Guest Artists @Grace And Grooves Dance Productions | Annual Recitals | Programs

Celebrating all our guest artists who have performed with us in past in our journey of dance productions. These guest artist are invited to come and perform with their own work. The talent that they perform are not taught by us. These are not our students either. They have their own dance/talent academy at some place/city or have their own group that they perform. We pick their performance piece dance based on our dance production.

These Guest Artist are local or new artists who have just stepped in the world of Indian Performing Arts or have just started performing.

It is our absolute honor to introduce them to our audiences and as well work with them.

guestartist20162016 : Dance of Gods : Adi-Shakti. 
Event : A fundraiser for CRY America showcasing Bharatanatyam, 
Bollywood, Indian Folk Dances. 
Fusion Dances by Elites in respective categories.
Guest Artist : 
Dancer : Meghna Murali, A Bharatanatyam dance presentation on Devi.
Singer : Mala Pydimari, Carnatic Singer.

IMG_1988

2017 : Jalso : Celebration of Life with Dance,
Event : Nritya Ki Masti, Navarasa in Bharatanatyam, 
Bollywood And Indian Folk Dances. 
A seperate presentation of Fusion Dances was also showed by our own 
students, elites-trained in 3 different dance forms/styles.
Guest Artist : 
Dancer : Easter Bunny.
Guestartist20182018 : ABCD - American Born Cultured Desi
Event : Participating fundraiser for a private foundation-Cqunce Inc.
Dances in Bharatanatyam, Bollywood & Indian Folk Dances 
featuring Festivals of India or celebrated by Indians outside India.
A special 11 minute tribute to Shahrukh Khan - King of Bollywood.
Exclusive Fusion Dances were showcased by our elites who are trained
in 2-3 different dance forms.
Guest Artists : 
Dances : 
Mishu Shashtri with her team for Bollywood Garba featuring Navratri.
Ritu Kharbanda with her team of Rang Barse duet featuring Holi.
Instruments :
Arjun Iyer (Middle Schooler, LISD School Band)-Clarinet & Keyboard.
Kedar Golvekar : Introducing Music for SRK Tribute on Guitar.
rinkudas

2019 : Anantha-1 Dance Production. Special Presentations by Rinku Das for Kathak and Manipuri.

rinkumani22019 : Anantha-1 Dance Production.
Event : An Exclusive Dance Production featuring a full 
Bharatanatyam Margam,Copyright Dances in Bharatanatyam, 
Folk Dances of India featuring North, East, West & South India.
Special presentation by Elites for Fusion dances such as Swala Jathi,
Rabindra Nruthya. Fully trained in their own dances.
Guest Artist :
Dances : 
Rinku Das for Kathak Classical Dances
Rinku Das for Manipuri Classical Dances.
Singing :
Our own elite student-Ashna Pethe representing LISD choir.

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2019.  This material may not be published, broadcast, rewritten or redistributed without permission. 

http://www.graceandgrooves.com        972 979 2559         info@graceandgrooves.com

Know The Dancer By Dance Name

Would You Know The Dancer By Dance Name ?? And yes, comes the answer from all our students and every dancer that we have ever known.

Bharatanatyam students who have completed their exclusive trainings by all means want to take that crown of being fully trained and be called as Bharatanatyam Dancer once they reach to performing dance level. What do these names tell you : Smt. Rama Vaidyanathan, Smt. Mrinalini Sarabhai, Smt. Mallika Sarabhai, Smt. Hemamalini :), Rukmani Devi Arundale.

Students of Indian Folk Dances have always made sure to exclude themselves from Bollywood Dancers or Classical Dancers and take that ethnic crowd. Folk Dances are nothing but dance forms just not that long or lengthy as Indian Classical Forms. And so does these name : Smt. Mallika Sarabhai,  Shobhana, Smt. Hemamalini, many more…

And yes, we have Bollywood Students who proudly takes the pride of being called as Bollywood dancer as they showcase some of their favorite actors to unlimited creativity that they learn at Mirchi Dance Academy. Check these names that identify as Bollywood dancers or choreographers : Smt. Hemamalini, Madhuri Dixit, Prabhu Deva, Hritik Roshan, Deepika Padukone, and many more.

And yet, all of the above people know exactly what they are doing! We are very sure that there will be more that we may not have mentioned and have established themselves as dancers. What do the names tell you though 🙂

Some dancers that dance between dance categories like Madhuri Dixit, Hemamalini, Mallika Sarabhai are still identified with their skill-set and showcase them well when done as actual dance form piece. While creative dancing is at its hype these days (not fusion), these dancers have carved differences between each of the dances that they perform. You see fundamentals in their dances, and so comes along flawless execution that comes with years of training. We all have seen them aging, staying young, growing big and small by waist in sizes :), small to long hair, becoming tan to becoming most fair of all and yet they do can do it right.

Why ? Training :). It trains your body to be able to handle that work no matter what you go through and it mentally prepares you to just do it. Your reflex by default goes to muscle memory when being said to do so and that does not happen in days. Not even in 10 days even if you dance from 9am to 9 pm for straight 10 days. First 5 days, you will be pretty much just learning the basics if so! To master dance forms, you will need to master those movements and with those, the techniques. To build that, you have to do it for over 100 hours minimum.  Life is very simple and so is dance. Even if we dance across all we have ever learned, you can outline each of dance technique, identify it and name it. And once done, next comes the dancer :).

A lot of students at Grace And Grooves dance between categories depending on commitment especially our Folk Dance Students and Bollywood Students and they all are able to outline, differentiate and flawless show what they are they are doing, with names :). They can outline creative dances as well when its done.

At Grace And Grooves, Bollywood/Movie Dance program students enjoy the liberty to attend any class they want, it is not everybody’s cup of tea to handle the dances or the technique classes of dance form. This idea was inspired from Hetal Nagaraj’s own teacher in Ahmedabad who has been following this ever since they started teaching Bollywood(past couple of years).

Now that is power of training that you would want to pay for. And this is why you do not want teachers who tell you to watch and learn. Remember one thing that everything that is online and requires physical work with techniques is for those know what it is.

One body and one life we all have and yes, we aim to do right. Our life is that precious and we want you to value your life :).

Grace And Grooves holds exclusive rights for all the pictures being posted with permission of organizers for exclusive Grace And Groove use only. 

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2018.  

All Pictures posted here are with an exclusive consent of participating students, parents or school staffs. This material can not be published, broadcast, rewritten or redistributed without permission. 

Journey of Master In Fine Arts….Submitted By Hetal Nagaraj.

