Celebrating all our guest artists who have performed with us in past in our journey of dance productions. These guest artist are invited to come and perform with their own work. The talent that they perform are not taught by us. These are not our students either. They have their own dance/talent academy at some place/city or have their own group that they perform. We pick their performance piece dance based on our dance production.
These Guest Artist are local or new artists who have just stepped in the world of Indian Performing Arts or have just started performing.
It is our absolute honor to introduce them to our audiences and as well work with them.
2016 : Dance of Gods : Adi-Shakti.
Event : A fundraiser for CRY America showcasing Bharatanatyam,
Bollywood, Indian Folk Dances.
Fusion Dances by Elites in respective categories.
Guest Artist :
Dancer : Meghna Murali, A Bharatanatyam dance presentation on Devi.
Singer : Mala Pydimari, Carnatic Singer.
2017 : Jalso : Celebration of Life with Dance,
Event : Nritya Ki Masti, Navarasa in Bharatanatyam,
Bollywood And Indian Folk Dances.
A seperate presentation of Fusion Dances was also showed by our own
students, elites-trained in 3 different dance forms/styles.
Guest Artist :
Dancer : Easter Bunny.
2018 : ABCD - American Born Cultured Desi
Event : Participating fundraiser for a private foundation-Cqunce Inc.
Dances in Bharatanatyam, Bollywood & Indian Folk Dances
featuring Festivals of India or celebrated by Indians outside India.
A special 11 minute tribute to Shahrukh Khan - King of Bollywood.
Exclusive Fusion Dances were showcased by our elites who are trained
in 2-3 different dance forms.
Guest Artists : Dances :
Mishu Shashtri with her team for Bollywood Garba featuring Navratri.
Ritu Kharbanda with her team of Rang Barse duet featuring Holi.
Instruments :
Arjun Iyer (Middle Schooler, LISD School Band)-Clarinet & Keyboard.
Kedar Golvekar : Introducing Music for SRK Tribute on Guitar.
2019 : Anantha-1 Dance Production. Special Presentations by Rinku Das for Kathak and Manipuri.
2019 : Anantha-1 Dance Production.
Event : An Exclusive Dance Production featuring a full
Bharatanatyam Margam,Copyright Dances in Bharatanatyam,
Folk Dances of India featuring North, East, West & South India.
Special presentation by Elites for Fusion dances such as Swala Jathi,
Rabindra Nruthya. Fully trained in their own dances.
Guest Artist :
Dances :
Rinku Das for Kathak Classical Dances
Rinku Das for Manipuri Classical Dances.
Rinku Das was also introducing choreographer for our company that year.
Singing :
Our own elite student-Ashna Pethe representing LISD choir.
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2019. This material may not be published, broadcast, rewritten or redistributed without permission.
2013 and onwards, Grace And Grooves started teaching Bollywood/Tollywood-Indian Movie Dance Lessons with structured programs. Songs such as Bahubali, Jai Ganesh, Krishna Leela, Heer, Tamma Tamma(Remix) and many more were acknowledged and requested by clients and organizers to perform in community/cultural events and auditions/competitions over and over again. Some of the listed songs that we performed were non-movie songs remixes such as Come and Get it by Selena Gomez, Cheap-Thrills combined with indian songs etc. T’was fun teaching them.
Personal achievements of choreographers with their other dance activities ARE NOT listed. You can check those out in our other blog post! Multiple Entry of same song means it was performed multiple times but with entirely new choreography with absolutely no relevance with previous one. All dancers in non-indian dance forms or styles are fully trained dancers at competitive levels.
These dances have won/taught at recreational, competition and as freelance paid or volunteer workshops (with/without performances) under the exclusive label of Grace And Grooves LLC, or Hetal Nagaraj and our other past/present choreographers and our elites as Assistant Choreographers:Nirja Setty and Ashna Pethe.
Format of below listing – Song Name, Movie/Album-Year, Starring or Singers/if private album. Choreographers Name. Assistant Choreographer as Asst. (Practices or few couple sequences.).
