Subscribe to continue reading
Become a paid subscriber to get access to the rest of this post and other exclusive content.
All Pics, and archives of all events organized exclusively by Grace And Grooves.
Become a paid subscriber to get access to the rest of this post and other exclusive content.
Winning 1st 3 prizes for solo(s)/group(s) in Indian Dance Competitions for over a decade in our genre of specialization for non-voting Indian Dance Competitions sounds like a big thing. It actually isn’t if you follow curriculum and keep it fun. For us, it has been a norm for Bharatanatyam, Indian Folk Dances & Bollywood/Some Tollywood and from 2013-Fusion!
HOW ? We love to share how we have been winning from over a decade in all the “stage dance competitions” and how our elites have come this far with such good paid commitments.
One of main attributes in stage competitions/for all genres are : Techniques. Techniques also means right amount of expressions required at certain techniques or mood used in the dance, coordination if group, comfort level of dancers with respect to dance, stage presence and personality, choreography, costumes, makeup and drama aspect. To do it right, you have to feel it and go through it which at Grace And Grooves is a norm! Because our owner herself comes from that background of competitions from over 2 decades! Read About Ms. Hetal Nagaraj.
Look !! Type of Competitions We Do !!!
Be it Bharatanatyam, Indian folk dances or Bollywood/Movie inspired dances; usually these dances are non-commercial dances. For bollywood or tollywood dance industry genre, there is level of dance and name of dance as well. As we all know that bollywood dances emerge from various forms or styles or certain drama attributes and thus will always have name.
However, there are certain category of dances within bollywood that do not have name because they do no follow a form or style and are purely for entertainment or let’s just say – NO RULES thus, these dances makes them commercial dances and usually gets disqualified in first round itself if you do it in-spite of rules given. Open category of competitions usually accepts these for example – most reality show competitions are based on this! That dance industry/world is entirely different than education studio. Education world competitions are to encourage the dancer to follow the rules, get finer in it and excel with feedbacks and let’s just say prepare them for higher grounds of possibilities within the form or with fusions later, if trained. Then, break the rules-it is completely dancers wish and instructor’s wish! None-the-less, our students have won these open category dance competitions with their actual dance forms itself or with fusion depending on what is allowed. Usually it will depend on judges, number of rounds in competitions and students training level in that genre. Everything goes in there…
For Bharatanatyam/Classical Dances & indian folk dances, the category is always non-commercial and standard as it is dance form. Even for entertainment, creativity is out of this world if used within the form. Most classical dances are actual dance formats/margams itself and then there are dance dramas. Not to confuse with dance musicals!
There is this entire category of exclusive Indian Folk Dances that is entirely different than the dances that are into Community stage dances/cultural dances/regional dances/bollywood inspired folk dances/ethnic dances/creative folk dances. Why ? Because of rubrics of judging and rules that go with it is entirely different for both these categories. You cannot possibly compare Folk Dances rubrics to Bollywood or with Bharatanatyam. With Bollywood having different types of techniques and some folk dances do not even have expressions as their main factor. Likewise, Bharatanatyam nritta if done will lack several attributes of nritya or natyam itself. So rubrics are often kept in % by the genre or type of entries.
Depending on competitions, they categorize fusion dances or they put them in open category. Concept of fusion dances is very simple! Some go by dance done on other music to be considered as fusion because their argument is that if dance is not danced on its actual/real music then it is not that dance. That is true but if u do not consider music at all and see the dance without music; what will you name it? That raises lot of fundamental questions. So these occurrences have been very rare in over 10 years of history that we have participated. We had 2 such competitions that we came across in entire history of 10+ years where they had that kind of rule! We got 1st place in both anyway. The only argument to this was you cannot name that dance as fusion unless 2 or more dance form or styles are used. Rest are very clear about categories & thus you’ll know it well.
Then comes the judges. First experience is always a question for you because these competitions do not tell you who the judges are and some do not specify the rubrics either but when you test waters, you’ll know! We had tested some waters — we decided not to waste time there as they were bias to one team based on their friendly relations! Then be it that way, you should call only them!
Some competitions are very transparent to names of judges and their experiences and that is fun! Last but not the least, whether or not there it is any voting. If voting then how many % is counted towards total judging points. What age group we are competing in one category/genre is also important factor for stage like dances!!
Then comes, prize money if there is one or something of that sort. Then it is motivating for students who are doing competitions regularly or something of that equivalent value. Nobody wants a 10$ trophy after spending money on hours of practices, competition fees, costumes and that just adds to a collection without a meaning!