August 2016 : We were excited to hear the news that Hetal Nagaraj got accepted for Masters Program at TDES via Tamil University in August 2016. College:  Kalai Kaveri College of Fine Arts, Trichy, India.

A label & ID of OKC213160083A was given to her as Hetal Mahesh Joshi. She would mock to her students that she got her roll-number/student id too and that she is student too. Some of her students started calling her Hetal since then :).

University ID LOL

This makes us laugh for 2 reasons. First reason is, a very non-traditional picture-LOL. 2. Our owner was a student, not long ago 😛

Her inspiration of having a master degree in fine arts comes directly from one of her own cousin’s spouse/bhabhi (sister in law & aunt-2way relation:) who was enrolled in Masters Program @Darpana Academy, Ahmedabad India. Her Bhabhi had to leave her degree half-way for personal reasons and since then, Hetal Nagaraj had her mind set on doing Masters in either bharatnatyam, or theater with full dance work, at some point of time.

Finding a university or dance program that not only offers robust MASTERS program of Bharatnatyam but also offers in-depth knowledge of Natya Shashtra, History, Styles, Theaters and Musicals with the flexibility of long distance program was a challenge. Hetal Nagaraj got accepted in 2 universities for this program with her dance experience, video clips of main margam, creative bharatnatyam dances, direct referral letters from her past dance teachers and her existing Master Degrees in other education stream that she already had. Rest all the universities had a requirement to do a full 2 year resident program and stay local for full two years with classes non-stop through the week and weekend! For those in India or want to pursue their degree in India for on-campus degrees within India, most welcome to contact Hetal Nagaraj:info@graceandgrooves.com, she’ll be very happy to guide you for all these courses.

Masters of Bharatnatyam

Master Of Fine Arts Year1

Biggest Challenge for Hetal Nagaraj was that she can’t just leave a young family and pursue dreams while running a full fledge A+ rating dance business with multiple locations, competitive performance schedules (almost every other month) in Bharatnatyam, Indian Folk Dances, Bollywood, Workshops, Elite performing team and all of that with her students taking part in competitions. Once you are married happily ever-after & have family, it is a package for whole family to achieve something as big as degree especially if parents are taking them; irrespective of whether or not you are in dance business! Whole family goes hand in hand to actually make it happen. Entire month of kids activities, planning meals for whole family, routines with home works, car-pooling, classes shuffled between choreographers as applicable in her absence, volunteer parents, website maintenance and it was STAAR Exam time for kids as well.

Bharatnatyam, Bharatanatyam

Break Time between classes…..all these are her classmates and they have dance businesses of their own in and out of India. Some in USA as well.

TDES via Tamil University gave her the options to not only be competitive at learning edge but flexibility to travel to Chennai for at-least one out of two degree years to give on-campus bharatnatyam theory exams, assignments, thesis/research,  presentations, do practical exams, live concert, musical and folk dance drama to be showcased before the teachers for grading.

All these dances were with full makeup and relevant costumes and costume change as required. Further, she decided to choose her degree location at Don Bosco College of Arts And Science, Chennai, India as her on-campus exam training (1 month required in person or average of 20-days) and examinations (practical and theory, in person). She decided Chennai as her location considering that Tamil History was one of the main subject and so she wanted to stay around Chennai to complete her research subject from locally available sources such as libraries, bookstores and visits to local dance schools. Don Bosco College of Arts And Science was her pick from the list due to her past upbringing of Convent Schools in Gandhinagar(India) and then affiliated programs at Ahmedabad(India) due to its discipline, environment, experiences and education standards.

Masters In Bharatnatyam

ConcertPaper, Folk Dance Drama

At first the initial plan was to go in second year. Plans changed when the syllabus arrived in Fedex from university with a whopping 22 dance items to take care of, showcase them, write 1 research paper each year, minimum of 2 assignments per year, minimum of 1 presentation per year, LIVE concert, nattuvangam, talam, ragam and Tamil History with all terms in Tamil. It was her husband Nagaraj who insisted that with this type of syllabus, she should take this as an opportunity and must go personally both the years, just like any student would do for each year in any other Masters Program.

Bharatnatyam, Master of Fine Arts

@Don Bosco School of Arts And Science canteen…break time between classes…fun food and lovely people.

The dance items and other master level dances required hours of practices and a mentor/guide to correct/remind as required because of complexity in choreography. They were in speed 2, 3 and 4 at a cutting edge but not a sweet cherry on the top, most in 3 and 4!

It isn’t for a regular bharatnatyam dancer who is barely trained and could still handle that type of work with that intense choreography.  Complexity with speed 3 and 4 was tough nut after a long time for Hetal Nagaraj.

She learned latest concepts in Bharatanatyam which she had never learned or were not taught in North India probably because back then these were taught @post-arangetram level only. Most of these concepts were added to standard margam by Kalakshetra Foundation founded by Rukmani Devi, Chennai and by renowned Bharatanatyam Artists in multiple styles.

Thus the degree curriculum included Main Margam Items, Non-Margam Items as well as Additional Creative Choreography from renowned artist of  Mysore Bani, Pandanallur Bani, Thanjavur Bani and Kalakshetra Bani margam as a compulsory LIVE concert-all of this with grading. While Vazhuvur Bani was one of the sub-topic for Mrs. Hetal Nagaraj as part of her research/dissertation. She took several skype/watsapp video classes from her guide Dr. Marie Stella who taught and corrected her for the possibilities in margam bharatnatyam dances with nattuvangam.

MargamPerformance w/Folk

Mrs.Hetal Joshi Nagaraj also took in-person classes with Dr. Marie Stella at Pondicherry where Dr. Marie Stella runs her own Dance Institute Kalai Aalayam Fine Arts Academy. Their group performed various items of margams, folk and solo bharatnatyam master works.

Her journey to full month stay at training and exam center for both the years were absolutely amazing! She stepped into this whole new world of Bharatnatyam with the infinite possibilities and complexities in southern India.

From what she thought would be questionable to do in various margam dances was NOW possible in unlimited combinations further. This experience opened a whole new creativity level in musicals, dance themes, concepts, usage of jatis and adavus in various permutations and combinations.

She implemented those concepts and was able to successfully use them not only in Bharatnatyam but in Indian Folk Dances and Bollywood/Tollywood/Indian Movie Dances of Grace And Grooves LLC giving exceptionally beautiful results with least amount of effort even for Bharatnatyam.

Masters in bharatnatyam

Thesis, Myselfie, concertpaper2

It took her 2 full years (2016 to 2018) for her to complete her degree in Masters In Fine Arts with whole family involved. This includes all our lovely students’ parents  of our private classes who walked with her in her journey very beautifully as she had to meet her deadlines of submissions or had her parallel skype classes.