The number of songs prepared differently do not relate to the number of performances:
Bollywood-Maine Payal Hai Chhankaai-Album (1999), Falguni Pathak.
2nd Place Group-Best Dress, Best Choreography. Hetal Nagaraj. Direct Competition Work. Irving-Texas, Plano-Texas.
This dance was inspired from Hetal Nagaraj’s own cousin sister’s dance:Jasmin Bhatt.
Different choreography was then taught twice to 2 different age groups and was successfully performed in Group and Duet in cultural events at Irving-Texas, Arlington-Texas, Grapevine, Texas.
Above were different age groups had successfully cleared auditions in other Bollywood Competitions as well.(Duets).
Bollywood-Dil To Pagal Hai Medley (1997-Shahrukh Khan, Karishma Kapoor, Madhuri Dixit Nene). Hetal Nagaraj. Group-Students. Lewisville-Texas.
Bollywood-Chak Dhoom Dhoom(1997-Shahrukh Khan, Karishma Kapoor, Madhuri Dixit Nene). Group-Students, Carrollton-Texas.
Bollywood-Tumko Piya Dil Diya Kitne Naaz Se, Shikari (1963). Hetal Nagaraj. Group-Students. Irving-Texas.
Bollywood-Pankh Hote Re Ud Aati Re, Sehra(1963). Hetal Nagaraj. Group-Students. Irving-Texas
Bollywood-Radha On The Dance Floor – Student of the Year (2012-Alia Bhatt, Sidharth Malhotra, Varun Dhawan). Hetal Nagaraj. Group-Students. Flowermound-Texas. Frisco-Texas.
Bollywood-Ek Pal Ka Jeena(Copy That Exact)KAHO NA PYAR HAI(2000-Hrithik Roshan, Amisha Patel). Hetal Nagaraj. Group-Students. Irving-Las Colinas, Texas.
Bollywood-Maye Ne Maye, Hum Aapke Hain Koun (1994-Salman Khan, Madhuri Dixit), Hetal Nagaraj. Group-Students. Irving-Texas.
Bollywood-Koi Ladki Hai Jab, Dil To Pagal Hai(1997-Shahrukh Khan, Madhuri Dixit, Karishma Kapoor). Hetal Nagaraj. Group-Students. Lewisville-Texas, Carrollton-Texas.
1st Place with the best dress, best choreography, graceful theme, best-makeup Hetal Nagaraj. Asst. Choreographer-Mansi Chauhan. Competition Work-Hetal Nagaraj. Solo.
Hindi Bahubali, Kaun Hai Voh, Group and Solo-Students. Tantex-Hetal Nagaraj. Lewisville-Texas, Irving-Texas.
Tamil Bahubali, Siva Sivaya Potri. Group and Solo-Students. Hetal Nagaraj, Asst. Mansi Chauhan.
Bollywood-Thug Le, Ladies Vs Ricky Bahl (2011-Ranveer Singh, Anushka Sharma). Mansi Chauhan. Asst. Hetal Nagaraj. Group and Solo-Students. Lewisville-Texas.
Bollywood-Thug Le-Ladies Vs Ricky Bahl(Remix-Own). Hetal Nagaraj. Solo. Irving-Texas.
Bollywood-Mujhe Rang De-Thakshak (1999-Ajay Devgan, Tabu). Deepthi Chandrasekaran, Hetal Nagaraj. Group Students. Irving-Texas.
Bollywood-Nimbooda-Hum Dil De Chuke Sanam (1999-Salman Khan, Aishwarya Rai Bachchan). Mansi Chauhan, Hetal Nagaraj. Group-Students. Lewisville-Texas.
Bollywood-Nimbooda-Hum Dil De Chuke Sanam (1999-Salman Khan, Aishwarya Rai Bachchan). Mansi Chauhan. Asst. Hetal Nagaraj. Solo-Students. Lewisville-Texas.
Bollywood – Tumko Piya. Movie-Shikari. Hetal Nagaraj. Group-Lewiville/Texas.
Bollywood Bhangra Remix w/Shape of You – Hetal Nagaraj. Group – Irving-Texas, Plano-Texas, Lewisville-Texas.