For us at Grace And Grooves, it has been other way round. Our students have earned more, earned bigger opportunties than what they put money in! It is just boring for our students who have competed from over 10 years now to go for $10 trophies without the meaning to it. They rather spend money 50 to 60$ and do shows with us where they know they are going to get recognition, feathers to wear that they can own as skill-set, showcase as their own, perks, discounts and many more fun things to take home. A beautiful memory to take home. Budget is very important factor too!
Just like that you do not get the wins in 1st 3 places & $$$ prizes. Here are some standard points that we have come across for rubrics in judgement & we would absolutely love to share with you:
1. Expressions 40% depending on genre. Some genres strongly requires that this element isn’t the part of dance because of restrictions on costumes, mask, type of song/pure technique competitions, or certain type of dramas. so % is then distributed.
2. Techniques 50% & % is distributed
3. Comfort level of dance & body movements-rest % divided, solo or group and as per difficulty level.
4. Coordination to music-rest % divided, if solo or group.
6. Costumes-rest % divided
7. Makeup / Dramatic effects of dance : % is divided by genre.
7. Props & usages
8. Choreography and Innovation in dance form without losing genre category—-some competitions have this highest! some have these 2 seperate.
10. Culture aspect depending on dance (if required depending on competitions since we have been to some of most difficult & strict competitions too!!!)
Exclusive Copyrights by Reachh Mediaa for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2020.
This material can not be published, broadcast, rewritten or redistributed without permission.
Celebrating all our guest artists who have performed with us in past in our journey of dance productions. These guest artist are invited to come and perform with their own work. The talent that they perform are not taught by us. These are not our students either. They have their own dance/talent academy at some place/city or have their own group that they perform. We pick their performance piece dance based on our dance production.
These Guest Artist are local or new artists who have just stepped in the world of Indian Performing Arts or have just started performing.
It is our absolute honor to introduce them to our audiences and as well work with them.
2016 : Dance of Gods : Adi-Shakti. Event : A fundraiser for CRY America showcasing Bharatanatyam, Bollywood, Indian Folk Dances. Fusion Dances by Elites in respective categories. Guest Artist : Dancer : Meghna Murali, A Bharatanatyam dance presentation on Devi. Singer : Mala Pydimari, Carnatic Singer.

2017 : Jalso : Celebration of Life with Dance, Event : Nritya Ki Masti, Navarasa in Bharatanatyam, Bollywood And Indian Folk Dances. A seperate presentation of Fusion Dances was also showed by our own students, elites-trained in 3 different dance forms/styles. Guest Artist : Dancer : Easter Bunny.2018 : ABCD - American Born Cultured Desi Event : Participating fundraiser for a private foundation-Cqunce Inc. Dances in Bharatanatyam, Bollywood & Indian Folk Dances featuring Festivals of India or celebrated by Indians outside India. A special 11 minute tribute to Shahrukh Khan - King of Bollywood. Exclusive Fusion Dances were showcased by our elites who are trained in 2-3 different dance forms. Guest Artists : Dances : Mishu Shashtri with her team for Bollywood Garba featuring Navratri. Ritu Kharbanda with her team of Rang Barse duet featuring Holi. Instruments : Arjun Iyer (Middle Schooler, LISD School Band)-Clarinet & Keyboard. Kedar Golvekar : Introducing Music for SRK Tribute on Guitar.

2019 : Anantha-1 Dance Production. Special Presentations by Rinku Das for Kathak and Manipuri.
2019 : Anantha-1 Dance Production. Event : An Exclusive Dance Production featuring a full Bharatanatyam Margam,Copyright Dances in Bharatanatyam, Folk Dances of India featuring North, East, West & South India. Special presentation by Elites for Fusion dances such as Swala Jathi, Rabindra Nruthya. Fully trained in their own dances. Guest Artist : Dances : Rinku Das for Kathak Classical Dances Rinku Das for Manipuri Classical Dances. Rinku Das was also introducing choreographer for our company that year. Singing : Our own elite student-Ashna Pethe representing LISD choir.
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2019. This material may not be published, broadcast, rewritten or redistributed without permission.
http://www.graceandgrooves.com 972 979 2559 info@graceandgrooves.com
Become a paid subscriber to get access to the rest of this post and other exclusive content.
Following the success of Grace And Grooves’ annual recitals 2016, 2017 and 2018, Anantha–1 marked the beginning of an exclusive dance production series dedicated to showcasing the beauty, elegance, creativity, and limitless possibilities of Indian dance traditions while preserving their authentic foundations.
The production featured Bharatanatyam, Indian Folk Dances, Rabindra Nritya, Manipuri, and Kathak presentations, demonstrating how innovation can flourish without compromising classical technique or cultural authenticity.
About Anantha Dance Production’s Creation —
January 27, 2019
Courtyard Theater
Plano, Texas, USA
The production was presented to a full-house audience for dance time of 4 hours.