With the type of knowledge that she gained in practical classes (skype/video watsapp/in person @Pondicherry) with her guide Dr. Marie Stella and during monthly in-house trainings, she thanks god that it did not happen in a click of button.

It would be too much for human brain to absorb all that, if it were to happen! She thanks her Tamil friends’ grand-parents (who were bharatnatyam dancers themselves) who helped her with very old tamil dialects for her theory papers that required compulsory usage of these words for grading. A lot of her regional tamil friends from chennai as well found it difficult to explain or understand these terms. All of that happened for Hetal Nagaraj for both the years back to back, one year at a time with proper planning.

Don’t even wish for a degree in 1 day with a click of a button. It is not going to help you! It is the training from all the right people that will never fail you and that you will not experiment on students because you have studied each scenario with pros and cons & thus it is available for you to use in your own creative way, very very safely!

Just that common sense is something that no university will ever teach you and to master that you will have to let go your ego ;). This is irrespective of your age!

Planning

80 Seperate School Lunches(2 kids), 40 dinners combined for 4 people, 40 lunches for huby/mil(combined 2 ppl), 25 breakfast(2 ppl), and extra 10 dishes here and there. There are similar bento boxes behind the line you see in the picture. 2017 too, similar preps and this year pretty much same plan but with MIL present, it was easier.

We strongly recommend all bharatnatyam dancers who are interested to go for this course provided you have the following :

  1. Zeal, patience, energy, money (investment in INR), and proper planning to do so.
  2. You should have done bharatnatyam up-to varnam level and above at some point in your life to be able to handle this type of work. Arangetram is irrelevant.
    • Style of bharatnatyam will not matter for this particular degree because their program itself includes multiple styles.
    • You must submit videos of any of these with other degrees that you have to become eligible for this program.
    • Private classes with your guide will be required to get your smoothly through this journey with deadlines, protocols to be followed and your guide will help you with the following as well :
      • if you have learned your bharatnatyam in non-traditional or conventional ways or you had several breaks through out your learning, or nattavangams, ragam, talam were not part of your training then you will have to educate yourself with these.
      • Nattuvangam, Recitation of Jatis and Adavus are graded.
      • In-person practicals, concerts participation is required. Must be ready to showcase all of above or as asked with full costume, makeup, hair-do; irrespective of any help available. Makeup artist may/may not be available.
  3. Expect morning 9am to 5pm dance routines and as you get closer to exams it will be 9am to 11pm practice hours. If you have any physical disability, come with doctor’s note or do not apply!
  4. List/selections of locations, accommodation to be take care by you while these will be required during your on campus trainings and all exams.
    • Paid meals 3 times a day at the campus canteen and everything is available around the area.
  5. Most important-you should be ready to go for a month (average of 20 days approx and add 2 more days to get the feel of area and shopping for your concert). Attendance is strictly required during all the days for the on-campus classes and exams. Best if you go both years. It will be worth a trip….
  6. Cons : Make sure you stay at the top of conversation with these people and get it all in writing, we had students who were marked absent even when they were present, we had students whose names and marks were printed wrong and lot of such issues.. Hetal managed to get out clean because she is from security background and so she has habit of keeping track of everything. Our owner is on the top of everything and that is how she is able to make a positive and inspiring difference in her students’ life.

Specifics are mentioned deliberately in detail as an effort to provide all the information that you may need as a student to apply! This blog post details were taken from articles submitted by Hetal Nagaraj to company.

Hetal Nagaraj says I did it and she will love to guide you to do it too! 

Phone : 972 979 2559

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2018.  This material may not be published, broadcast, rewritten or redistributed without permission. 

http://www.graceandgrooves.com        Phone : 972 979 2559       info@graceandgrooves.com

 

 

Why Grace And Grooves LLC discontinued Better Business Bureau of Dallas Fortworth.

Why Grace And Grooves LLC discontinued Better Business Bureau of Dallas Fortworth : 

Loved, loved and loved the services and perks that we received from BBB, A Better Business Bureau. Past 2 years has been an amazing ride with them with all the wonderful services, workshops and knowledge that they offer for small businesses like Grace And Grooves LLC.

It is when you suddenly realize that you are the only Indian Company offering exclusive indian folk dance classes apart from bollywood and not mix it up anywhere around, and that you are the only one with absolutely transparent background in all the programs that you offer from Bharatnatyam and Bollywood as well, it is a feature on our hats to be connected with BBB, A better Business Bureau.

The only problem that we faced was as we moved further in journey with them, we asked our parents and staff members to write something about how they feel about us on our little place that we earned it from Better Business Bureau as we were with A+ accreditation with them.

It seems like social media such as google, waze, facebook, twitter and instagram took over all of this when it came to customer feeling more at comfort talking about it. Our customers share such a fun and healthy relationship with us that it was better and easier for them to just write reviews over social medias instead of BBB boards.

From ethical grounds, quality of work, affordable services, beautiful costumes, non-allergic jewelry, arangetram preps, continued education in classical dances for various degrees and providing services as promised in the related programs, everything just ended up in social medias, recommendations, emails and text/sms messages.

And thus, we had to let go the better business bureau accreditation at-least until we get students/parents/customers who would not mind spending some time logging to these BBB boards to see our exclusive little place on their website and write something about us-good or bad!

That being said, we still enjoy attending their programs as we come across and available. We miss that tiny little icon of better business bureau and we hope that in near future, we can do something more with them and use them further for our services and products.

Grace And Grooves LLC shared A+ accreditation amongst the BBB businesses from 2016 to May 2018.

But that taught us to give you all what we do best :).

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2018. This material may not be published, broadcast, rewritten or redistributed without permission.