Bollywood Radha. Movie-Jab Harry Met Sejal. Hetal Nagaraj. Group – Irving – Texas, Plano-Texas.
Tollywood Radha. Movie-Jab Harry Met Sejal. Hetal Nagaraj. Group – Irving – Texas, Plano-Texas.
Tamil Radha. Movie-Jab Harry Met Sejal. Hetal Nagaraj. Irving – Texas, Plano-Texas.
Bollywood – Kar Gai Chul. Movie-Kapoor & Sons. Hetal Nagaraj. Irving-Texas.
Bollywood – Badrinath Ki Dulhaniya. Hetal Nagaraj. Irving-Texas. Lewisville-Texas.
Bollywood – Hanuman Gun Sagar . Private Album. Hetal Nagaraj. Irving-Texas, Plano-Texas.
The pre-made MP3 files in various combinations of these songs are available with/without added beats/musics from other sources for sale for $10 for each remix with exclusive copyright to re-use without using our name in tag anywhere. The original songs are available everywhere irrespective of copyrights. Ours is performance oriented and its not original song. you can own it for your dance school or dance groups without any efforts by buying it. No edits. Take it or Leave it. Choreography not included with these files. Welcome to ask for it and it will be sold with seperate price tag depending on copyrights on it (as they are our Competition Dances). Average mixes are about 5 minutes while some up-to 10minutes.
Why ?
Because At Grace And Grooves LLC, we don’t really like to repeat same songs unless requested a lot or for specific purposes even for teaching 😉 OR we make them all over again with other sets of remixes or beats or added music to it. It is FUN and that is what Bollywood/Tollywood/Indian Movie Dances ALL ABOUT. FUN……..SAFELY 😉
OH YEAH, WE ARE GOING TO TRASH THESE MIX-UPS ANYWAYS 😉
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2017.
This material can not be published, broadcast, rewritten or redistributed without permission. If found being copied without permission will be sued in the court of law.
Grace And Grooves holds exclusive rights for all the content & pictures being posted with permission of organizers for exclusive Grace And Groove use only. Exclusive Copyrights by Reachh Mediaa from 2013 for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-current
All Pictures posted here are with an exclusive consent of participating students, parents or school staffs. This material can not be published, broadcast, rewritten or redistributed without permission.
The Competitions & Performances that we go have Judges with following qualifications with full transparency required for students to be eligible such as submitting videos, pictures, program specs, and all the other details :
Degrees in Performing Arts (Indian for Indian Dances),
Straight Background With Full Proof & Traceability,
Versatile Dancers In Their Genre – Non Stop Stage Dancers.
Full Hands-Onn w/Knowledge From Right Sources ( traceable background or universities-not the universities such as gandharv.)
Competitions We Do :
As such we have won several competitions but we have only accounted in our bags that we have done it independently ourselves and have judges who are qualified in field of Indian Performing Arts-who know what to look for in dance forms or styles, if mentioned likewise.
Non-Voting, Strict by Genre, Category, Dance Forms, Rules of Dance Form, Rubrics, Guidelines, Marks and Feedbacks by Judges with straight background, Local or International Depending on all of above.
Competitions in partnership with other dance schools/teachers are NOT INCLUDED in our list.
We do not sponsor the awards or competitions that we take part in. Please contact hetal at mail2hets@gmail.com for sponsorships.
We do not do reality competitions YET. These are not institutionalized or educational competitions.
Competitions where voting criteria is 10/100 or more at any levels are not included in our list. You are welcome to take freelance lessons from us to participate but we will not participate in voting. We will not take those on our list.
Judges who do not have any knowledge of dance or cannot outline the difference between simple things such as bollywood vs folk, fusion vs bollywood, and so on! If you do not know the rules of dance form then there is no point in judging. And so, we do not take part in those competitions.
Participant Awards are NOT listed or considered for us-obviously and that includes students who get participant awards during competitions just for participating and not winning competitions for any runner ups awards either. Culture awards are not competition awards 🙂
Wins at the Competitions that misrepresented categories/competitions/malrepresentation by the organizers are NOT listed.
