of effort even for Bharatnatyam.

Thesis, Myselfie, concertpaper2
It took her 2 full years (2016 to 2018) for her to complete her degree in Masters In Fine Arts with whole family involved. This includes all our lovely students’ parents of our private classes who walked with her in her journey very beautifully as she had to meet her deadlines of submissions or had her parallel skype classes.
With the type of knowledge that she gained in practical classes (skype/video watsapp/in person @Pondicherry) with her guide Dr. Marie Stella and during monthly in-house trainings, she thanks god that it did not happen in a click of button.
It would be too much for human brain to absorb all that, if it were to happen! She thanks her Tamil friends’ grand-parents (who were bharatnatyam dancers themselves) who helped her with very old tamil dialects for her theory papers that required compulsory usage of these words for grading. A lot of her regional tamil friends from chennai as well found it difficult to explain or understand these terms. All of that happened for Hetal Nagaraj for both the years back to back, one year at a time with proper planning.
Don’t even wish for a degree in 1 day with a click of a button. It is not going to help you! It is the training from all the right people that will never fail you and that you will not experiment on students because you have studied each scenario with pros and cons & thus it is available for you to use in your own creative way, very very safely!
Just that common sense is something that no university will ever teach you and to master that you will have to let go your ego ;). This is irrespective of your age!

80 Seperate School Lunches(2 kids), 40 dinners combined for 4 people, 40 lunches for huby/mil(combined 2 ppl), 25 breakfast(2 ppl), and extra 10 dishes here and there. There are similar bento boxes behind the line you see in the picture. 2017 too, similar preps and this year pretty much same plan but with MIL present, it was easier.
We strongly recommend all bharatnatyam dancers who are interested to go for this course provided you have the following :
Specifics are mentioned deliberately in detail as an effort to provide all the information that you may need as a student to apply! This blog post details were taken from articles submitted by Hetal Nagaraj to company.
Hetal Nagaraj says I did it and she will love to guide you to do it too!
New Images Added : July 18, 2020.
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2020. This material may not be published, broadcast, rewritten or redistributed without permission.
http://www.graceandgrooves.com Phone : 972 979 2559 info@graceandgrooves.com
Grace And Grooves holds exclusive rights for all the content & pictures being posted with permission of organizers for exclusive Grace And Groove use only. Exclusive Copyrights by Reachh Mediaa from 2013 for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-current
All Pictures posted here are with an exclusive consent of participating students, parents or school staffs. This material can not be published, broadcast, rewritten or redistributed without permission.
You must be logged in to post a comment.