Grace And Grooves Blog List Of Articles

Grace And Grooves LLC

Blog List Of Articles : (From Newest To Oldest–Scroll Down)

    1. ALL Recitals Of Grace And Grooves : Updated Annually
    2. Time-Line of Grace And Grooves LLC : Updated Annually
    3. Student of The Year – Updated Annually. : Updated Annually
    4. Anantha Dance Production Series :  Dates Updated Annually.
    5. Is Learning Language Required To Learn Dances ?
    6. Grace And Grooves Awards In Indian Dance Competitions
    7. Journey of Master In Fine Arts….Submitted By Hetal Nagaraj
    8. Why Seperate Names for Each Programs ?? NEW!!!
    9. Grace And Grooves Dance Performances List : Always NEW!!
    10. Know The Dancer by Dance : NEW
    11. Workshops Craze : NEW !!
    12. Dance Forms, Styles, Creative Dances, Fusions…What’s Buzz? : 
    13. Why Grace And Grooves LLC discontinued Better Business Bureau of Dallas Fortworth Areas of North Texas, USA.
    14. Guest/International Faculties at Grace And Grooves LLC
    15. Guest Artist at Grace And Grooves LLC Dance Productions : NEW
    16. International Artist Prospects For Grace And Grooves LLC : NEW
    17. Trained & Untrained Teachers – Difference by Hetal Nagaraj
    18. Competitions Counted On Our Lists.
    19. Salutations to our people, we love you. — NEW
    20. Salutations to Darpana Academy of Performing Arts (Ahmedabad-India) & Trainings.
    21. Grace And Grooves LLC, Names, Logo(s) – Updated As Required
    22. Recital 2017: Celebration of Life Featuring JALSO (NRITYA KI MASTI).
    23. Past Interns and Visiting Faculties w/Grace And Grooves
    24. Musical Dance Drama 2017(Public) 
    25. Creative School-Fun Projects
    26.  List of Performances 2015 and Before
    27. Early Training of Our Founding Member-Raised With Standards
    28. Recital 2016 : Dance of Gods Featuring ADI-SHAKTI
    29.  Bollywood Fever…. since 2015
    30.  ELITE: Expensive or Quality?
    31.  Creativity In Performing Arts (Folk): Embrace Or Not?
    32. Our Story – How, when…. Grace And Grooves Started. And Why us ?
    33. 1999…. Entering Freelance Private Group Choreography.  
    34. Past Volunteers And Staff
    35. Dance like nobody’s watching OR dance like everybody’s watching? 

Call NOW : 972 979 2559. or Email: info@graceandgrooves.com

Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2018.  

This material may not be published, broadcast, rewritten or redistributed without permission. 

Is Learning Language Required To Learn Dances ?

A question that has puzzled several students for years and will probably puzzle coming generations too!

Debate is if its required ? or if its not required ?

We say – IT IS NOT REQUIRED.

Coming from a background of Indian Performing Arts and first dance steps learned in Indian Folk Dances and then Bharatnatyam, language is just a part of song that expresses the mood and the story of incidents happening in the act/song.

Editedrec4

Pure Bharatnatyam in Pure Gujarati

With several Indian Folk Dances being taught one after the other with their styles, it is IMPOSSIBLE to sit and learn all the languages since one of the main criteria to differentiate most or all Indian Folk Dances would be the language itself to begin with and then techniques; later the choreography.

But does that mean that dancing anything you like or directly expressing the words of song on one particular language is called Indian Folk Dance-NOPE :).

We wished, it was that easy.

Translations of each Indian Folk Dance are very much given in all pioneer institutes that teach these authentic Indian Folk Dances (not to confuse with Bollywood/Indian Movie Music or dance moves). At Grace And Grooves, students get to understand the translations in their native language (most preferably english in USA) just like the way our teachers and guru(s) gave these in our regional languages. With practice and proper understanding of each mood and lyrics, each dance is thus easier to incorporate in dances & students. It brings out the moods, expressions & lyrics of the song as & when required. Our audiences are able to understand what song means with the dance being a medium 🙂 This includes Bharatnatyam. That Is How We Got Our Name 🙂 

Not to confuse with happy-smiling face all the time (That is not following Navarasa given the fact that Indian Folk Dance May Not Follow Natya Shashtra!) Read below why…Navarasa does not tell you to smile all the time!

editedrec5For those who understand language during the performances, it will NOT look beautiful because your face, gestures and mood is telling a wrong story than what song says. It will look awkward and weird. Not Beautiful. Nobody cares for those who don’t understand language and would wonder what it is!

Is this is evolution of dance ? Nope. Neither it is accepting modernization. It is not creativity & it does not showcase any culture either! It is not fusion either. But is that a solution for those who don’t understand language? NOPE.

Remove the word-Indian from it, Remove the word-Folk from it in that case :). You can remove the word-dance from it if you know language(LOL). Because yeah, by all means you can move your body the way you want on any music you want. No rules without any restriction is just creative movements. And we wonder what is so creative, if you are showing exactly what song describes and it does not relate to the song..We could add salt to our tea/coffees…let’s assume, nobody would care to notice!

Bharatnatyam is no different when it comes to breaking chains of language. Techniques have no connections with languages and we wished it was true for all Indian Folk Dances.

Bollywood Program Content 4Although most krithis and keertanas were composed in Tamil for Bharatnatyam with its birth & re-birth in Tamilnadu, the art-form has travelled through out India & outside, gaining popularity in North India. Though if you see the jatis & adavu sets do not have any language except pure Carnatic/Classical notes (no song associated with it). Several other compositions from other renowned regional poets were added to the list of dances esp. for Abhinaya as it travelled across the states. Some of which includes inspirations from Indian Folk Dance poets too where the entire song/lyrics were RECOMPOSED to Classical/Carnatic form with ragam and talam to welcome the art-form. But dance remained same! To make it competitive, some institutes added more margams, permutations and combinations of jatis & adavu sets to its choreography. Terminology w/pronunciations, teaching methods changes depending on teacher.

Why this evolution ?

Because teaching Tamil was not possible for everybody as they travelled to different states and taught the dance form. Sitting and learning Tamil was NOT possible for each student when dance was just an activity to incorporate traditional classical culture in life. So translations were given word by word with meaning and the story or act of each composition.

Then…………..Why so much emphasis on learning language then ??

11

Our choreography works from past trainings in multiple languages showcasing differences between Indian Folk Dances, Dance Dramas and Bollywood/Movie Dances.

Learning a new language has not hurt anybody so a-lot of students have learned the language to make it easier to incorporate other compositions that were not taught by their teachers directly gave more possibilities to achieve in the art-form. It is beautiful practice to train your mind to learn new language anyways and there is nothing wrong if you learn it or if you don’t. For some students who have taken their degrees in Sanskrit and any of such rich mother languages, all languages pretty much connects to them. Roots of most languages have been same with no evolution theories to it.

Indian Folk Dances though travelled did not leave their regional language in most cases. Though the variations and styles were created within a specific Indian Folk Dance Form to make it welcoming for new generations. Fundamental techniques are constant irrespective of language in both; Bharatnatyam And Indian Folk Dances. Indian Folk Dances Forms have shorter compositions and non-carnatic music in most or all cases than average Bharatnatyam or any classical dance and so it is easier to learn it without recomposing the work in regional language. Besides, it is easy to learn translations of whole song than to go bonkers over learning a language for just one time 3-4 minute of dance work. And for Indian Folk Dances, language changes drastically for each folk dance form with NO absolute resemblance of technique or anything.