Eg-Represented as Indian FOLK Competition but it was actually a Bollywood Competition and so they are NOT LISTED HERE. We have won such competitions as well.
Only legitimate competitions are listed.
We DO NOT teach Tap/Jazz/Ballet. Students who took part in fusion dances that included tap/jazz or ballet were trained from Ballet Academy of Texas(Coppell) and Prestige Dance Company(Lewisville-former Coppell Dance Center)for 2months+ or were already avid trained dancers or good gymnasts.
We taught them only Indian Classical Dance(Bharatnatyam)or Indian Folk Dance and the Fusion work to go together based on what they knew.
Some competitions are listed together as only 1 award was given for consecutive years win or in same year as prizes had material gifts/or gift cards for participants or same work received awards in 2 different places by different participants or same participants. There was only 1 ceremony for awards that happened.
Competitions that are not worth our attention –>
Students are neglected, mis-treated, insulted by organizers are NOTworth of our time. We will pass their info-you are welcome to compete but keep us out of it.
Organizers are in favor of other dance schools and allowed several re-takes to them but not to us-for no good reason are NOT worth our time. We DO NOT want children to go through that traumatic experiences.
Students are questioned about their well-being priorities only because organizer couldn’t see the child winning in-spite of stopping the vote entries are NOT worth of your child’s time.
Organizers that offer inappropriate stage areas, dressing room areas or unsafe dance conditions are eliminated from our list for any future participations due to SAFETY GUIDELINES concerning child’s safety. We don’t come there to dance in 5-8 steps of stage area.
A stage or organizer who cannot respect a child’s presence while talking just about anything that they have in mind insulting kids and their parents whatsoever, esp. talking in extremely loud voice and misbehaving in front of children because you couldn’t handle pressures (while others were allowed to do same-all drama in front of child)-is not worth our attention.
Please learn your manners FIRST when you treat a child.
Stop treating them like trash — this tells us about your parenting! Not our parents’.
An organizer who is bias to us in all the privileges given to other participants will not need our attention at any given point of time. If you have made up your mind in not allowing us to avail the privileges then why should we make kids suffer through your misconduct and inappropriate behavior just for a trophy ?
Constructive feedbacks are very welcomed. We have come this far only because of constructive feedbacks. Please tell us your background before you judge!
All of above are NOT sarcastic humor incidents and are ruled out by experiences in recent competitions and we do not want any child to face such a traumatic experience just for a competition! Our kids/students are very precious to us.
Other Blog Posts where such a traumatic incident happened : Read Here.
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2021. This material may not be published, broadcast, rewritten or redistributed without permission.
Everybody in this world has their inspiration from somewhere or something. So do we and all our names. Just out of sky it did not come in our mind to get these names on our paper to register them as our own. With so many theories out there about names, we had to clear our own lists of all the DBA(s), Logo(s)….
Our Logo in 2012. It had variations such as Grace And Grooves, Grace n Grooves, Grace Grooves, Grace & Grooves, etc.
Grace And Grooves LLC (2012) : This is sort of like additional information on how we got our name. As shared in link above on Grace And Grooves LLC(2012), we got our name from audiences. Topic 2 From Here.
Here’s little more to nail-biting situation we were put through for name!
One of other variation that was used…2012 onwards.
We encountered unforeseen challenges during our participation in this walk-in competition. When asked to provide the name of our dance company, we realized we had not yet established one and were unsure how to respond. It was surprising, as the event organizer had not disclosed the requirement for a company name prior to the competition and had accepted our entry without such information.
Despite this uncertainty, the grace, poise, and originality of our choreography spoke for itself. Our performance was even compared to a widely viewed YouTube routine with over a million views. Though this initially caused us some concern, our efforts were ultimately validated when we were honored with the first-place award.
We were informed that, should we win, we would need to provide a name by the end of the event for the purpose of announcing the results. We were the only participants without an official group or company name at the time, which made our entry stand out. It became apparent that the organizers were not in favor of unregistered participants, and this requirement seemed to reflect that preference.
