Why Compete!!! Where does it get you ?

We are asked this lot of times, sometimes when people call……..Why Compete!!! What does it get you ?¬†Do you compete because you are not confident…LOL NO…!

Here is why we have culture to compete, perform and do educational activities.

You heard that right, culture to compete is encouraged but not necessary. Our job is to inform you, tell you pros and cons. You do it or you do not it, there is no compromise in dance ūüôā You will still learn the same exact thing even if you do not compete and in same number of classes!

Competitions that we go to are : Healthy, Fun, technique focused/education field/ and lot of them come with really good $$, some are strictly amateur level while some are really good/tough/hard/strict/competitive on techniques and other rubrics. Read about rubrics!

Benefits of competing or even giving the best performance, if you were to give !

  1. You compete because it is not always for the win….! Some competitions will teach lot of other things that even education mainstream will not give you that exposure. It is about being there, feeling it, going through it that will give you the experience.
  2. It teaches healthy sportsmanship…You will still be friends, classmates whether or not you got the wins or lose!
  3. You compete so that you know what comes out of you, under that pressures!
  4. You compete so that when you lose, it does not bother you. It becomes fun!
  5. You learn to lose and still do it all over again & learn to never give up.
  6. You win it and still do it all over again; as if it never happened.
  7. You do competitions to understand life is not about competing. It is about giving your math exam after losing 5 different competitions and still get “A” without a cry. Oh, you bet, elites have gone through that a lot of times. Just like that you do not win. Times they have not won…and still had their exams later next week…Read About them here.
  8. You do competitions so that it gives you a refined audience who knows what you are doing and they have every right to comment or critic on your performance that you will not get in culture or festival audiences or even in those reality show competitions.
  9. You compete as if you are giving your post exam that is optional and fun.
  10. You compete so that when you are there, you do not lose it, no matter what happens on that day. It is the process that teaches you.
  11. You compete so that you learn to trust your trainings..from laughing, smiling, crying, moods or whatever that may come….even if you had worst day of your life.
  12. You compete so that when you get feedback (some competitions come with educational feedback), you do the fixes and do it all over again. It is the pressure under which things will happen that may surprise everybody!
  13. You compete so that the girl or boy you just met took your 2nd place or 1st place or 3rd place and that life is all about how best you did and for what. You get to judge yourself, understand + and – of it. And what could have got you that 1st place, if you would have prob listened to your teacher. Mind you, sometimes too much/over practice too causes failures!
  14. You compete so that you learn to balance everything. It is like a dart board, you hit or miss, you will play it again until the board or the dart is available!
  15. You compete to lead and take charge of your groups’ decision for changes that may happen or support as team member when required. It is not always about you.
  16. You learn to let go your ego and learn to respect others and you learn to never laugh at others. You know what it takes to be there. It is the process.
  17. You learn to get tired, exhausted under pressure and still do a flawless job just as trained without letting audience know of how bad your day was.
  18. Some competitions comes with perks/well most that we do…some $ that students earn for themselves and pay off their own fees and we do too, some give other benefits. It just depends on type of competitions.

Competing in competitions fosters not only healthy environment for sportsmanship between students, teachers, parents, and their own friends but also lot of times depending on rubrics or type of competitions, you will amaze yourself. We have had sweet surprises when our elites forgot their dance moves and made up something(surprise-their own genre steps!) and still got 1st place. Our teachers wondered that time as to where did this step come from and yet the genre suffices and gets them 1st place. Nobody knew till date if it was mistake! While there were days when we had “oppps” moments too then back to point 10. Finish the dance even if you lost that split of the second….get back to it, right away!

Do you know, not all our students compete. While not all our students perform either and yet they all learn the same exact dance/technique and routine. We did it from over a decade just in DFW of North Texas ….and will continue to do so :).¬†

This is the magic of training…And that is why whether or not you compete, there is no difference in what we teach you or these learning skills! With us, under Hetal Nagaraj, you get a guarantee of technique focused & creativity with all that straight background that we speak of…..Your child or yourself will learn same exact steps in same number of classes, no matter what the level is. See for yourself on our Youtube. The videos are clipped from master recording files of entire recording of non-stop classes.

Competing in educational competitions exposes you to educational field and not to entertainment field. Both are different and so are the dances. The entire choreography changes & techniques are far off. You will know when you will do it separately. We have them both under us for seperate category of dance requirements and they all are seperate. They are like two parallel lines that will NEVER meet or agree to each other. And for sure, that is something not to be compared or discussed. You compare when they have something in common!