Bollywood as we talk about is NO different when it comes to breaking the language standards. Bollywood got its name from Bombay Studios-thats in Mumbai. Mumbai is in Maharashtra-India. Mumbai has regional language of Marathi. Bollywood is NOT IN MARATHI :).

IMG_5972As the theater dramas advanced to movies & gained popularity, the Bombay Studios adopted National Language of India-Hindi to give honors to India and various talents from all over India were invited to be part of showing their talents and skills on the big screen. Sort of like a pre-recorded theater drama where in all the set-backs and mistakes of live performances were deleted!

It did not end there, Marathi theaters continued and several other regions of India (which are now states) had their own theaters that advanced to movies in their regional languages. So now we have different names for Tollywood-Telugu Indian Cinema as it is known, Kollywood and several smaller names that are barely used. But Bollywood and Tollywood gained its big name because of variety and entertainment level that it had to offer on such a broad spectrum, all over the world. From some of the most famous Classical Dancers, Indian folk dancers, Music, Cultures to pretty much any talent you can think of is all showcased. Therefore, even in Bollywood that has principle language as Hindi, it is not only Hindi but has flares of various accents of other languages depending on story!

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Some of our elite performers. Bharatnatyam in 2 different styles and Indian Folk

From Aika Dajiba (marathi song but inspired from folk song), Neele Neele Ambar (in Hindi), Nagada Sang Dhol Baaje(Gujarati remix from folk song), famous songs of Rabindranath Tagore (mostly in bengoli), telugu remixes and tamil remixes, bhagra & Rajasthani examples(unlimited songs!) to any religion dances that you can think of. All of these hit the charts again and again with its several variations of song recomposed with several remixes and today we have Shape of you that is actually a Non-Indian Song & thats the part of several Bollywood remixes! Tollywood has main language as telugu but it has remix of English, Hindi, Urdu and lot of other languages and cultures showcased just as well.

Main goal & audiences of Bollywood/Tollywood/Indian Cinema Dances is only entertainment with some culture to be called as Indian at least in the entire movie of 2-3 hours. In Tollywood, it is usually showing off the South Indian flare & some other languages as dialogues or accents to be specific but that does not mean Bollywood is specifically for North Indians (LOL). And it does not mean in Tollywood, they don’t wear western clothes 🙂

That is why indian movie dances do not have dance form or specific style of its own.

There, we eliminated your need of sitting and learning ALL the languages for learning Indian Folk Dances, Bharatnatyam Or Bollywood/Tollywood/Indian Movie Dances.

One more less work to take care of. Isn’t life that simple ?

This is why Grace And Grooves is different. It is called serving to knowledge 🙂

Call NOW : 972 979 2559.

Exclusive Copyrights By Hetal Nagaraj for Reach Mediaa | Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2018.  

This material may not be published, broadcast, rewritten or redistributed without permission.  

Post Updated : April 15, 2018.

 

Recital 2018 – A Fusion Life of American Born Cultured Indian/Desi (ABCD)

fusionlife2018Recital 2018 concept and theme was decided in 2016 by Hetal Nagaraj.

The students in beginning of 2017 were actually taught dances like-wise throughout the year covering just the basics staying in their own category.

The whole idea got the shape in October 2017 when a rough playlist was made. A couple of these dances were also showcased in some of local talent competitions (September-October 2017), Diwali Mela(s)-(November 2017) at various places and other local festival stages. And a few of these had already won the awards too such as Pushpanjali, Madhurashtakam (Practice video-Selected for finals).

With all the influences of Non.Indian Culture in our Indian Dances, Dramas and thus our lives, we thought of showing how a life of our next generations that are brought up here. As it says, A=American, B=Born, C=Confused, D=Desis. But for our students of Grace And Grooves, C stands for CULTURED DESI, CLEAR FUNDAMENTALS, AND CRYSTAL CUT Diamond like TALENTS. Talents that can’t be beaten, Talents that can’t be judged with shallow mark-ups or untrained eyes and Talents that can’t be shadowed. 

Grace And Grooves is an Indian Dance School where students know difference between Bollywood And Indian Folk Dances, Bollywood And Bharatnatyam, Bharatnatyam and Indian Folk, Semi-Classical And Bharatnatyam too! 
So the recital program 2018 of Grace And Grooves had Pure Bharatnatyam that showcased the richness of Indian Classical Dances to Fun Indian Folk, Fusion Folk, Movie Types Semi-Classical Dances infused with & without Desi-HipHop to real semi-classical dances, Bollywood Modern-Contemporary Desi-HipHop Fusions and Folk And the dance dramas inspired from movies such as Bahubali, Veer Zaara & many more. 

Grace And Grooves successfully completed NAVARASA as per Natya Shashtra Guidelines in Bharatnatyam, Indian Folk Dances And Bollywood/Movie Dances in 2017-2018 year. All the dances are directed or choreographed exclusively by Hetal Nagaraj unless otherwise mentioned. Our Company Choreographers contributed with dances on Ramta Jogi by Mansi Chauhan and Ganesh Kavtuvam by Buvuneshwari Murugan.

We cannot forget Indian Movies that teaches us to dream big and live-happily ever after within our cultural boundaries—no matter where we go. Thus, our Special Feature of the evening & 90s Tribute was An Exclusive Tribute to Shahrukh Khan of Bollywood – SRK as we know him. It showcased non-stop 11 mins of SRK’s movie dances by around 20+ students and special appearances from Raghu K and Pavithra K. Videos will be shortly available.

Very first time in our recital, we had Guest Choreographers with Rang Barse-Holi Remix Tribute by Ritu Kharbanda and Bollywood Garba on Nagada Sang Dhol Baaje By Mishu Shashtri. Our Guest-Artist this time was a young artist – Arjun Iyer, Age 11 who played various notes starting from National Anthem of USA with music to notable Tamil Songs on Keyboard-Piano and Clarinet. Guest choreographer Ritu Kharbanda contributed with song of Om Shanti Om to our SRK non.stop dance extravaganza as her contribution to salute our King Khan with Harshita and Gargi.