Our New Logo in 2015 September that we got made for Indian Folk Dances, Bharatnatyam and Fusion Dances. Bollywood was not really program back then. We started Bollywood off-late after September and logo was already done by then!!
During one of our early performances, a kind American attendee—married to an Indian—approached our team with a heartfelt compliment. Though she did not understand the language or the meaning of the song, she expressed that the choreography was so moving, it touched her deeply. Upon being asked, she specifically mentioned the final dance sequence as the moment that brought tears to her eyes.
The piece in question depicted the spiritual bond between Meera, a devoted follower of Lord Krishna, and the Lord Himself. Before the performance, the narrative was shared with the audience to provide context. The particular sequence that resonated with her portrayed Meera’s complete surrender to Lord Krishna through the Hare Krishna dhun (devotional chants), symbolizing her transcendence from the material world.
This touching duet was performed by Nirja Setty and her school friend (name withheld upon request), both adorned in custom-designed Kerala-style Tissue Pattu Pavadai. The fabric was specially ordered from India and the costumes were meticulously stitched and re-designed locally in Irving-Coppell, Texas, USA.
The emotional impact of the dance, especially as seen through the eyes of someone unfamiliar with the language but moved by its expression, marked a defining moment for us. It was in that very moment—when we were called on stage to receive the first-place award—that we spontaneously named ourselves Grace and Grooves. The name was spoken instinctively, and we immediately embraced it. It felt right. It felt like us.
The judges offered glowing feedback: “Beautiful choreography, dramatic appearances, well-executed, and stunning costumes and props.” One judge even asked, “How did you manage to choreograph something so beautiful to this song?”—a question we’ve since heard many times, and each time it brings us joy.
The choreography was created by Hetal Nagaraj, drawing from her rich training and inspirations. At the time, both performers were studying Bharatanatyam and Indian Folk Dance (pure forms) under our guidance. The intention was to prepare them as a duet team for an upcoming competition, pending audition results. While awaiting those results, we discovered this walk-in competition and decided to participate spontaneously.
This choreography has since won numerous awards—often back-to-back—and continues to captivate audiences. It’s a piece no one seems to tire of, and we continue to be humbled by the recurring question: “How did you do it?”
CALL NOW 972 979 2559 or Email : info@graceandgrooves.com
Grace Creations Logo that was created much later. Before that, several works were done in fusion dances.
Grace Creations(2013) :
Our name was directly inspired by an Indian artistic dance company based on the East Coast of the United States. From the moment we were introduced to their work—through a friend who shared their YouTube videos—we were captivated. This introduction occurred after our friend had seen Mrs. Nagaraj’s semi-classical performance and felt compelled to show us similar, inspiring content.
Another key source of inspiration was an Indian dance school in Georgia, USA, known for their beautifully executed and uniquely crafted fusion choreography. Both of these esteemed institutions are rooted in Bharatanatyam and have made a significant impact on the Indian classical and fusion dance communities in the U.S.
While we admired and began following their work, we were also committed to developing our own artistic identity. We infused a wide range of styles and dance forms into our choreography—sometimes staying within the boundaries of a particular tradition, and at other times pushing creative limits entirely. Nonetheless, all of our students received foundational training in the original classical forms to ensure the integrity and authenticity of each style was respected.
Much of our fusion choreography is performed under the banner Grace Creations—a creative extension of our artistic vision. Grace Creations would later evolve to perform independently in the years to come and is currently on hiatus.
CALL NOW 972 979 2559 or Email : info@graceandgrooves.com
Nruthyakala Dance Academy(2017) : The word comes from words Nruthya (or Nritya meaning dance) and Kala meaning Art. We had in mind several other names but we needed a name that goes for both the dance forms – Bharatanatyam and Indian Folk Dances(India). Main idea was to have Nruthya(Nritya meaning Dance) that is combination of Nritta and Natya – both;thus separating these two beautiful forms from all the other programs that we offer. Eventually, it may happen that Bharatnatyam and Indian Folk Dances may operate separately but until then this is it-we loved this as it best-fits our need!