Only Best Part about all the educational field dancers is that they fit very well and succeed in entertainment world of their genres because of strong knowledge, techniques/originality in them and the process of the trainings that they go through comes with its pros that no education or experience will teach. While entertainment dancers find extremely difficult to fit in educational field and related state of affairs. It becomes difficult for them to understand concepts, techniques and choreography too. Either way, this is just our experience whenever we had choreographers from entertainment field or direct industry who do not know this process of education. While who are we to argue when it comes to parallel lines. Those who have never done it will not know it!

Call NOW…Learn your life skills from sportsmanship to leadership skills with us and let dance allow you to beat the crap out of everything. 972 979 2559 is the right number. Our owner Hetal Nagaraj ( www.hetaln.com ) has a certifications in those too other than her trainings of 35 years background in Indian and Non-Indian Performing Arts. For those who do not know, she was trained exclusively under her teachers’ complete trainings, internships, guidance, mentorship, amongst the most mature and strongest leaderships and was launched by one in 1999.

Do you know ? In order to at-least get 1 win for 1 genre, you have to submit at-least 1 student or group or for audition for at-least 1 dance in 1 category/genre ? Do the math, how many of our students must have submitted per competition & per genre to create a record of 10+ years of history in all genres with technique based non-voting educational competitions ūüôā .

This just tells how much we love what we do, how we succeed in all we do…and why! try it, you will achieve it too. #trainingsrequired

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Secret To Winning Indian Dance Competitions For Dummies!!!

Winning 1st 3 prizes for solo(s)/group(s) in Indian Dance Competitions for over a decade in our genre of specialization for non-voting Indian Dance Competitions sounds like a big thing. It actually isn’t if you follow curriculum and keep it fun. For us, it has been a norm for Bharatanatyam, Indian Folk Dances & Bollywood/Some Tollywood and from 2013-Fusion!

HOW ? We love to share how we have been winning from over a decade in all the ‚Äústage dance competitions‚ÄĚ and how our elites have come this far with such good paid commitments.

So, here’s our HOW TO Win Indian Dance Competitions for Dummies…! Our Fool Proof guidelines and tips for those interested.

One of main attributes in stage competitions/for all genres are : Techniques. Techniques also means right amount of expressions required at certain techniques or mood used in the dance, coordination if group, comfort level of dancers with respect to dance, stage presence and personality, choreography, costumes, makeup and drama aspect. To do it right, you have to feel it and go through it which at Grace And Grooves is a norm! Because our owner herself comes from that background of competitions from over 2 decades! Read About Ms. Hetal Nagaraj.

To begin with, what are the types of dances ?

Be it Bharatanatyam, Indian folk dances or Bollywood/Movie inspired dances; usually these dances are non-commercial dances. For bollywood or tollywood dance industry genre, there is level of dance and name of dance as well. As we all know that bollywood dances emerge from various forms or styles or certain drama attributes and thus will always have name.

However, there are certain category of dances within bollywood that do not have name because they do no follow a form or style and are purely for entertainment or let’s just say – NO RULES thus, these dances makes them commercial dances and usually gets disqualified in first round itself if you do it in-spite of rules given. Open category of competitions usually accepts these for example – most reality show competitions are based on this! That dance industry/world is entirely different than education studio. Education world competitions are to encourage the dancer to follow the rules, get finer in it and excel with feedbacks and let’s just say prepare them for higher grounds of possibilities within the form or with fusions later, if trained. Then, break the rules-it is completely dancers wish and instructor’s wish! None-the-less, our students have won these open category dance competitions with their actual dance forms itself or with fusion depending on what is allowed. Usually it will depend on judges, number of rounds in competitions and students training level in that genre. Everything goes in there…

For Bharatanatyam/Classical Dances & indian folk dances, the category is always non-commercial and standard as it is dance form. Even for entertainment, creativity is out of this world if used within the form. Most classical dances are actual dance formats/margams itself and then there are dance dramas. Not to confuse with dance musicals!

There is this entire category of exclusive Indian Folk Dances that is entirely different than the dances that are into Community stage dances/cultural dances/regional dances/bollywood inspired folk dances/ethnic dances/creative folk dances. Why ? Because of rubrics of judging and rules that go with it is entirely different for both these categories. You cannot possibly compare Folk Dances rubrics to Bollywood or with Bharatanatyam. With Bollywood having different types of techniques and some folk dances do not even have expressions as their main factor. Likewise, Bharatanatyam nritta if done will lack several attributes of nritya or natyam itself. So rubrics are often kept in % by the genre or type of entries.