All students, choreographers were acknowledged with participating medals and certificates during the show and later-during the classes. Below are the all the pictures, Enjoy And Don’t forget to sign up for our lessons : www.graceandgrooves.com

Phone : 972 979 2559

Facebook : https://www.facebook.com/GraceAndGrooves

Twitter : https://twitter.com/GraceAndGrooves

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Bharatnatyam Pushpanjali. Concept, Choreography, Choreographer, Direction by Hetal Nagaraj. University Level Work.IMG_5966

Golden Era of Movies in various Languages : 50s, 60s, 70s, 80s From Semi-Classical Mujras To Desi Hip Hop Infused with various Indian Folk Dances.Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

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Recital 2018 Dance Dramas In Pure Bharatnatyam, Semi-Classical, Indian Folk And Bollywood/Movie Dances In Various Languages. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

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Our tribute to Gujarati Sahitya @Recital 2018. Abhinaya covering Navarasa in Pure Bharatnatyam-Gujarati Dance Drama with Gujarati Classical Music. Concept, Choreography, Choreographer, Direction by Hetal Nagaraj.

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Recital 2018 Dances In Pure Bharatnatyam, Semi-Classical, Indian Folk And Bollywood/Movie Dances In Various Languages. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

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Recital 2018 Dance Dramas In Pure Bharatnatyam, Semi-Classical, Indian Folk And Bollywood/Movie Dances In Various Languages. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

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Golden Era of Movies in various Languages : 50s, 60s, 70s, 80s From Semi-Classical Mujras To Desi Hip Hop Infused with various Indian Folk Dances. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

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We did Bahubali 1 and won several competitions in Solos & Groups. How can we not do Bahubali 2. Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.

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A Special Tribute of 90s & Later was for our SRK – Shah rukh Khan. A 11 Minute Non.Stop Dancing By Around 20 Dancers featuring his movie dances with our choreography n his famous dance moves. Choreography, Choreographer Hetal Nagaraj. Concept & Direction by Hetal Nagaraj.

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A Special Tribute of 90s & Later was for our SRK – ShahRukh Khan. A 11 Minute Non.Stop Dancing By Around 20 Dancers featuring his movie dances with our choreography n his famous dance moves. Choreography, Choreographer Hetal Nagaraj. Concept & Direction by Hetal Nagaraj.

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A Special Tribute of 90s & Later was for our SRK – Shahrukh Khan. A 11 Minute Non.Stop Dancing By Around 20 Dancers featuring his movie dances with our choreography n his famous dance moves. Choreography, Choreographer Hetal Nagaraj. Om Shanti Om Title Song By Ritu Kharbanda. Concept & Direction by Hetal Nagaraj.

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Our Company Choreographers for Ganesh Kavtuvam By Bhuvaneshwari Murugan and Ramta Jogi By Mansi.

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Guest Choreographers : Mishu Shashtri for Bollywood Garba(Costumes by Hetal) in Nagada Sang Dhol Baaje Song & Ritu Kharbanda for Rang Barse Holi Special Remixes.

Special Thanks To Arjun Iyer, Mishu Shastri, Ritu Kharbanda for their wonderful participation in Recital 2018, A Fusion Life of ABCD.

Special Thanks To :

Kedar Golvelkar For Music on Guitar (Ankhon Mein Teri),

Bhagwat Pandya For Sound Services

Call NOW : 972 979 2559.

Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2018.  

This material may not be published, broadcast, rewritten or redistributed without permission.  

Post Updated : March 15, 2018.

 

 

 

 

Indian Dances And Their Values…

Ballet = 50$ for 4 classes, Tap = 50$ for 4 classes, Jazz = 50$ for 4 classes….All of them $50 and above with registration fees(starts from $25), costume fees($30 & up), and recital fees($30 and up). We could go on and on.

Why so many charges. We can name it as American Dances and just sell it all together ?Yes-by all means. If you could do Indian Dances as all in one package as nobody cares; you could just as well do all in one package for American Dances-why would anybody care.

Why discrimination of names. Who cares ?

If answer is NO then why is that Bharatnatyam, Bollywood and Indian Folk Dances are tagged just as “Indian Dances” and are sold in 1 package. Why is it that Indian Dances are so under valued?  To an artist who knows what it means to teach those with just the basics, yes-there is discrimination there. Ballet is a dance form just like Bharatnatyam or any Indian Classical Dance is. Indian Folk Dance is a dance-form just like Tap which has styles in variations and they all vary by region, culture and countries too! Or yes, we could have one Folk Dance or Just dance for all countries-How Beautiful It Would Be. But, It Is Not Possible. Let’s do more on that…Let’s be flexible with costumes and clothing…Fashion, Trend, we could on and onn..oh yeah, let’s just not follow the rules-Right!

Here’s a request. Do you have to wear ballet clothes to learn the dance ? Why ? I could wear leggings and just go there. Nobody cares. But yes, as an artist, I will care because to get into the form especially when you are in training—-it is absolutely important that you get used to its attire and all that is required. Why ? To handle the stress of entire required clothing as basics. It is environment that you are giving your body to train with all that physical work going on while dancing.

So why is it that, it is stressful for you as an Indian to reinforce Indian values and not ask your kids to wear Indian dresses and go to any of the Indian Dance Classes but you are absolutely fine having them wear those tight stockings of ballet with a tiny skirt that shows their hip line. or have them wear sports shoes in PE. Well-we would love to see somebody wear heels and play soccer :)..Rules are to keep your body safe.

Are you telling me that learning Ballet is important. Ballet that does not have any correlation to Indian Culture but is importantly forced to child that is brought up in America ? For ? Whom are you pleasing ? Where are the roots ? Where is the culture ?

So why are the Indian Dances so under valued from their selling points, names, rules, costumes and I could go on and on? Every other person in the end of the street wants to teach Bollywood Dances. Agree. Its fun. But do you understand the complexities that comes with it without having fundamentals of body dynamics and lot of other factors that affect dancer’s life in later years and if it is safe for child ? Even if it is for FUN.

Would you give your child to somebody who just likes doing it without the knowing how it actually works in doing it. We can have doctors likewise-why do you need a 5-8 year degree to study medicines. Google helps these days-doesn’t it. Think about savings for you-no insurance, no obligations of going annual visits and we could go on and on….!! 

Why are Indian Dances so under-valued ? Is it that we as Indians don’t value it ? Or is it that being on Non-Indian land, we are taught to live a compromised life of under-valuing every single thing that is attached to our Indian culture. To do what ? To embrace values that does not teach my own culture and to leave your own values ? Creativity is such a beautiful thing-Why ruin it at the cost of children and doing it all wrong. Can’t we keep it beautiful, graceful like the way it should be ? What good it does to your child ? Think! It only leaves your child totally confused in future. ABCD : American Born Confused Desi !! Yep…But at Grace And Grooves, ABCD stands for American Born Cultured Desis. A Desi who is very very clear about every single thing that they do from dances, costumes, makeup and we could go on and on. 