CALL NOW 972 979 2559 or Email : info@graceandgrooves.com
Mirchi Dance Academy(2017): This word was decided last year! Very well, it came from Red Chillies Entertainment (An Entertainment Company in Mumbai, India). Mirchi(meaning hot pepper/chillies) is always a must have in plate if you have roots from Kathyavaad. Coming from hybrid-gujarati family, we were born eating tasty peppers/chillies with our all-time favorite theplas, stuffed paranthas or bajri-rotlas with all the other goodies. Some habits don’t go, they say! From our food plate to our DBA name. And you thought we don’t love Bollywood :)…Yes, bring it onn. It is tasty!
Kalasri and (often used kalashri by most media) Classical was as is acquisition, the name is not changed. Company was too teritorial for irving, keller, southlake and south irving to have logo rather on verge of shutdown until Ms. Hetal took it over.
Exclusively written by Hetal Nagaraj. Copyright Reach Media for Grace And Grooves | Grace Creations | Nruthyakala Dance Academy | Mirchi Dance Academy | 2011-current. This material may not be published, broadcast, rewritten or redistributed without permission.
Recital 2017: JALSO (Celebrations, Absolute Fun-in Life)-Nritya(Dance) Ki Masti (Fun). Venue: MCL Grand Theater, Lewisville-Texas. April 9, 2017. Why Jalso, Nritya Ki Masti ? Our Story.
April 9, 2017 Jalso : Nritya Ki Masti Initial Flyer with Ticket Information.
The idea of the name JALSO = famous Gujarati Festival that’s happening in Mumbai(India) for a few years now. It got our attention in 2016. Our performances had festivals, marriage celebrations, life-events as per Indian life(Country-India) especially for those who have been settled here (-in Dallas Fortworth Areas aka NRIs-Non Resident Indians) for generations now.
Recital 2016 – Adi-Shakti was a fundraiser for a targeted amount to CRY-America Inc and thus had a line of sponsors, good advertisements, tickets, donations, fashion show, sponsored costumes for our guest artists from premium clothing boutique as well as our own costume line. However, our initial plan for Recital-2017 was to do a full ticketed event of Bharatnatyam and Indian Folk Dance showcase name “Nrutya Ni Masti”. We have also taken re-publishing rights from Bharatnatyam dance schools from east-west coasts in United States. Using only Nritta or Natya was not an option and so Nritya/Nruthya/Nrutya it was! (however, you want to spell-check the name.)
But as the year 2016 ended, we faced unpredicted challenges and eventually, Bollywood was added to this event. This is in spite of the fact that our Bollywood students had a full-length of the playlist to go on stage as a separate ticketed event (Jalso as we had planned it initially) with the quality you would expect to pay for! Same was w/Indian Folk and Bharatnatyam. Either way, Lemonade was tasty.
On a good note, we completed NAVARASA in one program itself and that too in different categories breaking our own record of 2016.<<<<<<>>>>
Recital 2017, Jalso-Nritya Ki Masti
Wehad few sponsors on the list such as Sheetal’s Mehendi Arts, Jazz It Up Inc, and The Grace Effect to go with our Mehdi ceremony theme dances. Sheetal’s Mehendi Arts specializes in Mehendi/Henna services for all occasions such as Mehdi Nights, Bridal Mehendi/Henna, BabyShowers, Marriage Functions/Parties, or just Henna Tatoo for entertainment purposes.
Nruthya Ki Masti, Recital 2017, Jalso Indian Folk Dances, Bharatnatyam, Bollywood
Jazz It Up Inc. is our own costume & dance prop services for our Competition Dancers-Elite and Pre-Competition Teams. At times, we rent our costumes to outside students depending on availability. Custom Stitched Costumes usually take a month of time if you want to order!Coming back to our Recital 2017 Event, dances were featured in Bharatnatyam, Bollywood, and Indian Folk Dances with students trained in their respective categories from ages 5 to 40.