Depending on competitions, they categorize fusion dances or they put them in open category. Concept of fusion dances is very simple! Some go by dance done on other music to be considered as fusion because their argument is that if dance is not danced on its actual/real music then it is not that dance. That is true but if u do not consider music at all and see the dance without music; what will you name it? That raises lot of fundamental questions. So these occurrences have been very rare in over 10 years of history that we have participated. We had 2 such competitions that we came across in entire history of 10+ years where they had that kind of rule! We got 1st place in both anyway. The only argument to this was you cannot name that dance as fusion unless 2 or more dance form or styles are used. Rest are very clear about categories & thus you’ll know it well.

Then comes the judges. First experience is always a question for you because these competitions do not tell you who the judges are and some do not specify the rubrics either but when you test waters, you’ll know! We had tested some waters — we decided not to waste time there as they were bias to one team based on their friendly relations! Then be it that way, you should call only them!

Some competitions are very transparent to names of judges and their experiences and that is fun! Last but not the least, whether or not there it is any voting. If voting then how many % is counted towards total judging points. What age group we are competing in one category/genre is also important factor for stage like dances!!

Then comes, prize money if there is one or something of that sort. Then it is motivating for students who are doing competitions regularly or something of that equivalent value. Nobody wants a 10$ trophy after spending money on hours of practices, competition fees, costumes and that just adds to a collection without a meaning!

For us at Grace And Grooves, it has been other way round. Our students have earned more, earned bigger opportunties than what they put money in! It is just boring for our students who have competed from over 10 years now to go for $10 trophies without the meaning to it. They rather spend money 50 to 60$ and do shows with us where they know they are going to get recognition, feathers to wear that they can own as skill-set, showcase as their own, perks, discounts and many more fun things to take home. A beautiful memory to take home. Budget is very important factor too!

Alas, comes the winning part after all that! Most difficult & unpredictable of all!

Just like that you do not get the wins in 1st 3 places & $$$ prizes. Here are some standard points that we have come across for rubrics in judgement & we would absolutely love to share with you:

1. Expressions 40% depending on genre. Some genres strongly requires that this element isn’t the part of dance because of restrictions on costumes, mask, type of song/pure technique competitions, or certain type of dramas. so % is then distributed.

2. Techniques 50% & % is distributed

3. Comfort level of dance & body movements-rest % divided, solo or group and as per difficulty level.

4. Coordination to music-rest % divided, if solo or group.

6. Costumes-rest % divided

7. Makeup / Dramatic effects of dance : % is divided by genre.

7. Props & usages

8. Choreography and Innovation in dance form without losing genre category‚ÄĒ-some competitions have this highest! some have these 2 seperate.

10. Culture aspect depending on dance (if required depending on competitions since we have been to some of most difficult & strict competitions too!!!)

Sounds easy ? See you there..!!!!

Congrats to all our elites Nirja Setty, Samarth Setty, Setty Siblings, Ashna Pethe, Hetal Nagaraj, and lot of our graduates who have won them through a decade as they grew with us by balancing not only personal life but studies too.

Check out their real dances & results as they have been doing it beautifully and gracefully like cute little swans! Click Here.

Read about these budding stars : Here.

See their dance trainings at : https://www.graceandgrooves.com/our-graduates

Our Performing Teams too have won several such auditions/competitions or are called for special paid appearances : https://www.graceandgrooves.com/our-performing-team

Do not forget to sign up or subscribe our Youtube Channel Playlists.  You will find lot of videos of our competition students, recreational dances, party dances, margam dances for classical dances, audition videos, our program videos, media releases & videos of different age groups starting from 3.5 to 5 years onwards to Adults 50+, and many more!!! Do not miss the Teenagers tribute of fun dances they do.

 

Dates these page were updated : May 1, 2020. 930am.

Exclusive Copyrights by Reachh Mediaa for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2020.  

This material can not be published, broadcast, rewritten or redistributed without permission. 

Guest Artists @Grace And Grooves Dance Productions | Annual Recitals | Programs

Celebrating all our guest artists who have performed with us in past in our journey of dance productions. These guest artist are invited to come and perform with their own work. The talent that they perform are not taught by us. These are not our students either. They have their own dance/talent academy at some place/city or have their own group that they perform. We pick their performance piece dance based on our dance production.