Here at Grace And Grooves, we reinforce the values and Indian culture by means of Indian Folk Dances, Bollywood And Bharatnatyam just the way its supposed to be done with fundamentals as our basic goals to practice safety. Creativity automatically follows with training. We know how it works as our founding member, Ms. Hetal Nagaraj did it all her life ever-since age 4 step by step, one at a time and still she is able to switch between genres of any Indian Dance Forms without any mistakes, even by a mistake. It is the training only! Training teaches you to be in discipline of your own dance form or style and you will deliver exactly whats required. It is like learning 1+1=2 and the answer is same, no matter what time of day you wakeup to! And so we follow the same. You can only imagine how long the journey was for Ms. Hetal Nagaraj to reach at this level. The comfort level of each dance is taught in a very beautiful way just the way our founding member has learned while balancing her life. This is exclusively done in particular methodology combined with knowledge of training, sportsmanship and psychology so that your child is NOT confuse about what they are doing and delivers it safely. Somebody who has done this by balancing her life in place like India where being a girl itself means responsibility and in that, think about how early it was for her when she had a bed-ridden mother for over a decade & was brought-up by people around her, most importantly-a man/her dad. All of this experience with a masters degree in her own mainstream education, national level sports qualifications and several other list of professional certifications. None of it was possible without training!

We at Grace And Grooves feel blessed of parting all of this knowledge to our students for any dance forms/styles/types/categories that we teach. We love how we do it, we love what we do and we absolutely love when we see our students as AMERICAN BORN CULTURED DESIS.

We love to teach students of Grace And Grooves who know how to draw a fine line of NOT GETTING CONFUSED and still embrace all the fun, trend-fashion etc that comes with practical life on American lands. A musical presented by students of Grace And Grooves LLC on A FUSION LIFE OF ABCD, where our ABCD stands for American Born Cultured Desi. This program is on March 4, 2018 at Plano Courtyard Theatre, Plano and it features Mainstream Traditional Bharatnatyam in several languages, Indian Folk Dances, Bollywood/Tollywood/Indian Movie Dances in several languages, Fusion Dances and Creative Dances(that don’t belong to any categories/forms or styles). Come and see yourself – Difference!fusionlife2018

Exclusive Copyrights by Reach Media. Written by Reach Media in participation with Hetal Nagaraj for Community Knowledge and Welfare| Grace & Grooves | Grace Creations | Grace And Grooves 2012-2017 | Mirchi Dance Academy | Nruthyakala Dance Academy.  This material cannot be published, broadcast, rewritten or redistributed without permission.

CALL NOW to schedule your class 972 979 2559 OR just schedule it at : http://www.graceandgrooves.com. Email : Info@graceandgrooves.com

When The Team Work Strikes….

This post of blog will be updated on yearly basis w/date of each update.

We love our choreographer’s contributions.

Choreography Works of Hetal Nagaraj : Click Here.(Coming Soon Hetal’s Website!)

When the team work strikes, results are beautiful...No doubt. Choreographers play an important role in any choreography.

Be it Bharatnatyam, Bollywood and Indian Folk Dances–only thing that matters is how it beautifully blends.

As of now, we have on-board-our student choreographers & part-time choreographers. Life has given us short sweet surprises beautifully blended with creativity and zeal to learn and excel.  We are very proud of our choreographers to come a long way in-spite of their own demanding life such as toddler or studies.

Choreography Works With Mansi Chauhan : 

  • 2014 : Mansi Chauhan joined us as a student-intern(as available) under strict supervision of Hetal Nagaraj while dealing with younger-kids and elite students where she made them practice learned work from Hetal right there on the spot or at-times seperate training for her.

  • Student’s life is demanding and thus-she agreed to come whenever she can. She was still learning to teach, deal with kids and students of all ages so a full-time pay was not possible considering the commitment level and drop-in teach class.

  • She assisted Hetal for guided practices for the choreography such as :
    • Private Groups : Boys & Girls Bollywood Medley, All Bollywood. Age 5-7. 
    • Yamuna Tat 2014-2015 : Contributed beautifully towards Pure-Kathak Work and Duet from Trio @Hanuman Temple of Frisco-Texas.
      • Students took 4 hours of Professional Kathak that was independently led by Mansi and improvised by Hetal to get the 30 seconds of Pure Kathak Work-just right!.
      • It was a Semi-Classical Fusion Folk Dance where all the Indian Folk Dance Elements were added by Hetal Nagaraj.
    • IANT 2015. Semi-Classical Fusion Folk Dances of India Glimpse.
      • All Students trained in forms/styles seperately.
    • Nimbooda up-to 2 mins. ​Bollywood Garba (Bollywood Garbha)
    • Bahubali : Bahubali was tough choice to teach. The song for which everybody fought with Ms. Nagaraj for NOT doing it. Eventually, upon strict supervision, they all did it.
      • Every audition was cleared and anywhere it was showcased for competition-it was first place.
    • Mansi took over the practices for all the base work which then had several variations led by Hetal for different events from solo, auditions, & later to adding yoga elements. (Hetal is trained in various Yoga techniques & Meditation for over 6 years from Shri Arvind Kendra-Gandhinagar-Gujarat-India).
    • Various version of Bahubali (in all languages) was then showcased at various events featuring Yoga Exercises, Shiva as special feature, and a Semi-Classical Work was produced all by elite students under direction of Hetal Nagaraj.
    • Later in IANT 2017, it was re-directed by Hetal with all their pre-competition students to include Bharatnatyam, Bollywood and Indian Folk Dances together on one stage for community performances. All performers are in their respective dance forms and styles.
  • Choreography contributions along-with Hetal :
    • Her very first independent contribution with Hetal’s work was from halfway of Nimbooda, some /wApsara and onwards when she was available back to back for couple months.
    • Nimbooda​ : Bollywood Garba(Bollywood Garbha).
    • Apsara Hali : Bollywood Lavani directed by Hetal Nagaraj.
  • Workshops attended under Grace And Grooves LLC at other public events/organized by other dance schools:
  • Independent Choreography of Mansi which Hetal took over for practices & later to competition level :
    • Pinga – 2016-2017 : Bollywood Lavani. Directed by Hetal Nagaraj.
    • Thug Le – 2016 : Bollywood/Indian Hip Hop Summer-Workshop Exclusive.
    • Ramta Jogi – 2017 : Fusion of Contemporary+Bollywood/Indian-HipHop.
  • Direct Independent Competition Submissions (Good Job!):
    1. Thug Le – 2016 : Bollywood/Indian Hip Hop Summer-Workshop Exclusive.
    2. Ramta Jogi – 2017 : Fusion of Contemporary+Bollywood/Indian-HipHop.
  • Solo Contributions as Performer of Grace And Grooves LLC:
    1. Woh Kishna Hai 2016, Iskon of Dallas, Bollywood.
    2. Mohe Rang Do Laal : 2017 Recital-Choreographers Re-treat.
      • Semi-Classical Kathak Bollywood.
    3. Special Appearance in Galyan Sankli w/Pre-competition Team directed by Hetal Nagaraj: Recital 2017.
  • Mansi has also offered a Bollywood workshop at Plano Library for Kids of ages 4-8 years old for a social gathering on behalf of Hetal Nagaraj.
  • Competitions w/Grace And Grooves LLC :
    1. D** – Texas ​Audition 1. Cleared w/ Hetal.
    2. D** -Texas : Audition 2. Cleared Direct.
    3. Sap**** Solos – Both the girls were to go for duet instead they decided to go Solo(s). 2015.
    4. ***i Audition 1 : 3 Solos + 1 Group Cleared w/Hetal
    5. ***i – Audition 2 : 3 Solos + 1 Group Cleared. w/Hetal
    6. ***i –  Audition 3 : 3 Solos + 1 Group Cleared. w/Hetal
    7. ***i –  Audition 4 : 3 Solos + 1 Group. w/Hetal. We missed out on South/State Level.
  • Other PAID Activities To Represent Grace And Grooves LLC at various events :
    1. Workshop@Plano Library. Kids Ages 5 to 8.
    2. Corporate Dance Performances at various corporate or fundraising events such as CRY America(2016), Microsoft(2018) and many others. Attendees from all over world and Dallas Fort-worth Areas.
  • Mansi’s Personalized Page on http://www.graceandgrooves.com : Click Here.
  • Mansi’s Last Day of Work : 31st August 2018.