Allaripu and Jastiswaram Bharatnatyam Recital 2017, Jalso Nritya Ki Masti. Pictures provided by Parents or our audiences
Recital 2017, Jalso-Nritya Ki Masti. Celebrations in Life
Our Choreographer’s Retreat had Hetal Nagaraj, Mansi Chauhan and Deepthi Chandrasekaran showcasing dance forms and styles.Our intern-faculty Shruti was to perform as well but happen to missed it! We missed Buvaneshwari Murugan at the event when her very first male student performed a full-length of Jatiswaram in Bharatnatyam of minutes 5:26 under the guidance/assistance of Hetal Nagaraj at the age of 10.
Our students from Irving-Texas, Plano/121-Texas, Lewisville-Texas, Frisco-Texas performed in their respective categories for Nritya Ki Masti-Jalso, Recital 2017. Students were rewarded with participation medals 2017 and our student of the year Ashna Pethe was acknowledged for her achievements w/trophy and the gift voucher. All our choreographers were acknowledged for their efforts and students were introduced with their individual achievements.
Recreation Students(Southlake), Summer Workshop Students(Grapevine), Private Class Students (Carrollton, Dallas, Irving, and Frisco) Community Folk-Workshop Students(Frisco East, West, Lewisville) or Our Couples Retreat Students(Irving, Dallas, Plano) DID NOTparticipate in the recital. We missed their showcases, big time!
Grace And Grooves, Recital 2017-Nritya Ki Masti had photography services from Bombay Photography, and Videos were taken by The Grace Effect – our own company photography/videography services.The Grace Effect is exclusive to the students, participants, and choreographers of Grace And Grooves ONLY.The Grace Effect is under the supervision of Mrs. Hetal Nagaraj or Mr. Nagaraj Setty and they have never worked for anybody in past when it comes to any photography or videography services for any volunteer or paid services or even on a friendly note.
Needless to say, Recital 2018 name has been decided already 😉
Below are some more picture collages that we received from our parents and clips screen-shots from our recital dance videos taken by The Grace Effects.
Guest Appearances w/Mansi
Festivals, Celebrations, Jalso Recital 2017, Nritya Ki Masti
Allaripu, Jatiswaram, Varnam-Level Jalso-Nritya Ki Masti Recital 2017, Choreographer’s Retreat
Congratulations to Deepthi on her very first adult batch/class for Recital 2017, Nritya Ki Masti for Grace And Grooves.
Congratulations Deepthi on her very first adult batch/class for Recital 2017, Nritya Ki Masti for Grace And Grooves.
Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.
2016 : Dance of Gods : Adi-Shakti. Event : A fundraiser for CRY America showcasing Bharatanatyam, Bollywood, Indian Folk Dances. Fusion Dances by Elites in respective categories. Guest Artist : Dancer : Meghna Murali, A Bharatanatyam dance presentation on Devi. Singer : Mala Pydimari, Carnatic Singer.
2018 : ABCD - American Born Cultured Desi Event : Participating fundraiser for a private foundation-Cqunce Inc. Dances in Bharatanatyam, Bollywood & Indian Folk Dances featuring Festivals of India or celebrated by Indians outside India. A special 11 minute tribute to Shahrukh Khan - King of Bollywood. Exclusive Fusion Dances were showcased by our elites who are trained in 2-3 different dance forms. Guest Artists : Dances : Mishu Shashtri with her team for Bollywood Garba featuring Navratri. Ritu Kharbanda with her team of Rang Barse duet featuring Holi. Instruments : Arjun Iyer (Middle Schooler, LISD School Band)-Clarinet & Keyboard. Kedar Golvekar : Introducing Music for SRK Tribute on Guitar.
2019 : Anantha-1 Dance Production. Event : An Exclusive Dance Production featuring a full Bharatanatyam Margam,Copyright Dances in Bharatanatyam, Folk Dances of India featuring North, East, West & South India. Special presentation by Elites for Fusion dances such as Swala Jathi, Rabindra Nruthya. Fully trained in their own dances. Guest Artist : Dances : Rinku Das for Kathak Classical Dances Rinku Das for Manipuri Classical Dances. Rinku Das was also introducing choreographer for our company that year. Singing : Our own elite student-Ashna Pethe representing LISD choir.
Grace And Grooves by Hetal Nagaraj (hetaln.com) 
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