One of the defining achievements of Anantha–1 was the completion of the Bharatanatyam Margam by:
These students not only performed but right after the production, completed their duet arangetram as a milestone of completion!
Under the exclusive guidance of Hetal Joshi Nagaraj, they performed nearly the entire traditional repertoire, including:
Presented across approximately three hours of continuous performance, this achievement demonstrated that a comprehensive curriculum-based performance can serve as an alternative pathway to showcasing mastery while preserving the integrity of traditional training.
Anantha extended learning beyond dancers by providing practical production experience to young artists in technical and leadership roles. These opportunities reflected Grace And Grooves’ commitment to preparing students for careers across the performing arts ecosystem—not only as performers, but also as creative professionals.
Anantha–1, In House Company Production was presented by Grace And Grooves in association with:
Auditions are deliberately made strict to avoid any external setbacks.










Anantha–1 also introduced Ms. Rinku Bhattacharya Das to the Grace And Grooves performing teams, audiences and students.
Ms. Rinku is a trained artist in Classical-Kathak and Classical-Manipuri, Ms. Rinku collaborated with Hetal Joshi Nagaraj to explore the integration and future development of Kathak and Manipuri classical dance forms within Grace And Grooves’ Program Catalog with full curriculum and production repertoire in near future.
Ms. Rinku’s participation reflected the Grace And Grooves’s commitment to expanding authentic Indian classical dance offerings while preserving the integrity and fundamentals of each tradition.
About Ms. Rinku. The program later was dissolved on mutual consent because of unavailability of Ms. Rinku.

972 979 2559.
Website : www.graceandgrooves.com
Facebook : https://www.facebook.com/GraceAndGrooves
Post Edited on July 31, 2026 with new links of digital media platforms.
— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current
#hetaljoshim #graceandgrooves #ananthaseries
2013 and onwards, Grace And Grooves started teaching Bollywood/Tollywood-Indian Movie Dance Lessons with structured programs. Songs such as Bahubali, Jai Ganesh, Krishna Leela, Heer, Tamma Tamma(Remix) and many more were acknowledged and requested by clients and organizers to perform in community/cultural events and auditions/competitions over and over again. Some of the listed songs that we performed were non-movie songs remixes such as Come and Get it by Selena Gomez, Cheap-Thrills combined with indian songs etc. T’was fun teaching them.
Personal achievements of choreographers with their other dance activities ARE NOT listed. You can check those out in our other blog post! Multiple Entry of same song means it was performed multiple times but with entirely new choreography with absolutely no relevance with previous one. All dancers in non-indian dance forms or styles are fully trained dancers at competitive levels.
These dances have won/taught at recreational, competition and as freelance paid or volunteer workshops (with/without performances) under the exclusive label of Grace And Grooves LLC, or Hetal Nagaraj and our other past/present choreographers and our elites as Assistant Choreographers:Nirja Setty and Ashna Pethe.
Format of below listing – Song Name, Movie/Album-Year, Starring or Singers/if private album. Choreographers Name. Assistant Choreographer as Asst. (Practices or few couple sequences.).
The number of songs prepared differently do not relate to the number of performances:
The pre-made MP3 files in various combinations of these songs are available with/without added beats/musics from other sources for sale for $10 for each remix with exclusive copyright to re-use without using our name in tag anywhere. The original songs are available everywhere irrespective of copyrights. Ours is performance oriented and its not original song. you can own it for your dance school or dance groups without any efforts by buying it. No edits. Take it or Leave it. Choreography not included with these files. Welcome to ask for it and it will be sold with seperate price tag depending on copyrights on it (as they are our Competition Dances). Average mixes are about 5 minutes while some up-to 10minutes.
Because At Grace And Grooves LLC, we don’t really like to repeat same songs unless requested a lot or for specific purposes even for teaching 😉 OR we make them all over again with other sets of remixes or beats or added music to it. It is FUN and that is what Bollywood/Tollywood/Indian Movie Dances ALL ABOUT. FUN……..SAFELY 😉
OH YEAH, WE ARE GOING TO TRASH THESE MIX-UPS ANYWAYS 😉
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2017.
This material can not be published, broadcast, rewritten or redistributed without permission. If found being copied without permission will be sued in the court of law.
#historyneverrepeats #alwaysnew #alwaysfun #fresh #happy #fun #graceandgrooves #hetaljoshim #sowhatifitsbollywood #sowhatifitstollywood #takeitorleaveit #straightbackground #mp3files #store #noiterations #funwithcreativity #intelligencewithknowledge #knowledgeforfun #lovingit #norules
Grace And Grooves holds exclusive rights for all the content & pictures being posted with permission of organizers for exclusive Grace And Groove use only. Exclusive Copyrights by Reachh Mediaa from 2013 for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-current
All Pictures posted here are with an exclusive consent of participating students, parents or school staffs. This material can not be published, broadcast, rewritten or redistributed without permission.