Choreography Works With Deepthi Chandrasekaran :

  • 2014 Oct/Nov:  Deepthi joined us as a intern (as available as volunteer or in lieu of costume or dance fees & to gain experience) under strict supervision of Hetal Nagaraj while dealing with younger-kids where she would make them practice learned work from Hetal-right there on the spot.
  • Later, in 2015, she moved to teaching adults looking to her choreography level in Bollywood as her schedule demanded breaks such as India trips and taking care of toddler.
  • She assisted Hetal for guided practices for the choreography such as : ​
    • Chalka Re-1: Adults. Bollywood-Rajasthani Dances directed by Hetal Nagaraj.
    • Chalka Re-2 : Adults + Hetal as Indian Folk Dancer : Union of Bollywood & Indian Folk Dances displaying the big-time differences between Bollywood Folk & Pure Indian Folk Dance. Topic : Rajasthani Folk Dances. Directed by Hetal Nagaraj.
    • Manmohini Morey : Pure Bharatanatyam on Shankar Tucker’s Album Song : Manmohini Morey ft. Aditya Rao, Ajay Ravichandran. Directed by Hetal Nagaraj.
      • This work was specially prepared for Recital 2016- a fundraiser for CRY America.
      • All dancers had some classical background in past and were also professionally trained by Hetal and Deepthi with Bharatnatyam techniques for 10 hours plus vigorous hours of practices. This work had also cleared several auditions when submitted for competitions but our adults have been busy with their family plans. Students signed seperate forms & paid seperate fees for these specified hours of work w/practices.
      • Dancers : Hetal, Deepthi, Sindhu, Rashmi.
        • No other students were allowed to participate for this work’s class or even practices.
    • Rang De : Traditional Creative Bollywood Dances.
    • Woh Hai Kisna : Movie-Kisna. up-to 2 mins. Traditional Creative Bollywood.
  • Choreography contributions with Hetal :
    • Her very first independent choreography with Hetal’s work was from half-way of Kisna. Bollywood (Indian Movie Dances).
  • Independent Choreography of Deepthi without Hetal (Good Job!): 
    • Half of Kisna. Traditional Bollywood-Hindi Movie Dances. (Movie:Kisna)
    • Manwa Laage. Traditional Bollywood-Hindi Movie Dances.(Movie:Happy New Year)
    • London Thumakda. Traditional Bollywood-Hindi Movie Dances.(Movie-Queen) but theme-directed by Hetal.
    • Super Machi:Adults(Half). Traditional-Tollywood-Telugu Movie Dances.(Movie-S/o Satyamurthy)
    • Vachinde:Adults. Traditional-Tollywood. Telugu Movie Dances (Movie-Fida).
  • Solo Performances as performer for Grace And Grooves LLC : 
    • Enthoru Mahanu Bhavulu — Devadoothan : Pure Bharatnatyam
    • Woh Hai Kisna : Kisna : Traditional Creative Bollywood.
    • Shabdam- Ayar Sheriyar – Krishna : Pure Bharatnatyam-Shabdam.
    • Subhalakshmi – Natesha Kauthuvam : Pure Bharatnatyam.
  • Personalized Page on http://www.graceandgrooves.com : Click here. 
  • Deepthi’s Last Day of Work : Jan 19, 2018.
  • Deepthi Joined Grace And Grooves LLC again September 2018.
  • Performed For Grace And Grooves w/her own solo work for Mor Bani(Ram Leela).
  • Team Participant at RG2 First Launch Dance For Navratri Tribute.
  • She moved to Performing Team in November 2018 and dropped out of teaching dance due to consistency in schedule that is required in teaching.
  • She successfully participated in Anantha-1 Dance Production by Hetal Nagaraj along with Irving Performing Team for Modern Folk featuring South India with their own group choreography and Edm Swala-Jathi along with Tejaswini.
  • Notable Contributions : Click Here.

Deepthi’s Update : Nov 15, 2017,  Feb 1 2018, Oct 3 2018, March 2019

{Will be updated as required}.

Choreography With Buvaneshwari Murugan: BuvaneshvariPic

  1. Jatiswaram : Students. Asst. Hetal Nagaraj.
  2. Ganesha Kauthuvam: Students.
  3. 2018 August onwards she moved to teaching Shlokas for Grace And Grooves LLC instead of Bharatanatyam.

Updated : Feb 1, 2018, March 6, 2019. {Will be updated as required}.

All the other updates such as coming soon will be updated VERY SOON…

Phone : 972 979 2559.
Email : info@graceandgrooves.com

Blog Post Update: Feb 1 2018. October 3 2018.

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.