These Guest Artist are local or new artists who have just stepped in the world of Indian Performing Arts or have just started performing.

It is our absolute honor to introduce them to our audiences and as well work with them.

guestartist20162016 : Dance of Gods : Adi-Shakti. 
Event : A fundraiser for CRY America showcasing Bharatanatyam, 
Bollywood, Indian Folk Dances. 
Fusion Dances by Elites in respective categories.
Guest Artist : 
Dancer : Meghna Murali, A Bharatanatyam dance presentation on Devi.
Singer : Mala Pydimari, Carnatic Singer.

IMG_1988

2017 : Jalso : Celebration of Life with Dance,
Event : Nritya Ki Masti, Navarasa in Bharatanatyam, 
Bollywood And Indian Folk Dances. 
A seperate presentation of Fusion Dances was also showed by our own 
students, elites-trained in 3 different dance forms/styles.
Guest Artist : 
Dancer : Easter Bunny.
Guestartist20182018 : ABCD - American Born Cultured Desi
Event : Participating fundraiser for a private foundation-Cqunce Inc.
Dances in Bharatanatyam, Bollywood & Indian Folk Dances 
featuring Festivals of India or celebrated by Indians outside India.
A special 11 minute tribute to Shahrukh Khan - King of Bollywood.
Exclusive Fusion Dances were showcased by our elites who are trained
in 2-3 different dance forms.
Guest Artists : 
Dances : 
Mishu Shashtri with her team for Bollywood Garba featuring Navratri.
Ritu Kharbanda with her team of Rang Barse duet featuring Holi.
Instruments :
Arjun Iyer (Middle Schooler, LISD School Band)-Clarinet & Keyboard.
Kedar Golvekar : Introducing Music for SRK Tribute on Guitar.
rinkudas

2019 : Anantha-1 Dance Production. Special Presentations by Rinku Das for Kathak and Manipuri.

rinkumani22019 : Anantha-1 Dance Production.
Event : An Exclusive Dance Production featuring a full 
Bharatanatyam Margam,Copyright Dances in Bharatanatyam, 
Folk Dances of India featuring North, East, West & South India.
Special presentation by Elites for Fusion dances such as Swala Jathi,
Rabindra Nruthya. Fully trained in their own dances.
Guest Artist :
Dances : 
Rinku Das for Kathak Classical Dances
Rinku Das for Manipuri Classical Dances.
Rinku Das was also introducing choreographer for our company that year.
Singing :
Our own elite student-Ashna Pethe representing LISD choir.

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2019.  This material may not be published, broadcast, rewritten or redistributed without permission. 

http://www.graceandgrooves.com        972 979 2559         info@graceandgrooves.com

Anantha Dance Production Series

Anantha Dance Production Series…………..

Anantha-1, a dance production series showcasing beauty, elegance, creativity, as well as infinite possibilities of Bharatnatyam, Indian Folk Dances, Rabindra Nruthya, Manipuri And Kathak. All of this without forsaking fundamentals.

ananthaflyer2019Idea of Anantha was implanted in 2018 January when we had faced some challenges that opened doors to other possibilities. 

First announcements were made to public in various medias from Nov 2, 2018 and onwards. Every year it just happens that as Grace And Grooves LLC plan their annual programs/recitals and they come out so beautiful that it ends up in dance productions with and without dance-musical dramas.

But the idea of dance recital was not enough for Bharatnatyam and Indian Folk Students after getting ready for 30-45 mins with all that make-up and costume. These students were to be taught the possibilities within the dance form and show it off separately. So, Anantha Production Series it was!

With straight background comes unlimited (Anantha)¬†creativity. Thus, the name of¬†“Anantha” was given to this dance production series with each dance showcasing unlimited possibilities in each dance forms. The name and concept is inspired from several dance production houses or dance institutes like that of her mom, own teachers, formal gurus, dance exponents such as Daksha V Joshi, Mrinalini Sarabhai, Daksha M Joshi, Tanjore Brothers Original Margam, Kalakshetra Foundation, Natyavihar Kalakendra.¬†This intense training of over 34 years has given a shape to Hetal’s¬†own dance creations within exclusive Indian Dance Forms such as Bharatanatyam and Indian Folk Dances.¬†Some dances have also received exclusive copyright permissions to¬†republish under the name of Hetal Nagaraj and some have received competition awards early this year and years before as well.¬†

Anantha opened its door with Anantha-1 in 2019 to begin with on Jan 27, 2019 at Plano Courtyard Theater, Plano, Texas, USA from 330 PM to 730 PM and was a houseful event. The event was an introduction event to her elite students such as Ashna Pethe and The Setty Siblings who are in advance trainings from years now and Rinku Das-a budding artist of Dallas-Forth, Texas. These students roughly danced for more than 2 hours. In Anantha, their intern choreographers, performing teams got every opportunity to be creative under the supervision, direction of Hetal Nagaraj and yet feel challenged without forsaking fundamentals of each dance form. All of it with full safety on practicing it in the right way. It is not about perfection, it is about doing it right.