One of the distinctive creative elements of Recital 2018 – A Fusion Life of American-Born Cultured Indian/Desi (ABCD) was a special tribute to the Golden Era of Indian Cinema, celebrating the timeless music, storytelling, and choreography that influenced generations across India and beyond.
All of Hetal Joshi Nagaraj’s productions or recitals either have inspirations of her own childhood training years or story in the production itself.
Drama, Acting and Theater is heavily enforced in all the productions in various role play. Students commute to other locations for rehearsals just for these role play and acting scenes.
The production explored the evolution of Indian cinema and dance traditions across multiple decades:
This era represented a remarkable period of cinematic creativity, where music, poetry, classical influences, folk traditions, and innovative choreography came together to create unforgettable cultural experiences.
A huge shift of modernization from traditional performing arts was showcased in every performance through year round trainings.
The showcase highlighted the diversity of Indian cinema across various languages, recognizing that India’s film heritage extends far beyond a single industry. Through different regional languages, musical styles, and storytelling traditions, Indian cinema has continuously reflected the country’s vast cultural landscape.
The performances traveled through a creative journey that included, through strict curriculam :
The segment demonstrated how Indian dance has continuously evolved—from classical expressions and traditional folk movements to modern urban influences—while maintaining its cultural roots.
The creative vision, concept development, choreography, and overall direction of this production were led by Hetal Nagaraj, who designed the presentation to showcase the connection between generations, cultures, and artistic styles.
By combining historical cinematic influences with contemporary movement vocabulary, the performance celebrated how Indian performing arts continue to transform while preserving the emotions, stories, and traditions that define them.
This artistic journey represented the essence of ABCD – American-Born Cultured Indian/Desi: a generation that honors its heritage, understands its foundations, and confidently creates new expressions of culture for the future.
Recital 2018 had a story on the stage itself through performances –
Role Play in the show – Hetal Nagaraj, Nirja, Ranveer, Ashna, Samarth.
Recital 2018 – A Fusion Life of American-Born Cultured Indian/Desi (ABCD) was more than a dance showcase. It was a reflection of identity, cultural preservation, artistic education, and the evolving journey of Indian-origin youth growing up in America.
Through classical traditions, folk heritage, Bollywood storytelling, contemporary fusion, and community collaboration, Grace And Grooves demonstrated that culture is not something preserved only in the past—it is something continuously created by every generation.
Several students received their yearly achievement awards, nominations to various competitions and publications as well as Student of the year.
The production celebrated a simple belief:
When strong foundations meet creativity, heritage does not disappear—it evolves, expands, and shines on new stages.
Venue – Plano Courtyard Theater, Plano, Texas.
Students of Las Colinas, Plano 121-Mcdermott-Independence, Carrollton, and Stonebrair Mall Frisco Locations performed in this program. Exclusive to Hetal Joshi Nagaraj. Pre.Elites and Elites performed as well as part of their performances and curriculam assignments.
PR activities were planned before the show thus, partly Ticketted.
Audiences 300+ x 2 Seperate Audiences.
1st Half – Young Kids 1.5 hours.
Texas All Star Showcase – Ticketted 1 hour.
2nd Half – Elites, Teens and Up – Heavily Ticketted. 2.5 hours.
Main Sponsor of Entire Program – Former Owner of Nruthyakala Indian Folk Dance Academy – South Irving, Keller, Euless and Fortworth Areas., followed by permanent merger to Grace and Grooves.
Special Thanks :














At Grace And Grooves, each recital and production represents more than a public performance—it serves as an important milestone in a student’s artistic journey.
Students demonstrate the knowledge, technique, discipline, and performance skills they have acquired throughout the year, progressing toward higher levels of learning and responsibility. In many ways, every recital functions as a practical graduation, where students advance not only in technical ability but also in confidence, stage presence, teamwork, leadership, and artistic maturity.
As students grow, so do our faculty. This continuous cycle of learning, mentorship, performance, and leadership development is fundamental to the Grace And Grooves philosophy, ensuring that every production contributes to the long-term growth of both artists and educators.
Related Posts
972 979 2559.
Website : www.graceandgrooves.com
Facebook : https://www.facebook.com/GraceAndGrooves
Twitter : https://twitter.com/GraceAndGrooves
Youtube Channel :https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw
— Do not copy any word, concept or any ideology, verbiage, picture , any clip or dance, or any wordings of Ms Hetal as it is full trademarked, some copyright received and some ip too, by country – 2012-current
Post Updated : March 15 2018, Jan 2 2020.
You must be logged in to post a comment.