Hetal Nagaraj is artistic¬†director of Grace And Grooves LLC.¬†¬†This is her¬†4th dance program in a row¬†showcasing A Grade¬†Indian Dance Productions with each dance as a reflection¬†of her experiences, trainings and now the degrees. It has been peculiarity of Hetal that her dances include Nritta, Natya and Nruthya as its basic components with balance of Tandav and Lasyam. Each dance of her has a name to define with its subject in the dance along with dance themes that are full of life, happiness, thankfulness, blessings and above all beautiful costumes that she herself designs. But, Anantha-1 is Hetal Nagaraj’s VERY FIRST exclusive dance production for Indian Dance Forms and A Tribute to Rabindranath Tagore Famous Literature and Poems which as a matter of fact matched to our production name. All the students had so much fun learning and practicing for Anantha-1 during their regular class hours itself and no additional class is required. It is not like you pay, you get to be part of it, and be done with it.¬†It is what they have learned, they’ll showcase.¬†

No outside students were allowed to perform or take trainings or as part of freelance dancers. Even the guest artists are/were students of Grace And Grooves LLC enrolled in their exclusive programs. Anantha Dance Production Series is about Grace And Grooves LLC students and their team only. Hetal Nagaraj selects them for this dance production and not everybody is able to make it to her list.

We will always had a special guests like this time we had Rinku Das who will do their own dances and stick to our themes or request with their team or solo but they are our special guests.

From students who wanted the thrill got it covered along with students who wanted the fun of natyam alone still staying in their respective dance forms.

Who said dance forms are boring..Not at Grace And Grooves!

Congratulations to Students Samarth Setty(Age 11) and Tejawini(Adults) for completing their entire Bharatanatyam Margam in Anantha-1 by performing under the strict supervision, instruction and guidance of Mrs. Hetal Nagaraj. This was made possible by dancing back to back for straight 3 hours from Pushpanjali, Allaripu, Jatiswaram, Thillana, Group-Shabdam, Creative Bharatanatyam, Copyright Bharatanatyam Dance Pieces, and Rabindra Nruthya as well. This also means, that it can be very much called their own arangetram, if they choose not to do it as solo arangetrams, separately. 

This is Hetal Nagaraj’s 2nd round of completion of full margam from start to finish by teaching it to various students.¬†At Grace And Grooves, we aim to make sure you understand everything you see while we are just doing our job.¬†

Every beautiful thing under this sky has a name and so do the dances. 

From the thrill of nritta, beauty as in lasyam, fun of natyam, devotion as in bhakti and tapasya as in training, power as in shakti of tandav and possibilities as in Anantha- the infinite and we are still in same dance form when we do it right!

Anantha-1 Dance Production was made possible by Dhamaal Events in association with Grace Effects ( Gopal S and Dinesh Kumar for photography and videography services).

Big Shout Out To These Young Teenagers who had their paid student assignments at Anantha-1. Aditya Sangole as our Sound Technician and Emcee Yashika Nabar for our Dance Production Anantha-1.

Anantha-2 Dance Production is next scheduled in March 2020.

Dates & Times Will Be Announced Shortly.

Call NOW because time and tides wait for none…. 972 979 2559.

Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2019.  

This material may not be published, broadcast, rewritten or redistributed without permission.  

#hetaljoshim #graceandgrooves #ananthaseries

Journey of Master In Fine Arts….Submitted By Hetal Nagaraj.

August 2016 : We were excited to hear the news that Hetal Nagaraj got accepted for Masters Program at TDES via Tamil University in August 2016. College:  Kalai Kaveri College of Fine Arts, Trichy, India.

A label & ID of OKC213160083A was given to her as Hetal Mahesh Joshi. She would mock to her students that she got her roll-number/student id too and that she is student too. Some of her students started calling her Hetal since then :).

University ID LOL

This makes us laugh for 2 reasons. First reason is, a very non-traditional picture-LOL. 2. Our owner was a student, not long ago ūüėõ

Her inspiration of having a master degree in fine arts comes directly from one of her own cousin’s spouse/bhabhi (sister in law & aunt-2way relation:) who was enrolled in Masters Program @Darpana Academy, Ahmedabad India. Her Bhabhi had to leave her degree half-way for personal reasons and since then, Hetal Nagaraj had her mind set on doing Masters in either bharatnatyam, or theater with full dance work, at some point of time.

Finding a university or dance program that not only offers robust MASTERS program of Bharatnatyam but also offers in-depth knowledge of Natya Shashtra, History, Styles, Theaters and Musicals with the flexibility of long distance program was a challenge.¬†Hetal Nagaraj got accepted in 2 universities for this program with her dance experience, video clips of main margam, creative bharatnatyam dances, direct referral letters from her past dance teachers and her existing Master Degrees in other education stream that she already had. Rest all the universities had a requirement to do a full 2 year resident program and stay local for full two years with classes non-stop through the week and weekend! For those in India or want to pursue their degree in India for on-campus degrees within India, most welcome to contact Hetal Nagaraj:info@graceandgrooves.com, she’ll be very happy to guide you for all these courses.

Masters of Bharatnatyam

Master Of Fine Arts Year1

Biggest Challenge for Hetal Nagaraj was that she can’t just leave a young family and pursue dreams while running a full fledge A+ rating dance business with multiple locations, competitive performance schedules (almost every other month) in Bharatnatyam, Indian Folk Dances, Bollywood, Workshops, Elite performing team and all of that with her students taking part in competitions. Once you are married happily ever-after & have family, it is a package for whole family to achieve something as big as degree especially if parents are taking them; irrespective of whether or not you are in dance business! Whole family goes hand in hand to actually make it happen. Entire month of kids activities, planning meals for whole family, routines with home works, car-pooling, classes shuffled between choreographers as applicable in her absence, volunteer parents, website maintenance and it was STAAR Exam time for kids as well.

Bharatnatyam, Bharatanatyam

Break Time between classes…..all these are her classmates and they have dance businesses of their own in and out of India. Some in USA as well.

TDES via Tamil University gave her the options to not only be competitive at learning edge but flexibility to travel to Chennai for at-least one out of two degree years to give on-campus bharatnatyam theory exams, assignments, thesis/research,  presentations, do practical exams, live concert, musical and folk dance drama to be showcased before the teachers for grading.

All these dances were with full makeup and relevant costumes and costume change as required. Further, she decided to choose her degree location at Don Bosco College of Arts And Science, Chennai, India as her on-campus exam training (1 month required in person or average of 20-days) and examinations (practical and theory, in person). She decided Chennai as her location considering that Tamil History was one of the main subject and so she wanted to stay around Chennai to complete her research subject from locally available sources such as libraries, bookstores and visits to local dance schools. Don Bosco College of Arts And Science was her pick from the list due to her past upbringing of Convent Schools in Gandhinagar(India) and then affiliated programs at Ahmedabad(India) due to its discipline, environment, experiences and education standards.

Masters In Bharatnatyam

ConcertPaper, Folk Dance Drama

At first the initial plan was to go in second year. Plans changed when the syllabus arrived in Fedex from university with a whopping 22 dance items to take care of, showcase them, write 1 research paper each year, minimum of 2 assignments per year, minimum of 1 presentation per year, LIVE concert, nattuvangam, talam, ragam and Tamil History with all terms in Tamil. It was her husband Nagaraj who insisted that with this type of syllabus, she should take this as an opportunity and must go personally both the years, just like any student would do for each year in any other Masters Program.

Bharatnatyam, Master of Fine Arts

@Don Bosco School of Arts And Science canteen…break time between classes…fun food and lovely people.

The dance items and other master level dances required hours of practices and a mentor/guide to correct/remind as required because of complexity in choreography. They were in speed 2, 3 and 4 at a cutting edge but not a sweet cherry on the top, most in 3 and 4!

It isn’t for a regular bharatnatyam dancer who is barely trained and could still handle that type of work with that intense choreography.¬† Complexity with speed 3 and 4 was tough nut after a long time for Hetal Nagaraj.

She learned latest concepts in Bharatanatyam which she had never learned or were not taught in North India probably because back then these were taught @post-arangetram level only. Most of these concepts were added to standard margam by Kalakshetra Foundation founded by Rukmani Devi, Chennai and by renowned Bharatanatyam Artists in multiple styles.

Thus the degree curriculum included Main Margam Items, Non-Margam Items as well as Additional Creative Choreography from renowned artist of  Mysore Bani, Pandanallur Bani, Thanjavur Bani and Kalakshetra Bani margam as a compulsory LIVE concert-all of this with grading. While Vazhuvur Bani was one of the sub-topic for Mrs. Hetal Nagaraj as part of her research/dissertation. She took several skype/watsapp video classes from her guide Dr. Marie Stella who taught and corrected her for the possibilities in margam bharatnatyam dances with nattuvangam.

MargamPerformance w/Folk

Mrs.Hetal Joshi Nagaraj also took in-person classes with Dr. Marie Stella at Pondicherry where Dr. Marie Stella runs her own Dance Institute Kalai Aalayam Fine Arts Academy. Their group performed various items of margams, folk and solo bharatnatyam master works.

Her journey to full month stay at training and exam center for both the years were absolutely amazing! She stepped into this whole new world of Bharatnatyam with the infinite possibilities and complexities in southern India.

From what she thought would be questionable to do in various margam dances was NOW possible in unlimited combinations further. This experience opened a whole new creativity level in musicals, dance themes, concepts, usage of jatis and adavus in various permutations and combinations.

She implemented those concepts and was able to successfully use them not only in Bharatnatyam but in Indian Folk Dances and Bollywood/Tollywood/Indian Movie Dances of Grace And Grooves LLC giving exceptionally beautiful results with least amount of effort even for Bharatnatyam.

Masters in bharatnatyam

Thesis, Myselfie, concertpaper2

It took her 2 full years (2016 to 2018) for her to complete her degree in Masters In Fine Arts with whole family involved. This includes all our lovely students’ parents¬† of our private classes who walked with her in her journey very beautifully as she had to meet her deadlines of submissions or had her parallel skype classes.

With the type of knowledge that she gained in practical classes (skype/video watsapp/in person @Pondicherry) with her guide Dr. Marie Stella and during monthly in-house trainings, she thanks god that it did not happen in a click of button.

It would be too much for human brain to absorb all that, if it were to happen! She thanks her Tamil friends’ grand-parents (who were bharatnatyam dancers themselves) who helped her with very old tamil dialects for her theory papers that required compulsory usage of these words for grading. A lot of her regional tamil friends from chennai as well found it difficult to explain or understand these terms. All of that happened for Hetal Nagaraj for both the years back to back, one year at a time with proper planning.

Don’t even wish for a degree in 1 day with a click of a button. It is not going to help you! It is the training from all the right people that will never fail you and that you will not experiment on students because you have studied each scenario with pros and cons & thus it is available for you to use in your own creative way, very very¬†safely!

Just that common sense is something that no university will ever teach you and to master that you will have to let go your ego ;). This is irrespective of your age!

Planning

80 Seperate School Lunches(2 kids), 40 dinners combined for 4 people, 40 lunches for huby/mil(combined 2 ppl), 25 breakfast(2 ppl), and extra 10 dishes here and there. There are similar bento boxes behind the line you see in the picture. 2017 too, similar preps and this year pretty much same plan but with MIL present, it was easier.

We strongly recommend all bharatnatyam dancers who are interested to go for this course provided you have the following :

  1. Zeal, patience, energy, money (investment in INR), and proper planning to do so.
  2. You should have done bharatnatyam up-to varnam level and above at some point in your life to be able to handle this type of work. Arangetram is irrelevant.
    • Style of bharatnatyam will not matter for this particular degree because their program itself includes multiple styles.
    • You must submit videos of any of these with other degrees that you have to become eligible for this program.
    • Private classes with your guide will be required to get your smoothly through this journey with deadlines, protocols to be followed and your guide will help you with the following as well :
      • if you have learned your bharatnatyam in non-traditional or conventional ways or you had several breaks through out your learning, or nattavangams, ragam, talam were not part of your training then you will have to educate yourself with these.
      • Nattuvangam, Recitation of Jatis and Adavus are graded.
      • In-person practicals, concerts participation is required. Must be ready to showcase all of above or as asked with full costume, makeup, hair-do; irrespective of any help available. Makeup artist may/may not be available.
  3. Expect morning 9am to 5pm dance routines and as you get closer to exams it will be 9am to 11pm practice hours. If you have any physical disability, come with doctor’s note or do not apply!
  4. List/selections of locations, accommodation to be take care by you while these will be required during your on campus trainings and all exams.
    • Paid meals 3 times a day at the campus canteen and everything is available around the area.
  5. Most important-you should be ready to go for a month (average of 20 days approx and add 2 more days to get the feel of area and shopping for your concert). Attendance is strictly required during all the days for the on-campus classes and exams. Best if you go both years. It will be worth a trip….
  6. Cons : Make sure you stay at the top of conversation with these people and get it all in writing, we had students who were marked absent even when they were present, we had students whose names and marks were printed wrong and lot of such issues.. Hetal managed to get out clean because she is from security background and so she has habit of keeping track of everything. Our owner is on the top of everything and that is how she is able to make a positive and inspiring difference in her students’ life.

Specifics are mentioned deliberately in detail as an effort to provide all the information that you may need as a student to apply! This blog post details were taken from articles submitted by Hetal Nagaraj to company.

Hetal Nagaraj says I did it and she will love to guide you to do it too! 

New Images Added : July 18, 2020.

Phone : 972 979 2559

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2020.  This material may not be published, broadcast, rewritten or redistributed without permission. 

http://www.graceandgrooves.com        Phone : 972 979 2559       info@graceandgrooves.com

 

 

Grace And Grooves Blog List Of Articles

Grace And Grooves LLC

Blog List Of Articles : (From Newest To Oldest–Scroll Down)

ALL Password Protected Posts are going forward PAID posts for our exclusive members. For research students/art enthusiasts and for dance credit interns – pls contact Ms. Hetal : Here.
    1. ALL Recitals Of Grace And Grooves : Updated Annually
    2. Time-Line of Grace And Grooves LLC : Updated Annually
    3. Student of The Year – Updated Annually. : Updated Annually
    4. Anantha Dance Production Series :  Dates Updated Annually.
    5. Is Learning Language Required To Learn Dances ?
    6. Grace And Grooves Awards In Indian Dance Competitions
    7. Journey of Master In Fine Arts….Submitted By Hetal Nagaraj
    8. Why Seperate Names for Each Programs ?? NEW!!!
    9. Grace And Grooves Dance Performances List : Always NEW!!
    10. Know The Dancer by Dance : NEW
    11. Workshops Craze : NEW !!
    12. Dance Forms, Styles, Creative Dances, Fusions…What’s Buzz?
    13. Why Grace And Grooves LLC discontinued Better Business Bureau of Dallas Fortworth Areas of North Texas, USA.
    14. Anybody Can Dance(ABCD), Can Anybody Teach ? : NEW !!
    15. Dance Glossary : NEW !! Always Updating !!!
    16. Guest/International Faculties at Grace And Grooves LLC
    17. Guest Artist at Grace And Grooves LLC Dance Productions : NEW
    18. Why Compete or Perform, What does that get you ? : NEW
    19. International Artist Prospects For Grace And Grooves LLC : NEW
    20. Trained & Untrained Teachers – Difference by Hetal Nagaraj
    21. Competitions Counted On Our Lists.
    22. Secrets To Winning Competitions for Dummies : NEW
    23. Salutations to our people, we love you.¬†— NEW
    24. Salutations to Darpana Academy of Performing Arts (Ahmedabad-India) & Trainings.
    25. Grace And Grooves LLC, Names, Logo(s) РUpdated As Required
    26. Recital 2017: Celebration of Life Featuring JALSO (NRITYA KI MASTI).
    27. Past Interns and Visiting Faculties w/Grace And Grooves
    28. Musical Dance Drama 2017(Public) 
    29. Creative School-Fun Projects
    30.  List of Performances 2015 and Before
    31. Early Training of Our Founding Member-Raised With Standards
    32. Recital 2016 : Dance of Gods Featuring ADI-SHAKTI
    33.  Bollywood Fever…. since 2015
    34.  ELITE: Expensive or Quality?
    35.  Creativity In Performing Arts (Folk): Embrace Or Not?
    36. Our Story ‚Äď How, when‚Ķ. Grace And Grooves Started. And Why us¬†?
    37. 1999…. Entering Freelance Private Group Choreography.¬†¬†
    38. Past Volunteers And Staff
    39. Dance like nobody’s watching OR dance like everybody’s watching? 

Call NOW : 972 979 2559. or Email: info@graceandgrooves.com

Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2020

This material may not be published, broadcast, rewritten or redistributed without permission.